#was that the sort of thing reference writers did ever

[bat-the-misfit]

ISTG when i go to italy i will remake the iconic scenes where Jeremias Berdinazzi walks and stares at statues while minha gioconda is playing

[thyme-in-a-bubble]

tell me again that you hate me

a/n: i kinda just poured all of the filth ever into this one fic... you're welcome.

summary: “you know, I could help you. Pop that little cherry for you,” he shrugged as if he didn’t seem out of his mind for what he was brashly uttering, “you desperately need it, that fucking stick up your ass makes you such a bitch to be around. But no one is gonna wanna bang you, I mean, maybe you could be kinda hot if you weren’t such a fucking loser, if you didn’t dress like a fucking pogue, but I don’t think anyone would commit social suicide like that. So, I’ll take care of it. Fix that problem for the good of everyone else.” 

warnings: bully!stepbro!rafe cameron x virgin!reader, smut, dark content, dubcon/noncon, enemies to lovers, rafe is in college while reader is still in high school (everyone is over 18), blackmail, alcohol consumption, allusion to drug use, drunk driving, hidden cameras, panty stealing, references to somno, possessiveness, kissing, loss of virginity, size kink, belly bulge, pain kink, dirty talk, impact play, oral, pussyjob, just the tip, squirting, multiple orgasms, overstimulation, penetrative sex, unprotected sex, cumplay, no aftercare and not really any foreplay, public sex, rafe is mean and pervy and dark but it's all fun because it's just a silly fantasy

word count: 5153

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Your life had turned into a living nightmare.

You thought that when your high school bully graduated, you’d finally get rid of him. But little did you know what the future held in store, just who your own mother would decide to marry and what particular family you’d be forced to fuse with. 

Rafe Cameron had been the bane of your existence for years. Sure, when you’d first met him, you admittedly had a bit of a crush on him, but that was until he noticed you and truly showed you the notorious bully that he was. And now that he, the very person who had turned your teenage years into literal hell, had become your stepbrother, you couldn’t wait to get out of there, move halfway across the globe just to never see his face again. 

It also didn’t help matters that you got situated in the room right next to his, even had to share a Jack and Jill bathroom with him. 

Now what you didn’t know was how Rafe’s feelings truly were towards you. How he only started bullying you because you made him feel some type of way that no other chick did, but you came from the wrong side of the island, so getting those feelings out in the form of cruelty only seemed natural to a guy such as him. You had no idea that it was actually you whom he thought about every time he jerked off on the other side of that incredibly thin wall you shared, or even that his wicked fascination with you only seemed to grow now that you were a part of the family. 

The impatient knocks were no use, so swiftly you swung the door to Rafe’s bedroom open. He was nowhere in sight, but before you could turn around to search for him in another place, the light that his computer monitor blared out into the space caught your eye.

Your vision however grew wide as soon as you saw the taboo tab that was open. It was porn, but not just any porn. The open page was littered with rows and rows of graphic videos that all fell under the stepsister search he had typed in. 

Frozen in your stance, you wanted to sprint out of there, though at the same time, some part of you wanted to inch closer and snoop further. 

“What the fuck are you doing in my room?” a voice blared from behind you and caused you to jump.

Skittering away from the desk, you spotted the familiar buzzcut standing in the doorway. 

“I–, uh,” you swallowed and recalled the reason for your hunt, “my mom’s forcing me to go to that party at Topper’s tonight.”

“Okay, and?” he scoffed. 

“And so, because I don’t really do that sort of thing–”

“Because you’re a fucking loser who never gets invited.”

“Because I have better things to spend my Friday nights doing, your father wanted you to keep an eye on me and to make sure I got home safe.”

The only way you were gonna get through the night was if you got as wasted as possible.

Which is exactly what you ended up doing. 

When the clock chimed two, the raging headache you were developing from the blaring music convinced you to finally call it a night. You’d given it enough of a chance, enough experience to go home and state that partying simply wasn’t for you. 

But if you didn’t find the literal demon of a stepbrother and let him complete his end of the bargain, then maybe your mom wouldn’t believe you alone and force you to go to another. 

However, locating him turned out to be a much more difficult task than you’d thought. As you stumbled around the massive house, supporting your wobbly weight on the walls as you peeked into each of the rooms where some partygoers had migrated to, you soon dug your phone out of your jeans and dialled up his number. 

It was on the third attempted call that you finally stumbled into him. Sitting with a random blonde on his lap and the remnants of a mysterious white powder dusting the coffee table separating you from him. 

“There you are,” you grumbled, “I’ve been trying to call you!”

His expression turned sour as he noticed your presence, swiftly flipping his phone around as it layed on the table, though the caller ID that lit up the screen wasn’t of your name as your phone still buzzed in your palm to get through to him. Instead, it spelt out fleshlight in big bold letters. 

“So, you have,” he exhaled, “what do you want?” 

“I wanna go home,” you shoved your phone back in your pocket. 

“So, go home. What do you want my fucking permission? Are you that obsessed with me?”

“You have to take me home,” you reminded him, though when he began to laugh in your face, you shot back, “or you can just deal with your dad yourself when you get home. Your choice if you wanna keep being in his good graces or not.” 

That managed to shut him up. Though as he reluctantly pushed the blonde aside and got up from the couch, he muttered just loud enough for you to hear, “fucking prude,” like a curse on the wind just before he marched passed you and grabbed a hold of your arm to drag you with him. 

“Ow, Rafe, you’re hurting me!” you tried to tear yourself free of his grip. 

“Oh, shut up you baby, no I’m not. You wanna feel what does hurt?” his long fingers then dug further into your flesh and caused it to actually ache, “this.”

As he pushed open the front door, you whined, “ow, please stop,” but when he finally did, he only traded the grasp out with a light shove to your shoulder, directing you further towards his parked car. 

When you were planted in the passenger seat with your gaze firmly fixed out the window as the dark streets rolled by, you crossed your arms and mumbled, “I hate you…” gaining enough courage from the dizzying alcohol ravaging your system to utter it out loud. 

“What was that?” Rafe cast a glance in your direction.

Twisting your neck to glare back at him, you hesitantly repeated, “I hate you,” though the faint flicker of bravery you’d acquired was snuffed out as swiftly as it ignited when you saw the smirk that bloomed on your stepbrother’s features. 

“Aw, don’t tell me that, princess,” he chuckled, “you’ll just make me hard.” 

Eyes widening, they briefly fluttered down to the crotch of his trousers before you blinked away, a reaction that was evidently satisfying enough for Rafe to cause him to keep going. 

“But you probably wouldn’t know what to do with it anyway.”

“I know what to do,” you said defensively, though regretted your humouring him as soon as the words slipped out past your lips. 

“Oh yeah? Just how would you know that? Everyone knows you’re a fucking virgin,” something he was to blame for, though that wasn’t a fact you ever had to know. You didn’t have to be aware of just how many times he had stopped guys from asking you out, just because he wanted you all to himself, “but are you secretly a perv, sis? Is that how you think you know what to do?”

“Don’t call me that,” you cringed lightly. 

“What? A perv? Or sis? Don’t you wanna be reminded that you’re my stepsister?”

“Not particularly...”

As the car curved into the driveway to Tanny Hill, an offer suddenly rolled off Rafe’s tongue. 

“You know, I could help you. Pop that little cherry for you,” he shrugged as if he didn’t seem out of his mind for what he was brashly uttering, “you desperately need it, that fucking stick up your ass makes you such a bitch to be around. But no one is gonna wanna bang you, I mean, maybe you could be kinda hot if you weren’t such a fucking loser, if you didn’t dress like a fucking pogue, but I don’t think anyone would commit social suicide like that. So, I’ll take care of it. Fix that problem for the good of everyone else.” 

Your mouth hung agape as the vehicle rolled to a stop, the sudden shift made you fear that your latest drink would come up again. 

Utterly stunned, you couldn’t form a single word as you stared back at him. 

“I mean, it’s what you want, isn’t it?” he went on, turning in his seat to gaze over at you, already undressing you with his eyes, “haven’t you always had the hots for me?”

“I–…” it felt as if the car was swaying around even though it stood completely still, “…I drank way too much tonight, and I think you might have as well.”

“You’re drunk?” darkness glinted in his eyes, “well, I honestly don’t know if I should be impressed or run inside and wake everyone up so you can get grounded for fucking ever,” he laughed. 

“No!” you gasped, “You can’t tell them, please! I–…” you felt tears begin to sting the corners of your eyes and blur up your already hazy vision, “fuck!” 

Leaning even further back in his seat, he cocked his head, “I mean, I could also keep it a secret…” the tip of his tongue mischievously slipped out to poke his lip, “for the right price, that is.”

“Seriously?” you glared back at him, “are you serious right now?”

Capturing your hand, he swiftly brought it to the palpable tent in his pants, “do I not seem serious?” his eyes narrowed ever so slightly to a squint. 

Your lips parted in shock, stare flickering away from his eyes to spot how he ever so slightly pressed your palm down against him. 

He was so hard that you could nearly feel his pulse through the fabric of his trousers. 

“I mean, really I’d be helping you out,” your gaze stayed glued to how his broad hand engulfed your own a moment longer before you glanced up to find his unwavering stare once more, “so you should really thank me for both keeping your secret and doing you such a massive favour…”

As a shaky breath escaped your lungs, you whispered once more, “I hate you…”

But the proclamation only conjured a smile to appear on his lips, “tell me again,” and he leaned in a bit closer.

“I hate y–,” but you didn’t get the last bit out as Rafe then crashed his lips against yours.

It took a second for you to react with anything other than a surprised whimper, but when you did, it was slow and cautious compared to his boldness. 

A string of saliva strung you together as he eventually parted from you. Offering himself a small caress, he pressed your palm down against him one last time before he let you go. His breathing was heavy as he momentarily let his thumb trace your bottom lip, briefly slipping it crudely in your mouth, before uttering, “get inside.”  

Why, after all of this time, after all of the pain and torture he alone made you go through, why did he still have to give you butterflies the way that he did?

It was your room that he led you to, a hand ever rooted on you as you made the journey. At first, you thought it was because he saw the way you occasionally stumbled over your own feet, but perhaps it was just in case you wanted to make a run for it, just a precaution, a safety net already halfway over you. 

“Take your clothes off,” he commanded in a cold tone as he shut the door behind you. 

“W-what?” you turned to look back at him.

Sitting down on the edge of your bed, he repeated, “take your clothes off,” though they came out sounding slightly impatient. 

He palmed himself through his pants as you slowly began to strip. Though as you’d shyly peeled your t-shirt off and dropped it to the floor, his voice halted you just as you began to undo your jeans. 

“Stop,” his voice cut the thick air like a knife, “turn around when you pull those down,” you twisted away from him as your thumbs sank into either side of the waistband, “and do it slowly,” he made you put on a show, ogling as you gradually revealed the curve of your ass, “that’s it…” he nearly moaned as your pants crumbles to the floor, “bra and panties too, princess. Unless of course, you’re backing out of our deal already.”

Clenching your jaw, you squeezed your eyes shut and shed the rest, ignoring his soft wolf whistles and crude comments as you exposed yourself. 

Slowly turning back around to face him, your hands were clasped before you out of sheer timidness and not knowing what to do with them. 

“You gonna stand over there all night?” he raised his chin slightly.

When your feet stood rooted right before his seated position on the bed, your hands began to fiddle as he pulled his shirt over his head and caused your pulse to somehow beat even harder than it already did. 

One of his palms then scooped up your stomach and briefly grabbed one of your tits before scooping you closer, “come here,” and utilised his leverage to toss you down on the bed beside him, “let me get a good look at you.” 

Grabbing for the bedsheets as the mattress momentarily bounced beneath your spine, you blinked up at Rafe as he sat next to you, twisting his form and craning down to near your core. 

You tried to clamber your legs shut, embarrassed for what his cruel reaction might be, but he was not only faster, but stronger than you, and grabbed a hold of your thighs. As he split you apart, his lips curled up into a grin. 

“Look at you… fuck,” he let out a short chuckle, “this is gonna be fun.” 

A gasp curled out of your frame as he then grazed his thumb over your folds, smearing some of the mortifying wetness that seeped out and made you feel even more intoxicated than you already were. He lightly spread you apart and studied intently your dripping pussy, how it looked, how it glistened and how your little hole twitched when he lightly circled your clit. 

“Oh, you like this, don’t you?” he rubbed your puffy pearl with a mean lightness that caused your hips to buck slightly, “you like it when your big stepbrother touches you like this?” but when you didn’t reply, he reached down and grabbed your jaw, angling it for you to meet his eye, “answer me.”

“I–… y-yes,” you quietly admitted, feeling as if you were in some strange dream. 

“Of course you do, you dirty little girl,” he bent down again to gaze at your pussy a little too close for your taste, “I knew you were a slut since the moment I met you.”

Letting go of your face, he then snaked his free hand down to give himself an ounce of relief. 

“You know, part of me doesn’t even wanna prep you with my fingers first,” he smirked and let his fingertips sweep down to tickle your entrance, “I like the idea of not stretching you out first and letting my cock do all the work, let it feel just how tiny and pure you are for me.” 

“But isn’t that gonna hurt?” your breath caught in your throat. Sure, you’d played with yourself nearly till your hands fell off, but that idea still managed to scare you. 

“God, I hope so,” he groaned and briefly leaned down to press a hot kiss to your clit, sucking it into his mouth and sloppily making out with it. 

When he then stood up and pulled his pants down, your jaw nearly hit the floor as well when you saw how thick his dick was. Fat and veiny, curving proudly up towards his abs. 

Seizing your hips, Rafe yanked you closer to where he stood, nearly letting your ass dangle over the edge of the mattress.

“Wait,” you suddenly reached out to touch his forearm as he gave himself a few lavish strokes, staring down at your cunt, comparing the obscene size of him to your puff, “what about a condom?” you squeaked as he flicked his leaking tip down to tap your core. 

Sucking in a fierce breath through his nose, he glared down at you and shot back, “what about you shut the fuck up and just be grateful,” before he sent his open palm down to smack your pussy. 

“Ah! I’m sorry, I just–, fuck!” you shuttered beneath him as he soothed the slap with the nudge of his length, rubbing it against you and teasing your cunt before he started sweeping it through your folds, nearly fucking your soppy slit, the tip of him kissing your little pearl on each silky advance.  

A dollop of spit dropped from his lips and joined the mess he already tickled at between your parted legs. 

“It’s too big…” you murmured as you stared down at how his fat girth parted your pretty petals, though the observation only conjured a smile on Rafe’s lips, “maybe you could just put the tip in?” you tried through your foggy mind, “that would still count.”

A rumbling chuckle bubbled out of him as he stared down at the two of you together, “just the tip…” his movements then grew more erratic as he slid through your folds, “is that all you think your little virgin cunt can handle?” shy gasps escaped you every time he deliberately let his cock catch at your opening, “just the tip?” 

As he slowly pressed just the flush head of his length in to breach your entrance, your brows crinkled up at the mind-numbing stretch. 

“Like that, baby?” he only moved ever so slightly, “is that all you think you can handle?” and you nodded foggily in return. But as you let your eyes flutter shut and breathed through the staggeringly wonderful sensation, Rafe’s voice once again washed over you, “nah,” like a splash of cold water while you were licking up warm sun rays, “that’s not good enough. This is,” and he then slammed the entirety of his length into you.

Your eyes instantly shot back open and your legs curled up even further on either side of you at the shock. 

“What?” he cooed at you mockingly as he slowly dragged his dick back out for just the memory to remain, “does it hurt?”

You were a blubbering and cursing mess, trembling beneath him as your pussy tried to accommodate him.

“Come on, princess,” he bent down over you and let his nose ghost against yours, “tell me that it hurts.”

“It h-hurts,” you whimpered as his hot breath fanned across your blazing cheeks. 

It did sting, a lot, but though you hated to admit it, a part of you loved it, a part of you sank even further into the pit of pleasure he so slowly dunked you into. 

“Tell me that it’s too big for you,” he nuzzled his nose against yours as he plugged you back up. 

Your body shook beneath his every time he moved as much as a millimetre inside you, “i-it’s too big.” 

Letting out a low moan of satisfaction, he then leaned down to press his lips to yours, stealing your breath away even further. 

You tried, but couldn’t really focus on kissing him back, not that he seemed to mind much as he moaned into your mouth, soon letting his sloppy kisses dance over your cheek and down your neck, letting hickeys bloom in his wake and mark up your skin like a brand.

As he sucked down on the spot where your pulse went wild beneath the skin, his hips drove against yours harder, causing them to collide in a sticky smack, as well as letting the tip of him bully the deepest part of you. He didn’t just do it once, but kept it up as he enjoyed the little squeaks you let out every time he bumped against your cervix. 

Kissing his way back up to your lips, he only offered them the briefest of pecks before raising himself off of you, just ever so slightly, and one by one, grabbed your already wide-spread legs and rested each one of them onto his broad shoulders, efficiently folding you in half. 

“H-holy shit,” you panted as the mattress rippled beneath you at every one of his rough thrusts, “Rafe–”

“Yeah?” he smirked down at your melted form, the vein in his forehead popping from the strain, “are you gonna cum? Are you gonna cum on your big bro’s dick?” one of his hands swept up to squeeze your tit, then gave it a swift tap before growling, “come on, princess. I can feel you squeezing me so fucking tight. Do it, I fucking dare you. Be a good girl and cum on my cock.”

You almost screamed as you tumbled over the edge, your head curling to the side to hide yourself in the crumbled duvet beneath you as your pussy gushed all over his fat girth. 

“Oh, fuck,” Rafe croaked as he straightened back up to get a good view. Pulling out of you, he briefly flicked his dick through your folds to urge more of your nectar to leak out, before he slid it back inside and asked in amazement, “you ever squirted before?” 

Trembling from the overstimulation, your eyes rolled in your skull as you shakily mumbled, “maybe twice, I think.”

“Such a good fucking slut,” he growled proudly, “squirting all over me like a proper whore. Just look at you,” his grip dented your thighs as he pressed them further down against the bed, “you’re already a pretty little cockdrunk mess.”

“I–, I–,” you blubbered as you felt drool begin to trickle down your cheek. 

“Oh, fuck,” he then groaned, glancing down at where he split you apart, “hold your legs back,” he requested, though had to help your sluggish hands find their way, “look at this, baby,” he scooped a palm behind your head and ushered you to spot what he had noticed. Splaying a wide hand over the lower part of your stomach, he traced the faint bulge that rhythmically appeared, “sure as fuck not a virgin anymore, are you? Fucking ruining that perfect little pussy of yours. Now that’s how you pop a fucking cherry. Aren’t you happy I was in such a charitable mood tonight?” he then pressed down on the imprint rudely, the overwhelming sensation causing your pussy to drizzle a little more around him, “aren’t you, sis?”

“Yes,” you mewled, feeling as if you were floating on a cloud and not getting your guts rearranged. 

“You’d let me do anything I’d fucking want, wouldn’t you?” he smirked down at your dazed form. 

“Y-yes,” the word flowed out of you, though you couldn’t quite comprehend all of his dirty talk any longer. 

“Hold on,” he briefly slowed down and stretched over to reach a small apprentice obscured and hidden in all of the cluttered decor on your nearby dresser. Turning it in his hand, he pointed the discrete camera down to film you, “say it again,” he picked his pace back up, “tell me that you’ll let me do anything I want to you.”

“Anything,” the words bubbled out through your moans, “anything you want.” 

“Say that you’re my little slut.”

“I’m yours–, I-I’m your s-slut.”

Tilting the hidden camera down to get a few close-ups, his voice then seeped into you once more, “now tell me again that you hate me.” 

One of your hands fluttered down and began to rub your puffy clit.

“I hate you.”

“Again,” he reached down to give your left nipple a harsh pinch.

“I hate you.”

“Keep going, princess.” 

And the more times the phrase flowed out past your lips, the more it began to lose its meaning and morph into just another sound, one that was almost akin to the complete opposite kind of proclamation. 

Just like you barely noticed when Rafe dug out the hidden camera, so too did you miss it when he put it back down, obscured somewhere among your things, possibly not even the only one. 

When you came once again, Rafe didn’t so much as pause when you creamed around his cock and drenched the sheets beneath you that much further.

“There you fucking go,” he sent a palm down to smack the sensitive skin on your inner thigh, “god, you’re so hot. I can’t believe you actually let me do this,” he grinned as your fingers stretched out to graze his wild hips, trying and failing to slow him down, “you’re such a little freak,” he glanced down at the ring of your essence that marked the base of his throbbing cock, “so fucking nasty for your stepbrother. I bet you’d even let me keep using you after you fall asleep. I mean, who’s to say I haven’t already,” he chuckled, “you’re so fucking cute when you sleep. No annoying remarks, no dumb comments… I think I might prefer you that way…” his slamming grew sloppy as he soon moaned, “fuck, I’m gonna fucking cum.”

“Pull out,” you begged through your hazy pants. 

And just when you thought he wouldn’t respect your wishes, he yanked out and furiously stroked himself before your winking and wrecked hole as it slowly retraced from the severe stretch. Moaning loudly, he swiftly painted your pussy with his load, getting it all over your puffy petals till he was panting above you. One hand rested on your thigh as he brushed the sensitive head of his cock over the cream, messily tapping the hefty weight of him against your aching clit and making you jump a few times as he smeared it in. 

Throwing himself down on the bed beside you, he let out a long sigh and said, “you’re welcome.”

You felt like you couldn’t move, like you might never be able to move again. Your breath still came in ragged as the only thing you could focus on was the sore throbbing centred at your core, that blossomed out through the rest of your nerves. 

“Well,” Rafe huffed as he soon lifted himself up to a sitting position, “night,” and without another word, slipped out through your shared bathroom into his own bedroom. 

“I can’t believe they made you take me,” you grumbled as you watched Rafe shadow you in the clothing store, “I could have just gone to the mall on my own.”

“You don’t have a car though–, also, why are you the one complaining? I’m the one being forced to go fucking shopping with you of all people.”

Somehow, for some mysterious reason, since you’d moved into Tanny Hill, your collection of underwear had shrivelled down till you barely had enough to get you through the week. Guess that was the price you had to pay for letting someone else do your laundry, though you’d always assumed it would more just be a single sock that commonly vanished in the wash…

When you dipped into the fitting room to try a few of the gathered options on, you only managed to test out two of them before the curtain slid back open and you swiftly scrambled to cover yourself.

“Rafe!” you let out a hushed screech, “what do you think you’re–”

“Try these on,” he handed you a wide stack of hangers. It wasn’t just underwear dangling from them, but also some clothing, though all of it way too revealing than you were used to. 

Glancing down at them, you refused to grasp the items and simply stated in a clear tone, “no.” 

Letting out a low sigh, he then turned to close the curtain back up before he twisted back to face you, “do you need me to have a little talk with your mom and my dad?” he took a few steps towards you, slowly pushing you into the corner by the tall mirror.

Glaring back at him through your pout, you huffed, “no…” 

You stayed in the corner as he then hung the clothing up on the hooks before taking a seat on the small stool where your purse was resting before he swept it to the floor. 

“Are you just gonna sit there and watch?”

“Yeah,” he scoffed, “it’s boring as shit out there. At least in here, I might get a moderate amount of entertainment.”

Rolling your eyes, you reluctantly began to try the attire on. 

“I hate thongs,” you muttered as you tugged a pair into place over your hip, trying not to catch your stepbrother’s stare as his gaze wandered from your reflection to the perfect view he had of your backside. 

“I recall you hate a lot of things you still don’t hesitate to jump on.”

“Whatever,” you sighed, “you have your fun, enjoy this little fashion show, but I’m sure as hell not getting any of these.”

“Well, good,” he uttered demeaningly, “because I’m buying them for you.”

Catching his eye in the mirror, you told him, “I’m still not wearing them. You can’t make me.” 

“Yeah,” he puffed out a smirk, “we’ll see about that,” and then tore his gaze away from you to gesture to one of the hangers, “try that dress on, but keep the pink thong on underneath, only the thong though.” 

You had to shut your eyes in annoyance a moment before you fulfilled his request, soon standing before him in a scantily cut, pastel mini dress, crafted in a fabric so thin that you could see the faint shadow of your nipples poking through them, especially after they’d turned all pebbly after Rafe had torn that privacy curtain to the side. 

“You happy now?” you turned to face him and propped your hands on either side of your hips. 

“Hm,” he cockily pursed his lips as his gaze studied you, “I was right…”

Your brows stayed furrowed till you watched his palm slide down to squeeze himself through his shorts. 

“What are you doing?” you hissed, eyes growing wide. 

“You do look hot in normal clothes.”

“I don’t think any of this is normal…”

“I think it’s time you learned how to suck a cock,” he suddenly announced, eyes still glued to the dress’ low neckline as he unzipped his slacks. 

“Rafe…” you breathed. 

His eyes flickered up to find yours, “get on your knees,” he tilted his head, “come on, princess. You’ll love it, trust me.” 

© 2024 thyme-in-a-bubble 

[sixtharrow]

It’s weird. Way back in the day (like, pre-Voltron Legendary Defender era) the relationship between two unrelated fictional guys being considered “brotherly” would have been quite validating to us slash shippers. It’s like, oh wow, they’re that close, huh. They already consider themselves each other’s family. They’d die for each other. We’d have thought a romantic relationship stemming from that was perfectly logical!

And it’s not like the ship would ever be canon, so having that sort of deep bond was the next best thing. The fanworks would just have to take it from there.

But it’s so different these days. A character says “you’re like a brother to me” and now shipping two unrelated fictional guys is literally incest? Even though this has been a trope in straight romances for forever? Wow, the view has really shifted! Of course, shippers back in the day were much looser regarding canon roles, ages, power dynamics, or hell, even whether or not two characters existed in the same universe in the first place! But this is one argument I’ve just never been a fan of. Like, I used to say my first gf was my sister all the damn time because I didn’t know how else to interpret my feeings for her early on. And the fact that this seems to disproportionately affect m/m ships and f/f ships is telling, too. Also, people’s views of each other can...change? Sure, maybe Character A once saw Character B as his brother, but something is different now, and so he has to go and navigate those feelings. I mean the whole point of fanworks is exploration. For the characters as well as the writer. And just like back in the day, the ships are rarely canonized, which means something is always being changed or expanded. We just didn't have killjoys in our ears telling us we couldn’t ship two unrelated fictional guys because one of them once referred to the other as a brother or whatever. Well, we did, cause homophobes exist, we just didn’t usually hear it from fellow shippers.

[meanbossart]

A personal headcanon of mine is that Cazador had a special interest in Astarion before turning him into a vampire possibly a romantic obsession.

I was curious about what your personal thoughts were on the relationship between Cazador and Astarion?

Let me stop you right there - Yes.

Now, I'm a little reluctant to elaborate on this one, because I think it can be seen as a little reductive of the characters and their stories to condense what could be a political plot into something as superficial as another "if I can't have you, no one will" storyline - not only would that be less interesting to some people, but it once again reduces Astarion's character to his attractiveness - while the former, for once, actually made him "desirable" for his achievements and influence - even if it doomed him after all.

But at the same time, this theory compels me for that reason exactly. It sets the origins of the whole issue and what would, overtime, erupt into this complex he has of himself and how others perceive him.

I'm not a stickler for details as long as you can tell me a good story, but it's notable to me that the reasons why Cazador set his eyes on Astarion so early in his reign are never really elaborated on further. How much influence did he really have as a young magistrate, and what kind of rulings could he be passing that would affect Cazador so much for him to take such a risk in abducting someone of his standing right as he had himself come into power? Cazador is an idiot, but he's an idiot who managed to say alive and hidden for two centuries - this move was either exceptionally well thought-out, or Astarion wasn't that liked as a magistrate, or Cazador had far pettier motives to take such a risk.

Not to mention, Astarion is awfully elusive whenever you inquire about the hows and whys of his abduction. Dismissive, even. Like it's something he doesn't want to talk about. I could take that down the boring route and say "oh, the writers just didn't care to develop this part of his story", or I could do the far more fun thing and read into it.

Then, of course, there's the vague suggestions that Astarion stood out among the spawn for one reason or another - he's referred to as the runt of the litter, and yet as Cazador's favorite as well. Going through Cazador's journal following Astarion's disappearance, there seems to be something besides frustration about him leaving just as he's about to ascend - there's resentment, there's desperation. Why the fuck does Petras act as if Cazador would ever do anything good for them if they were treated as Astarion describes? How the fuck were any of them under the impression that this ritual would benefit them whatsoever, while Astarion seems to have always known better? While I have no doubt that they all suffered under Cazador's control, there seems to be indication that Astarion suffered specially badly. The question left is why.

I don't think they were ever lovers or anything like that, I don't think Astarion ever even knew Cazador well enough to give him a passing thought, but I think it would be absolutely rich for a newly born, still spite-fuelled vampire lord to make very emotionally-driven decisions. The type of decisions that he looks back on and curses himself for. For having ever had such a weak mind.

Think of it, you come into all this power after years of pain, sorrow and suffering. You set your hungry, lonely little eyes on the prettiest girl at the ball - she turns you down spectacularly. She laughs you off under thinly veiled pleasantries. You are beside yourself - you were supposed to have everything you ever wanted, to be untouchable, to be desirable, to have some sort of supernatural allure about yourself - you were under the impression that now, all of your problems had been solved and everything that life has to offer would be thrown at your feet, like you perceived it to be like to your own, deceased masted; then the rug gets ripped from under your feet. But, a moment after, you realize: when you want something very badly, you can now just take it.

So you do. You get a shiny new toy. Fresh off your dull, painful past-experiences it seems like this toy is all you need to bring the long-lost zest back into your life, it is your first taste of true power and control, your dear beloved, your reluctant companion, and you paint a picture of what life will be alongside it (though slightly stooped beneath you - you can't be equals, of course) decades, no, centuries into the future.

But the toy doesn't ever grow to like you. In fact, it hates you for what you are, what you chose to become and what you chose to make of, and to it. For a few years, you try. Then eventually you get bored of it.

In a few more, you begin to not be able to stand the sight of it. It reminds you of a time when you were naive, when you were stupid. Worse yet, it is now your ball and chain as you made it. The only use you see remaining for it is to tear it apart again and again and again until you've forgotten why you're even doing it. You don't even want to touch it yourself, you get others to do it for you.

I don't think Cazador harbored anything but that indifferent resentment towards Astarion through the vast majority of those two centuries, and, horrifically enough, I don't think Astarion even knew why for a good deal of it himself. I can picture him going over and over any passing interactions they ever had (if they even had any) desperately trying to piece together why me, what could I have done differently, how could I have avoided this hell.

Then, at some point, in the brief moments when his mind is somewhat cleared and after he has heard enough vague, cryptic remarks out of Cazador's mouth about his looks, about his attitude, about how he must think he's too good to do what he does, it hits him: If I had just said yes, none of this would have happened. It would have been a brief moment of disgust, but then it would have been over.

And you beat yourself over it almost much as you feel shame. You're embarrassed. Because you've now had to endure all this torment just because you said no to the wrong man - a matter of picking the bad choice at 50/50 odds. Not only that - but you were apparently so worthless to the world that this small mistake was enough to doom you for all eternity: It was, apparently, all you were worth. And he has made that abundantly clear by what he puts you up to now.

So, when someone asks you why it happened, you give them a better reason. One that at least highlights other things you were good at. They probably wouldn't believe you if you told them the truth, anyways.

[little-mari-on-a-roof]

Along with finally airing the season 5 finale, Tfou released a version of the two last episodes commented by the writing team!! So, as I already did with the commented version of Evolution, here's an overview of what they said!! It’s quite long given that it was two episodes and they talked a lot so I will put the parts I think are the most interesting in bold!! Obligatory disclaimer, this is my own interpretation and translation so take everything with a grain of salt!

At the beginning, the writers recall that the first episode of the season 5 finale, Conformation, starts with Adrien and Kagami supposedly arriving in London "like rock stars". However, it is actually just an illusion made from the scanned version of them and the two teens are actually being sequestered in London. At this moment, Thomas says "talk about good parenting" in English, which I think is very funny. The team explains that they were first put in regular apartments in the previous episode but are now in rooms without windows after both of them escaped. This is also done to protect them from what will happen, as Gabriel is about to put his plan of akumatising the entire world into action.

The writers say that Gabriel had been imagining his plan ever since Animaestro when he was seen signing contracts with Tsurugi, and has been putting it in place since the second episode of season 5 (Multiplication). They say that he also tested the first part of his plan, to put nightmares in everyone's heads, in a previous episode.

The rest is under the cut!

Talking about previous episodes, they then say that as was the case with the Risk - Strike back - Evolution - Multiplication - Destruction series of episodes (aka the longest day ever), the 5 last episodes of season 5 (Collusion - Revolution - Representation - Conformation - Recreation) go together and there is a direct continuation between them. (However, one of their rules as Miraculous writers is that these episodes can also be watched and understood independently.) Therefore, season 5 both starts and ends with a series of 5 episodes (quintologies as they call them).

They note that Marinette's nightmare at the beginning is reminiscent of the episode Weredad from season 3. At this point, we can see that Marinette starts to understand who the villain is although she's not fully conscious of it yet. Thomas says that you can read it in two different ways: if you don't take the previous episode into account, she's starting to intuitively link things together but if you did see Representation, you know that she knows who Monarch really is. (They say that to highlight the fact that even though this is the 4th episode of a quintology, all episodes can be understood on their own as mentioned before.)

They then talk more about Gabriel's plan. He gives everyone nightmares on the same day and we can see the different characters suffering because of that (for example, Marinette's mom who thinks Tom is overprotective). He will then offer a solution which a sort of relaxation application directly inspired by the different yoga apps people have on their phones nowadays. This app helps them relax, but also makes people addicted since their nightmares come back as soon as they don't use it anymore. They joke about the relevance of this in today's world with people being "addicted" to their phones or people in positions of power spreading poisons and then monetising the antidote, or the corruption of capitalism selling things we don't need or causing mental illnesses to make people addicted. They ironise that nooo they couldn't possibly be referring to all of that, not in a children's show!!

During the scene that leads to Adrien wearing the Alliance ring after being reticent to it, they say that they had a conflit when writing it as they had to find a way for Adrien to not become his superhero self, cataclysm the walls and go help his lady in Paris. The end result is that Adrien is reminded of the devastating effect of his power by the nightmare and would therefore do anything to avoid hurting people, and so he wears the ring. Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.

Thomas mentions that Plagg (who he calls "Plaggo" and "Plagounet", which are sort of funny and affectionate nicknames) doesn't show up on cameras, and Sébastien jokes that there could be kwamis around them as they're talking but we just can't see them. Speaking of Plagg, Sébastien jokingly calls Fred the "queen of cheese" as she's the one writing the cheese puns and mentions that there are way more cheese jokes in season 5 than there were before, which makes him think that she is getting retributed by cheese industries in exchange for writing them. Fred then replies that she's getting paid directly in cheese.

The writers say that while the episodes are often narratively dense with science fiction elements, Plagg allows them to add humour in the scene and keep a lighter atmosphere for small children (you know, when he shows his butt to the camera while Adrien is having an existential crisis).

Anyway moving on lol, the writers then say that they had actually planned since 2014/2015 that Chat Noir would not be there to defeat Hawkmoth as they wanted a very particular power fusion to happen (aka Marinette wielding both the ladybug and black cat miraculous and becoming Bug Noire).

Fred then talks about how ever since the start of the series, they have incorporated the symbolism of fairy tales with the sleeping princess and the knight coming to save her. However, they're switching the genders in Miraculous as Adrien is the princess and Marinette the knight (while Gabriel is the evil dragon). They add that they already explained this in a previous episode (in season 4) but they're showing it again now in Marinette's nightmare.

In the scene where we can see that Tikki ate all the croissants, they joke that she did well given everything that is going to happen afterwards. They also jokingly tell the kids watching that they shouldn't do like Marinette and hide in trash cans but eating bananas and croissants is ok (trust me it's funny when they say it). They add that if Fred is the cheese queen, Mélanie is like Tikki because she loves cakes and anything sweet.

We then see Nathalie's nightmare in which Gabriel successfully makes his wish, and therefore manages to accomplish his evil plan which Nathalie knows about. We can see that she's looking very bad and the writers again jokingly give recommendations to the children watching, here to not use a damaged peacock miraculous.

They then talk more about Natalie's past, in which she was a treasure hunter. They say that someone should let them show the fabulous story of Nathalie, Gabriel, Émilie, Audrey and André when they were younger. Indeed, they already wrote what happened in their youth as it is the origin story without which they couldn't have written Miraculous. When Natalie looks at the picture of her in her "Lara Croft outfit", as they call it, from when they were chasing the miraculous and found the peacock and butterfly ones, they jokingly ask what they were chasing and why and say that you have to watch the rest of season 5 to know (basically, they're strongly hinting at sentiadrien).

They say that Gabriel/Hawkmoth and Tsurugi have been allies for a very long time, but it has only been revealed rather recently in the show and we can see it now in a scene where they're plotting together and rising the tension.

In the following scene, we can see all the kids ready for the "miraculisation", except Mylène who is not wearing a ring because while she is not fully anti technology, she is more wary of it and vigilant of its excesses. They then focus on Ivan, who would also like to resist like her but for whom it is too hard. They add that he has "things stressing him out" but that we will only learn about them in later seasons 👀👀.

They take a moment to appreciate the "exceptional" direction and lighting done by Wilfried in the scene where Nathalie threatens Gabriel with a crossbow. Thomas also makes a reference to Citizen Kane but I've never watched it so idk what he meant by that sorry I'm uncultured haha. The writing team says that while they are the ones writing the scenes, they need a director to make the scenes look like what they imagined, and that it's not always easy.

In the next scene, we can see Ladybug looking around in Nathalie's room to find hints about where Adrien could be and finding her tablet with all the information about the miraculous, which makes Marinette realise that Nathalie was Monarch's accomplice right before they enter in the room. They joke about how OMG THEY NEVER COULD'VE GUESSED that Adrien's father was actually Monarch the whole time. We can see Ladybug recording a message for Chat Noir where she reveals his identity, but she never ends up actually sending it.

They talk about how this scene is a huge climax as it is rare to see Ladybug in the Agreste mansion. It had already happened in season 1 during the episode Simon Says where they already played on the dramatic irony of Hawkmoth being Gabriel (which people did not know at the time). This is the second time that Ladybug is in the mansion, while Marinette has been there before a few times (including the iconic pancake moment). While they talk about Simon Says, Fred looks really smug saying that they had planned everything since the beginning.

They say that the scene during which Nathalie gives Ladybug her phone with the pictures and videos of Émilie explaining all of Miraculous's backstory is beautiful, and that if we as viewers had this phone, we would know everything about it (👀👀👀). In addition, they mention that since this is the final episode of the arc, a lot of things happen to get all the final outcomes of the different relationship between characters.

When Gabriel shows the video of Ladybug and Chat Noir kidnapping Adrien and Kagami on everyone's Alliances, the writers explain that people are so disoriented and stressed that they'll believe anything we tell them. They are therefore receptive to any controversy presented to them, just like how people nowadays will engage in numerous sterile debates on social media.

We can then see Monarch using things he obtained in previous episodes: the cataclysm dust from his deteriorating hand and the magical charm Ladybug gave him. We can see that Gabriel had been planning everything from a very long time but that because of the cataclysm he suffered from, he has no choice but to carry it out now. Coincidentally, it is this very cataclysm that allows his to have Chat Noir's quantic signature and put his plan into action. They jokingly compare what he is doing to making a dog sniff a sock, but in a cyberquantic version.

The quantic signature allows the miraculised people to find Ladybug and Chat Noir, and the team says that when they were writing the scene where they detect Ladybug in Gabriel's mansion, they were all going omg omg omg trying to figure out how they were going to get away with it. They say that while Ladybug is trapped in the villain's lair, the writers trapped themselves with the story.

They once again give a shout out to Wilfried's direction when we can see Ladybug getting attacked from all sides by the miraculised people, notably because of the camera motions. They also acknowledge SAMG's amazing animation especially in the scenes including a lot of characters.

My unculturedness shows again when they say that Marinette hiding in a cupboard under the sink is a reference to Jurassic Park. The reference I do get however is when they say that Plagg not being able to shift through the door with his ring was the plot of Mr Pigeon 72.

The action then reaches a maximum as Monarch knows that Ladybug is hiding somewhere in his house, detransformed. We now get to THE moment they had been waiting for since the beginning: when Monarch discovers that Marinette is Ladybug and she transforms into the fabulous BUG NOIRE!!! They keep talking about how cool she is and that they left the best for last: the final fight with Monarch does not happen with Ladybug, nor with Chat Noir, nor with Chat Noir and Ladybug but with BUG NOIRE!!!!!

Fred says the season has a particular taste of closure, even though there is still a next part, and warns to hold on because the latter will hurt a lot 🥲🥲.

🐞🐞🐞

Now, onto the the second episode, Re-creation !! (Yeah the first 2k words before that were on Conformation alone. I am bad at summarising. 😭)

At the beginning of the episode, when we can see Lila laughing when she sees Alec having an akuma induced nightmare on TV, the writers say that it is because she has known who Monarch is for multiple episodes now. They mention that it is because she read something on people’s lips in Evolution (episode 501) which allowed her to discover things. She also stole a case from Tsurugi so she knows who Gabriel really is.

Then, they focus on the fight we "had all been waiting for", and Mélanie mentions that her favourite lucky charm is the piano crashing on Monarch. They say that while they have spent multiple hours finding intelligent and sophisticated lucky charms for years, this one is just simple and exhilarating.

They then talk about how the resistance is fighting against the miraculised people, and how this happens all over the world (in China, Rio, New York) and includes a LOT of different characters. This explains why it takes a long time to deliver the episodes and they joke about how they’re blowing up their budget. However, despite all the superheroes fighting all over the world, it is still not enough.

Indeed, the outcome doesn’t play out in the giant arena outside, but in the KITCHEN. They joke about how they waited long enough to finally get it and that the resolve should therefore happen there, and even nickname the episode a « kitchen-two-room episode » (the joke makes more sense in french since we define homes according to their number of rooms, not just bedrooms).

They say that in the fight between Bug Noire and Monarch, both are so evolved in mastering their powers that neither of them have limits (Monarch can use as many powers as he wants at once thanks to his rings, and Bug Noire can use as many lucky charms and cataclysms as she wants). They lovingly say that our little Marinette from season one has grown a lot 🥺. She’s now super badass (they kept talking about how cool she was) and has learned so much.

They add that the scene where Bug Noire uses her handcuffs lucky charm is a reference to Kung Fu movies where characters fight while being chained to each other (once again, I’ve watched like zero movies so I’m gonna trust them on that lol). They once again mention the amazing direction and get very excited when Bug Noire slams Monarch through the wall.

During the fight scenes outside, they joke that Doorman (the USAmerican superhero whose power is to open doors) and Fang (a literal crocodile who knows Kung Fu) were essential in saving Paris. However, despite all the people fighting outside, the miraculised people remain too many and there is only one person who can save everyone from Monarch’s perfect plan.

Back in the Agreste mansion, Bug Noire is losing and her only escape is to cataclysm the floor which makes them land in the crypt (which was right under the mansion all along !!!). She then sees Emilie’s body and understand why Gabriel is doing all of this. When talking about his motive, the writers joke that if he succeeded, it would be hard to explain to Adrien why his mom, who has been dead for a year, is suddenly back and that while it would be unjust for Gabriel to trade her life for someone else’s, he doesn’t care and would just make Ladybug go away.

The team explains that in the following scenes, there is an alternance between the outside (in Paris) and inside (in the crypt) fights, with the dialogue happening inside continuing while we see what is happening outside on screen. They don’t do that often, which gives this scene all the more impact during the finale. They talk about how this kind of thing is a trademark of Miraculous: the episodes are quite dense despite their short length, thanks to the fact that the story continues when the action is taking place and the emotion continues to be conveyed. They oppose it to classical action movies where some scenes are dedicated to dialogue/story while fight scenes are just about fighting.

The writers say that from the moment Bug Noire gets her glue tube lucky charm, they are already working on the plot of season 6: when she manages to steal the butterfly miraculous from Monarch, she does not actually retrieve it because of how far away she is and it falls in the water below (cf Lila retrieving it which will be relevant in season 6).

At this moment, Gabriel loses and the resolution of the battle is not what we could’ve expected: we don’t have Ladybug winning by thrashing him, but she instead simply talks to him and even detransforms in front of him. It is not Ladybug who defeats Monarch but Marinette. This echoes to a message they have been trying to convey since the beginning : that in the end, it is not violence or strength that wins, but people talking to each other and opening up about their feelings. It is when people are not subject to their emotions, but instead try to understand them to think better and take the right decisions. And this is what Marinette is hoping for here by showing Gabriel the video of Émilie saying that she never wanted him to become evil, and instead just hoped for him to take care of Adrien (which he didn’t do lol).

In the end, Marinette and Gabriel’s main goals are the same : making Adrien happy. She takes a huge risk and detransforms to see how much he loves Adrien, or on the contrary how much he would rather bring his wife back. This is the only moment where we see Gabriel being truly emotional and understand why he has been doing all of that. Fred adds that he is a character who thinks love goes beyond good and evil, and oversteps every boundary, including moral ones. Therefore, Marinette is trying to solve a crisis of feelings by using feelings.

Back to the episode, we can see Marinette taking the biggest risk in her life and extending her hand to her nemesis, even the kwamis tell her that she’s insane. The writers joke that well, they were right, as Gabriel steals both miraculous and it does not end well (or at least not for now). Gabriel has now won as he can do what he has been wanting since the very beginning.

The team mentions that the next scene is one of the biggest reveals of the show, as we can finally see how the wish happens. We discover that the kwamis are not actually little plushies but take this appearance to avoid scaring their wielders, and the writers actually hinted to that in Dearest Family when Tikki ate all the galette des rois. One member of the team jokes that when the kwamis reveal themselves, they become a Swedish hit from the 70s : Gimmi (as a reference to Gimme ! Gimme ! Gimme ! by ABBA of course).

Moving on from the dad jokes, when Gabriel removes all of his miraculous rings, Marinette is released from the bee sting and can now witness her defeat. But the fact that Gabriel laid down his weapons shows that she has actually won, even though it is only shown and not said.

However, they say that there is still some doubt : we do not actually know what he wishes for as his words are cryptic and we only see the outcome of his wish. They do say that Émilie will not be brought back to life as Gabriel has finally mourned her death, which Adrien has already done for a long time. But Gabriel cannot live without her and decides to die with her.

In order to accomplish the wish, they explain that the world has to be destroyed and then re-created, which leads us to the aftermath of the wish a few weeks later and the pool party where everything seems to be going well. Then comes probably the most enigmatic shot of the episode with Nathalie and Amélie/Émilie. The writers say that they’re not telling us who it is but I think we can guess pretty easily based on what they said right before 😭😭. They also add that with Nathalie next to her we can guess what Gabriel’s wish was, but that it is "not what we think" and that there is a trick.

They say that with the final wish, they have arrived at the end of what they wanted to tell in this arc, which is a revolution of the minds. They said that each played their role, including the villain because he gave up on his power with which he could do anything to make his son happy. They add that the new world we are seeing shows the premise of season 6, which will have a "different taste" and in which they will talk about different things.

They say that at the end, some lies remain as Gabriel is presented as a hero. They say that Marinette gave Adrien the twin rings, in what frankly looks like a wedding proposal lol. Then they go insane because it’s time for LE BISOUUUU, and a real lovey kiss that they remember for once, not like in Oblivio, and not a desperate kiss like when Adrien left for London. However, even with all this cute romantic stuff, we can see some ominous butterflies flying around them…

In the next scene, we can see Marinette taking the miraculous that have been standardised and industrialised by Gabriel and putting them back in shape. The writers specify that this is a parabole about craftsmanship vs industrial production. The miraculous will now be adapted to every person, but we can’t see what they look like just yet! In this new world, the powers are all shared, among people who they trust and know will work for the common good. They joke that the "Avengers" shot at the end with all the heroes is something they’d been dreaming of.

In the last scene with Lila, they joke that it’s never really finished because there’s a bunch of epilogues one after the other. Thomas add that the school described at the end is how he thinks all schools should work!

And we’ve finally reached the end!! They don’t reveal anything in the scene where a weird flash appears in Lila’s room to keep the suspense, and just all scream going OMG WHAT’S HAPPENING!!!

🐞🐞🐞

I hope this was helpful to learn more about the writing team and some stories behind the episodes!! Don't hesitate to add stuff if you think I forgot something or ask questions if I wasn't completely clear :)).

[probably-writing-x]

Fault.

Summary: you’re an incredible writer!!! could you write conrad x reader where she is belly’s best friend and goes with them to cousins for the summers, and she tries really hard to not like conrad because belly does but he likes her back and they start secretly hooking up/dating? hell maybe even throw in that jeremiah likes her too 😂 and everyone finds out somehow, i live for the messy drama 😝

Warnings: Sexual references and innuendos, 18+ DNI

Cousins had been a part of your childhood like it had been for Belly. You’d met her in kindergarten and been inseparable ever since, so you were practically the third sibling to her and Steven. You spent countless summer days with them, then came home with Belly and spent the rest of the year counting down until next summer would come around.

When you were young, it was just fun and sun and summer and Belly’s undying crush on the older brother. Not too much of that had changed as you’d grown up now - but perhaps you’d changed.

You weren’t sure when it had changed. But, one summer, it was like you looked at that older brother and saw what Belly was on about this whole time. You didn’t see him in the same infatuating way that she did, but you couldn’t deny any longer that he was attractive. There was just something in those eyes, the sort of half smile he gave you, the way his words just rolled off his tongue so smoothly. You couldn’t help it.

Once you’d came to that realisation, perhaps two summers ago, you’d done your best to completely suppress it. You ignored it. You ignored him. You avoided being alone with him, brought up Belly whenever you felt like the conversation might be shifting. You did everything in your power to stop yourself from ever feeling that way about Conrad. It wasn’t that you didn’t want something to happen - but breaking your own heart would be better than breaking your best friend’s.

But those damn eyes…

———

“It feels weird doing this drive myself,” You point out, indicating into the last street that would lead you into Cousins, “I’m used to your Mom complaining that we’re too loud.”

Belly laughs in the passenger seat, “Now you’ve just got Steven complaining.”

You glance in your rear view mirror to where Steven was resting against the window with his eyes closed, “Shut up.”

“Come on Stevie, we’re almost there,” You taunt, turning once again into the final road to the Fisher-Beck household.

Laurel hadn’t driven you this year, she had some fancy author thing to attend so she’d be meeting you next week. Belly couldn’t wait to come to Cousins, however, so you’d offered to drive the three of you.

When you pull up into the driveway, it’s like every bit of summer ignites - the start of a million memories.

Almost instantly, the door opens and Jeremiah comes hurrying out.

“Thank god you’re here!”

He opens the driver’s side door of your car and sticks his head in, grinning widely at the three of you.

“Good to see you too, Jere,” You laugh, stepping out of your seat to hug him.

He smells like mint and limes.

“We’ve got so much to catch up on,” Jeremiah comments, hurrying around to hug Belly too as Steven drags himself out of the car.

You laugh and ruffle his hair, much to his disgust, at the same moment that the front door swings open again and the other brother steps out, squinting a little at the sun. He’s wearing a navy t-shirt and grey shorts, dragging a hand through his messy hair. He jogs down the few steps from the front door and makes his way over.

“Hey!” You clear your throat, swinging your keys in your hand.

Conrad looks at you and smiles lightly, the sort that meets his eyes in a brief moment, “How was the drive?”

You shrug, “Mostly okay, I still hate all these country roads though.”

He laughs, looking down at his feet, “Yeah, I know you do. You’ll get used to it.”

You nod and both of you fall silent for a moment.

“So do you-“

“Did you-“

You both look at each other and laugh.

“You first,” He gestures towards you, stuffing his hands into his pockets soon after.

“No, um,” You shake your head, “I was just going to ask if you have plans tonight. Someone at the gas station told us there’s a drive in movie. We were thinking we could all go.”

Conrad nods, “If it’s a musical I’m not going.”

“Deal.”

You turn back to the rest of the group as Steven and Belly are grabbing bags from the trunk.

“Oh it’s so good to see you all!” Beams Susannah as you all trail inside.

She wraps Steven in a hug, does the same to Belly and then comes over to you, squeezing you tightly.

The house is no different but it always feels brighter at the start of summer, like it’s welcoming you back. You breathe it in for a second, a sigh of relief at your return.

“Alright, get settled into your rooms and everything and I’ll make us up some lunch,” Susannah encourages.

You follow behind Belly towards the room that the two of you shared, walking past the ajar door to Conrad’s room. You ignore the fluttering in your chest.

“God it’s good to be back,” Belly grins, dropping down onto the mattress and spreading out her arms.

“Yeah, it feels like forever since we’ve been here,” You nod, setting your suitcase down onto the floor and sitting yourself on the edge of the bed beside her.

She reaches over and grabs Junior Mint, setting him down on the mattress.

“I still remember when Conrad got me this,” She mumbles, brushing her thumb over the white fur.

“At the boardwalk right?” You comment, “It was that day I was sick.”

She hums in response.

You remembered that day too. Conrad had come home with a toy giraffe stuffed in his bag and told you it was meant to make you feel better. He hadn’t won it, but he paid someone else for it. You’d kept it in your suitcase until you got home - knowing it wasn’t worth upsetting Belly over. And, to this day, on the same mattress sat the same toy you’d had for all those years.

“I don’t get him these days,” Belly shakes her head, “Sometimes I’m so sure he feels the same way about me and then other times… it’s like his heart is somewhere else.”

You swallow the lump in your throat and nod, “That’s all guys for you.”

“Not Jeremiah,” Belly laughs, “He’s been in love with you since I first brought you here.”

You laugh too, “I don’t know where you get that impression from.”

She scoffs, “You’re just blind, (Y/n).”

Belly looks up at you from where she lay and smiles, hugging the polar bear close to her chest. You smile back and ignore the slight tightness in your chest at being back here this summer - being back with the boy that your heart just seemed to pull to.

———

That night, you all start heading out to the drive in.

“Okay I’m just saying we’re not all sitting in one car to watch this movie,” Steven points out, “We won’t be able to see anything in the back.”

“You’re so dramatic, you’ll fall asleep halfway through anyway,” You roll your eyes, tugging your shoes on at the door, “I can just take my car too if it’s that big of a deal.”

Jeremiah, Belly and Steven all make their way outside, fighting over who will get shotgun in Jere’s car.

You glance back and see Conrad eventually coming down the stairs.

“Where are the others?” He frowns, grabbing his shoes and pulling them on.

“Um,” You clear your throat, “They’ve gone already, they’re going in Jere’s car, we’re taking mine.”

He nods, “I’ll drive.”

With that, he stretches out a hand to take your keys and you oblige, following behind him to where your car sat in the driveway.

Every so often, you could convince yourself that Conrad might ever feel the same way about you. It was in the little things. The glances, the comments, the smile. You could convince that small part of yourself that he was waiting for you as much as you were waiting for him. But it disappeared quickly.

But, now, seeing him behind the wheel of your car, humming along to the song playing through the radio, it felt like this could be something. You weren’t sure why. It was just a feeling.

———

By the time you get to the drive-in, it’s packed out. Conrad drives around the back and pulls into a space, nowhere near to Jere and the others.

“We can go and find them if you want,” You offer, glancing out of the window.

Conrad shrugs, “I like the peace and quiet without them.”

You laugh, “Just us then.”

The film starts and both of you sit in relative silence. You shift in your seat and cross your legs beneath you, leaning back against the chair. There’s a couple in the car beside you and your eyes drift over to them - how he sits with her head against his shoulder, his arm around her, looking down like she’s the only person in the world. You’d never had that with someone. Not that you hadn’t wanted to, or options hadn’t been there, but it just was never right for you.

And then your eyes turn back to Conrad. The light of the film catches against his skin, glowing his eyes just a little. It shadows down his jaw, darkening his jawline and brushing over the muscles. You take a deep breath. Ignore it. It wasn’t worth it.

He turns his head to look at you and you quickly look away.

“(Y/n)…”

“I’m going to grab a drink,” You say quickly, rushing to open the passenger door and scrambling out.

As soon as you’re outside, you gasp at the air like you hadn’t taken a single breath beside him. Like he’d taken them all away.

Ignore it. It wasn’t worth it.

———

“Oh my god this storm is awful,” You hiss into the air between you and Belly, snuggling under the covers of the double bed that you shared.

It was the following day and a storm had started to sweep over Cousins. There was a chill in the air all day and it had now turned into a full blown storm in the middle of the night. The rain was hammering down, wind sweeping over the houses, and thunder claps every few minutes.

“Belly,” You hiss again, “You awake?”

You’re met with the balanced, shallow breaths beside you that tell you she’s not hearing you. You sigh and shift in the bed until you’re sat on the mattress, debating your options. Sleep wouldn’t welcome you when the weather was like this. It wasn’t that you were scared of storms, they just unnerved you. Okay, you hated them.

With another clap of thunder, you step out of the bed and pull a hoodie over the crop top and shorts you’d been wearing, padding through the silent house and down the creaking steps. You wince with the creak on each one until you’re finally downstairs, stepping through into the kitchen.

“(Y/n)?” A voice speaks softly into the dark voice and you flinch instantly, spinning on your heel.

It’s Conrad.

“Con?” You frown, “Why are you awake?”

“I couldn’t sleep,” He returns.

He’s wearing a pair of grey sweatpants and a forest green t-shirt. He looks cosy and innocent.

“Yeah, I just… uh-“

“You hate storms.”

You feel your cheeks heat at his words, looking down at your feet as if he’s just embarrassed you in front of no company at all.

“Come on,” He gestures with his head, his hands stuffed into his pockets, “I’m going to start the fire.”

You follow him through into the lounge and sit down on the floor beside him as he starts fixing up the fire. You hand over logs and he sets them in place, you hand over the matches and he scratches them against the box to set it alight, holding it against the paper until it ignites. The heat hits you almost instantly in the too-cold house, wrapping you in an embrace of crackling warmth.

At the same moment, another rumble of thunder sounds from outside and you visibly flinch, glancing quickly out of the window at the hammering rain. Conrad chuckles from beside you, only quietly.

“Don’t worry, we’ve had worse storms here,” He assures you.

“That doesn’t help,” You roll your eyes, drawing your knees up to your chest.

“Oh, come on, I promise it’s okay,” He nudges your shoulder, “Nothing’s going to happen.”

“Conrad Fisher are you going soft on me?” You narrow your eyes at him, “You’re normally so blunt.”

He looks away with a smile on his lips, “For everyone else, maybe.”

You feel your breath catch in your throat, the words escaping you. There was just something about the way he looked at you, the way his eyes just melt into you.

“You know I-“ He stops himself, taking a deep breath, “I kind of felt like things were different with us this summer.”

“D- different?”

“Don’t you?” He says, “I just feel like you’ve been… distant?”

You stop yourself from speaking again.

“And, tell me to stop, but I’m-“ He half-laughs as if it’s a way of escaping the nerves, “I’m… I just thought I was so sure that there was something between us.”

“Con-“

“And you can tell me that I’m wrong but I don’t think I am.”

“Conrad I-“ You pause, biting your lip, “I can’t.”

“Just…” He shuffles in closer to you, his hand slowly rising to your cheek, thumb brushing the skin, “Tell me to stop.”

With that, he leans in and you find yourself pulled to him too, every bone in your body finally giving in to what you wanted. Your hands move to grip his shoulder, his breath fanning over your lips as he presses his against yours, slow at first and cautious.

You practically gasp at the contact, pulling him into you as if you don’t want him to slip away. His hand moves lower from your jaw and down to your neck, fingers wrapping around the back to keep you drawn to him, his other hand moving down to your waist. His fingers slip further back to the base of your spine, guiding you back against the floor as his other hand lowers your head down softly. You pull him back to your lips, fingers tangling into his hair. Both of you tangled between each other as his legs settle next to and between yours.

Once both of you are breathless, he pulls away, resting his forehead against yours.

“You have no idea how long I’ve been waiting to do that,” He mumbles, laughing gently against you.

“I think I have some idea,” You respond, gripping his shoulders once again to pull him back into you.

———

It’s much later than normal the next morning when you eventually wake up. You and Conrad had split off into your separate rooms just as the fire was dying out and, with the sun blaring through the windows now, it just felt like it hadn’t happened. Like last night was a dream.

“Hey! You’re finally awake!” Belly announces as she walks back into the bedroom, “What happened to you last night?”

“Oh, um,” You lean up onto your elbows, “You know what I’m like, I hate storms.”

She nods, sitting on the edge of the bed, “We were thinking of what to do today.”

“Yeah? What’s the plan?” You drag a hand through your hair, feeling the flashbacks of Conrad’s fingers tangled amongst the strands.

“I don’t know yet, maybe we could go out tonight? There’s a party I think, one of Jere’s friends,” Belly suggests, picking Junior Mint up from the floor and setting him back onto the bed.

You feel your heart drop. The realisation seemingly hitting you like a ton of bricks. This was awful. What had you done?

It would break her heart if she knew what had happened last night.

But, god, you wanted to see Conrad again.

She disappears again to let you somewhat wake up fully and you push yourself enough out of the bed that your legs dangle over the side, dragging your hair away from your face and rubbing your hands over your eyes.

You don’t hear anyone coming into the room until he’s already dropping down onto the mattress behind you. The weight shifts and an all too familiar figure sits behind you, leaning forward to press a kiss to the exposed slither of skin on your shoulders.

“Good morning,” Conrad mumbles softly, his voice thick with sleep like your own.

You let yourself lean into his touch for a moment, every sensation from the night before seemingly reignited. It was real. He leans forward and perches his chin on your shoulder, tilting his head to look at you from the awkward angle.

“You know when we said last night that we’d be careful this isn’t what I meant,” You point out as he turns to kiss your neck, “This definitely isn’t careful.”

Conrad pulls back and you turn around on the bed so that you’re facing him, he reaches up a hand to brush the hair away from your face, “We’ll be careful. If that’s what it takes, we’ll do it.”

“I just…” You shake your head, “I can’t hurt Belly like that, not like this.”

Conrad nods and reaches a hand down to squeeze yours, “You won’t, I promise.”

You smile, taking a deep breath.

“But,” Conrad stands up, still holding your hand like he can’t bring himself to lose contact yet, “I would like to at least see you today. So if you could figure out a way for me to get you alone, that would be great.”

“God, you’re so needy Fisher.”

He rolls his eyes at you and disappears back out of the room, leaving you with a smile on your lips that it was impossible to get rid of.

———

Later that day, you’re outside with Belly, Jere and Steven by the pool, deciding on your plans for the evening.

“I’m just saying we should go, if it’s shit we can leave,” Jeremiah shrugs, “But like everyone’s going to be there.”

“Looking for someone to hook up with Jere?” Steven raises his eyebrows, splashing him with water from the pool.

Jeremiah scoffs, “Obviously not,” His eyes glance over to you, a small smile on his lips, “I just think it could be fun.”

“Alright but if we’re going we need drinks,” You point out, the idea crossing your mind as soon as you say the words, “I can go to the store.”

“There’s no way you’re getting anything,” Belly laughs, “You don’t have a fake.”

“No, but they know me less than they know you guys - so I’ll be more likely to get away with it, no?” You mention, pushing yourself up to stand, “Need anything else if I’m going?”

They all look at you slightly suspiciously but you ignore it, hurrying inside.

“Hey! I was just looking for yo-“ Conrad starts, just stepping down from the stairs as you rush through the house.

“Come on Fisher!” You grin, grabbing his hand on your way past, “We’re going out.”

He laughs breathlessly to catch up with you, following close behind as you grab your keys and run with him to your car.

“Can you tell me what’s going on?” He raises his brows, pausing at the passenger side of the car.

You smile, “Didn’t you say you wanted to see me today?”

Conrad grins, “I won’t ask any more questions.”

Both of you pile into the car and you drive off, feeling like a new level of weightlessness when it was just the two of you together. You feel his eyes on you as you drive, like he’s infatuated by every part of you, and when you look back to him he doesn’t look away - the smile on his face only brightening at the connection. Part of you still couldn’t believe it.

You drive the two of you through the country lanes, through the rolling hills until you reach any level of seclusion, pulling up on a bank just over by the beach, overlooking an area that seemed completely untouched.

“Have you brought me here to kill me?” He looks at you slightly dumbfounded, “Should I be worried?”

“Well, there’s nobody here, I figured it was perfect,” You shrug, reaching into the back of your car to grab a couple of blankets.

“It is,” Conrad says, following your moves as you both get out of the car and walk down the short bank towards the sand.

The clearing of the beach is completely empty, and you stretch one of the blankets down onto the white sand, dropping down onto the soft surface and tossing the other blanket to your side. Conrad stands above you, his head blocking the sun as he grins down at you, his hair falling around his forehead.

“Hi,” You squint up at him, reaching out your arms until you can pull him into you.

He falls down beside you, leaning up onto his elbow.

“I still can’t believe this,” You comment, reaching up a hand to brush through the locks of hair around his eyes.

“Can’t believe what?”

“This. Us.” You say, feeling your stomach flip at the words, “I never thought it would happen.”

He frowns a little when you speak, “Why did you think that?”

You take a deep breath, “I’ve always been Bells’ friend, I thought that’s all you saw me as. God, they’re probably wondering where we are an-“

He leans down and silences your worries with a soft kiss, his lips lingering over yours without any pressure.

“They’re not thinking about us,” He assures you, “I’m thinking about us.”

You feel the smile tugging at your lips and he captures it into another kiss, as if sealing it between you.

You grip at his t-shirt and the back of his neck, pulling him into you as he shifts so that he’s over the top of your frame, deepening his connection against you. You’re breathless against his lips, desperate for more of him. His hand moves down to your waist, slipping below the hem of your top to hold your skin. You hiss at the contact, the cold touch of his fingertips.

He pulls back and smiles at you, glancing back around at the empty scene around you, “You know, there’s nobody around.”

You grin, looking to the side and pulling over the other blanket, shaking it out. He grabs it from you and stretches it over his back, burying both of you under your own seclusion.

His hands and lips find you again, his hips increasing their friction against you. And, in those moments, you’re sure that you two are the only two people in the world. Nobody else.

��——

You get back a couple of hours later, carrying in a brown paper bag of liquor as Conrad walks behind you with two crates of beer.

“Listen I’m just saying that-“

You stop in your tracks as the door closes behind you and Jeremiah is stood in the hallway by the front door, at the base of the stairs.

“Where did you guys go?” He asks, glancing between the two of you.

“To the store,” Conrad says, nodding down to the items in your arms, “Getting the goods for you kids tonight.”

Jeremiah nods, “I could’ve gone with you (Y/n), if you needed help.”

“Oh, that’s okay, Con was just in the house when I came through so I asked if he wanted to come.”

Conrad smiles down at his feet and you fight the urge to nudge him in his side.

“Here, let me take that,” Jeremiah offers, taking the bag from your arms.

You thank him and he walks into the kitchen, Conrad following behind him, wiggling his brows at you before he disappears. You roll your eyes, fighting back a smile he always seemed to evoke.

“Hey!” Belly comes jogging down the stairs, “I thought I heard you, did you get everything at the store?”

“Yeah, yeah, got everything,” You nod, “Conrad got beer, and we got a bottle of tequila and vodka.”

“That’s where he was,” Belly returns, “I wasn’t sure where he’d disappeared to.”

You drag a hand through your hair, “Yeah sorry it was just a last minute thing, I figured I could do with the extra hands.”

She agrees, “I don’t think he’ll come tonight, he’s been distant recently.”

“Oh, I don’t know, I’m sure we can convince him,” You glance over to where him and Jere are stood in the kitchen and he laughs at something his brother has said, his eyes creasing as he does so.

You’re sure this is the brightest he’s seemed in a long time and you feel your heart swell a little at the sight.

And then Belly moves beside you and you’re flicked back to reality momentarily, a reality where your stomach sank at the thought of lying to your best friend.

———

All of you arrive at the party an hour after it had started, having made your way through at least half of the drinks you’d brought with you. You were wearing a pink floral fitted mini skirt and a white corset top that hugged your figure. You’d felt Conrad’s eyes on you almost as soon as you’d come downstairs.

The boys follow behind you as you all disperse amongst the party, you holding onto Belly’s hand as the two of you make your way to the kitchen.

“I’m already a bit buzzed,” Belly says into your ear, wearing a romper that she’d stolen from you, “I don’t think I should drink any more.”

You smile at her, “Here,” You pour lemonade into a red solo cup and push it into her hand, “They don’t need to know.”

You take your own bottle of beer and crack it open, holding your thumb over the top as you move back through the mass of bodies in search for the three boys’ heads that would pop up over the crowd.

“Wait,” Belly stops you, grabbing your arm, “I need to ask you something.”

You frown at her, shifting to face her against the moving bodies around you, “What is it?”

She leans in closer to you as she speaks, “I think I’m going to tell Conrad how I feel.”

You feel your heart drop, a lump forming in your throat.

“I just… I’ve been waiting for too long. And if I don’t say it now I never will,” She explains, “I can’t do that any more.”

You still can’t find the words, certain that you’ll stop breathing if the lump in your throat gets any larger. Your hands start to feel a little numb and you grip tighter onto the neck of the beer bottle to feel like you could be grounded at least a little.

“I have to say something,” She persists, “And hopefully he’ll tell me he feels the same way.”

Without realising, you stumble a little in the crowd and she reaches out to catch you.

“Are you okay?” Your best friend frowns at you.

“I just- I need some air,” You return, trying to force your words to be loud enough over the pounding music.

You push your way through the remaining people until you get to enough of a clearing, where you can get outside into the garden. Instantly, it’s like you’re gasping for a breath it was impossible to find.

“What’s going on? Are you okay?” Belly asks you, holding your arm as if holding you up.

“Um,” You drag a hand through your curled hair and look back at her, “Yeah, yeah, sorry, I just felt a bit dizzy in there.”

“God you terrified me,” She half-laughs, “Come on, the boys are over there.”

Belly guides you over to the beer pong table set up at one side of the terrace in the garden, Steven and Jeremiah are stood on one side and Conrad on the other.

“Hey! Bells, (Y/n)!” Jeremiah waves, “Come join us, we’re just starting.”

“Okay but I’m not drinking,” Belly grimaces at the sight of the half-filled cups.

“You can join our team then, (Y/n) can go with Conrad,” Steven shrugs, “Let’s go rookies.”

You walk over to Conrad’s side of the table and watch his eyes drag up and down the sight of your body, cocking your brow at him when his eyes finally meet yours. He blushes, fighting back a smile.

Jeremiah throws the first ball and it bounces from one of your cups, Conrad catching it as he throws it back, sinking it into one of the cups at the edge of their triangle.

“Nice shot,” You comment quietly, sipping from the beer in your hand.

He reaches an arm around your shoulders and takes the bottle from your hand, bringing it to his own lips to take a sip.

“Come on, drink up,” Steven breaks the moment, gesturing towards the ball now landed in one of the cups on your side.

You roll your eyes and pick up the cup, tipping back the drink and grimacing at the overwhelming taste.

“Alright, my turn,” You say, picking up the ball and lining up to throw it towards them.

Conrad’s hand falls to the small of your back, the bare skin between your top and skirt. You glance back with slightly widened eyes but quickly try to ignore it. He was buzzed, that’s what it was. All of his inhibitions were lowered, and his widened pupils couldn’t help but focus on you. You throw the ball from your hand and it bounces to land in their front cup. In one movement, you shift to stand directly in front of Conrad, trying your best to shield his desperation for you. The other three seem too distracted anyway, bickering over which one of them has to drink as Conrad holds your waist, pulling you back against him.

“Con,” You say under your breath, tightening your grip on the edge of the table, “Not here.”

He listens almost instantly, his hands loosening on you as he steps to the side, eyes not leaving you.

“We’ll leave early,” You mention quietly and he smirks, pursing his lips together.

“Come on losers, one of you has got to drink,” Conrad encourages, clasping his hands together, a new lease of life seemingly coursing through him.

You go about the rest of the game and you and Conrad both grimace through another two cups each before you eventually win the game, pushing your remaining cups to the other side for the rest to drink.

“Alright, I need to find the bathroom,” You mention, checking your reflection in the black mirror of your phone screen, “I’ll be back in a minute.”

You squeeze Conrad’s forearm before stepping past him to walk towards the house, trailing through the bodies and eventually making your way upstairs to the nearest available bathroom, shooting him a text of ‘second door on the left’.

You sit yourself on the closed lid of the toilet until, only a minute later, there’s a tap at the door. Without so much as a second thought, you stand up and unlock the door quickly, grinning at the sight of Conrad on the other side. He glances once over his shoulder to check for any prying eyes in the empty corridor before stepping in, hands gripping your waist instantly and turning you around, pressing you against the door as it closes behind you. You gasp at the contact and your mouth falls open, Conrad dipping his head to kiss at your neck.

“I couldn’t keep my eyes off of you in this,” He grumbles, pressing against you, “You’re killing me (Y/l/n).”

“Yeah? I couldn’t tell,” You smirk, your hands moving down to unbutton his trousers, pushing him back until his back hits the opposite wall.

———

You adjust your skirt once, twice more, before stepping outside, running a hand through your hair once again, dragging a finger under either of your eyes. Conrad had left a couple of minutes ago so it was likely safe for you to do so too.

“There you are!” Belly exclaims, hurrying over to you as soon as you step onto the staircase, “Conrad said you were being sick.”

“Um,” You swallow to compose yourself, “Yeah, yeah, just too much beer I think.”

“Okay, yeah, Steven’s been sick in the garden too, I think we’re going to head home,” She nods, “Are you okay? Do you need some water or something?”

There’s that feeling again, the sinking in your chest. The sick in your stomach, not the kind of sick from Conrad’s lie. This was real. It was real because your best friend was stood in front of you and she cared about you, so openly and blatantly she cared about you, and you were lying to her. Over something that would break her heart. You were lying to her.

“Come on, let’s go,” She puts an arm out for you to take her hand and leads you down the staircase to where the three boys are waiting at the bottom.

Conrad looks up at you as you come down, a smile on his lips before he looks back down at his feet. His hair was messier than normal and you wondered whether anyone had questioned it.

“You feeling okay (Y/n)?” Jeremiah frowns, “Here, take this.”

He tugs the flannel from around his shoulders and hands it to you, waiting for your arms to slip into the sleeves.

“Oh, yeah, thanks Jere,” You nod, adjusting the material around you.

Conrad clenches his jaw, opening the door and stepping out without another word. You all follow behind, taking the shortcut that lead you back towards Susannah’s house, eventually reaching the familiar setting. Steven stumbles and clings onto Jeremiah, telling him that they should carry on drinking, and Belly looks at you every two seconds as if you’re about to break beside her, Conrad doesn’t look back at you.

Everything just feels… off. Jeremiah’s shirt seemed to itch around your arms and it didn’t sit right around your shoulders, and Belly’s arm was linked in yours but it just didn’t seem to rest there properly and it made your arm ache when you focused on it for too long, and why wouldn’t Conrad look at you?!

You eventually get back into the house and Jeremiah carries Steven’s weight through the corridor as quietly as he can, making sure he takes one stumbling step at a time. Belly tells you she’s going to get in the bathroom before anyone else does and you and Conrad are left stood in the doorway.

He glances back at you.

“I’ll see you in the morning,” You offer, pulling Jeremiah’s shirt from around you.

“You could’ve used mine,” He mumbles softly.

“Your what?” You frown, blinking at him in the low light.

“My jacket, you could’ve borrowed it,” He shrugs, stuffing his hands into his pockets.

“Conrad Fisher are you jealous?” You scoff, and for a moment in your laughter you forget about everything that had been worrying you on the way home. It’s just you and him again.

He rolls his eyes, “No, I just mean-“

You step forward until you’re directly below him, waiting until his eyes will meet yours.

“Admit it,” You state simply, “Admit you were jealous.”

“Im not jealous it’s just-“ He stops, “I don’t- I didn’t-“

You raise your brows, fighting to stop yourself from laughing at him.

“Good night,” He grumbles turning away from you.

You grab his hand and stop him, turning him around so that you can press the quickest peck to his lips. Conrad looks at you with a smile on his lips, drawing you back in to kiss him again, a second longer.

It’s only when you pull away that you both think to glance to the top of the stairs - to the figure stood at the top of them.

“What the fuck?” Steven mumbles, stumbling a little and catching himself on the wall.

Conrad looks at you almost instantly and you watch the worry cast over his face, him watching the exact same expression pass over yours.

“Come on, man, let’s get you to bed,” Jeremiah encourages, hurrying back over to Steven and wrapping an arm around his shoulders.

He pauses when he sees the two of you at the bottom of the stairs, both looking up like you’ve seen a ghost.

“Good night guys,” He frowns, hooking his arm below Steven’s armpits and dragging him towards his bedroom.

Conrad looks at you again and his mouth opens as if to say something, stopping before he speaks, closing his mouth again, waiting, and then saying, “I’m so sorry (Y/n).”

You look at him and frown, hearing the way the words catch in his throat as if assuring you they’re honest. You can practically feel the way his chest would have been tightening against the words, the way he’d struggle against them.

“Hey,” You reach out a hand and take his, squeezing it, “Not your fault.”

He looks down at you and swallows the lump in his throat.

“Come on, not here,” You encourage, pulling his hand with you as the two of you walk through the empty bottom floor.

You lead him into the lounge where the two of you sit down in front of the fireplace. You cross your legs and face him and he stretches his out towards the fireplace, leaning back against the couch behind you.

“Okay, chances are Steven’s not going to keep his mouth shut,” You begin, “Even drunk, he’ll probably remember what he saw.”

Conrad just nods.

“Look, I get it. It’s only been a couple of days, and this ruins things and I totally understand if you don’t want this to carry-“

“Woah, woah, woah,” Conrad bolts upright, “What gave you that impression?”

“Well,” You look down at your hands in your lap, “I know we’ve been hooking up but everyone knowing is going to make this into something and I don’t know if you’re ready for that or if you want that or… I don’t know.”

“(Y/n),” He takes one of your hands and interlocks his fingers with yours, his large grip folding over your knuckles, “I want this. Not just sneaking off and hooking up, I want this. I want you.”

You feel your heart skip a beat, your whole body feeling like it could ignite under his touch.

“If they find out now, then we deal with it, okay?” He waits until your eyes find his, “We’re in this for the long haul, right?”

You nod and watch the corners of his lips curl up into a smile. You turn so that your back is against the couch beside him and he wraps an arm around your back, your head resting on his shoulder and his resting atop yours. You’re sure you could stay like that forever. And, somewhere along the line, both of you drift off to sleep.

———

When you blink your eyes open, for a second you hope you’re dreaming… or perhaps this is more like being in a nightmare. Stood directly in front of the pair of you, are the looming figures of Jeremiah, Steven and… Belly. You nudge Conrad and he blinks awake too, groaning at the stiff pain in his neck.

“God I thought I was dreaming last night but I wasn’t, was I?” Steven gestures between the two of you, “I mean, you guys are…”

You glance at Conrad and back to the others, scrambling to your feet, “I can explain-“

You reach out for Belly but she pulls away, storming out of the room as quickly as she can. You feel the tears bubble in your eyes, the lump in your throat.

“I mean, seriously (Y/n)?” Steven scoffs, “You knew how she felt about him. She’s meant to be your best friend.”

“I didn’t mean for-“

“Conrad?!” Jeremiah exclaims, “Seriously, of all the people you could’ve been with you went for Conrad? The one person you knew would break Belly’s heart.”

“It wasn’t like that,” You shake your head quickly, “It just happened and-“

“Well maybe if you weren’t so busy thinking about fucking-“

“Hey!” Conrad stands up beside you, stepping ahead so that he shields you from them, directing his anger onto his brother, “Don’t talk to her like that.”

“You’re fucking unbelievable, do you know that?” Jeremiah laughs, “I tell you I like a girl and you take that as a sign to get her for yourself?”

“Jere, stop,” Conrad warns, “You’re going to say something you regret.”

“Don’t tell me what to do!” Jeremiah raises his voice, “You knew that I liked her, you knew I fucking liked her and you just cared about yourself.”

“It wasn’t like that, (Y/n) decided who she wanted to be with, I did too. It’s not always about you Jere,” Conrad shakes his head, “When are you going to grow up and realise that?”

“When am I going to grow up? How about you growing up and realising you’re going to break her fucking heart?” Jere shrugs, “I mean, seriously, emotionally unavailable Conrad? In a relationship that’ll last? You’ll break her heart and she’ll come crying to-“

“Stop!” You raise your voice, pushing to step aside from behind Conrad, “Both of you stop fucking talking about me like I’m not even here. I can’t deal with this right now, I need to find Belly.”

“(Y/n)…”

You hear the faint tone of Conrad’s voice behind you but it’s overshadowed by the blood pounding in your ears as you hurry through the house to find her, catching sight of her just by the pool.

“Belly!” You call, pushing open the door, “Belly please just talk to me!”

“You knew, (Y/n),” She spins on her heel to face you, her eyes puffy with tears, “You knew I liked him. From the minute we were in middle school I told you I liked him. I told you every summer since, and you listened to me every single fucking time. And then, what? You just wanted him for yourself this whole time.”

“It wasn’t like that…” You shake your head, “I never meant for it to happen, especially not like this.”

“Then what was it like, (Y/n)?”

You pause, seemingly incapable of finding any words in the moment, “I- I just…”

She crosses her arms over her chest and looks at you as if you’re a person she doesn’t recognise.

“It was a couple of summers ago, I don’t know what changed. He just seemed… different. And then I noticed it more last summer, just the little things in how he was acting with me, I couldn’t explain it. I never told you because I knew how much it would hurt you to think that I liked him too. But the other night things just happened and he told me how he felt about me and… I never meant for you to find out like this, and I never meant to lie to you.”

“Well, which one is it? Did you not want me to find out or did you not want to lie to me? You can’t have both.”

“I-“ You fight back the tears stinging at your eyes, “I didn’t want to break your heart, Bells. But I could feel myself falling in love with him and him falling in love wi-“

“In love?” She steps forward, eyebrows raised against the redness of her cheeks, “It’s not love, (Y/n). Conrad doesn’t love you. You’re just there and he knows he can have you. You’ll realise that eventually.”

Her words are void of any emotion other than hatred, spitting from her mouth like she’s desperate for them to escape her. She storms past you and down the side of the house, each one of her steps carrying more anger than the last.

You feel your chest tighten, the way it seems to contort and twist when you’re on the verge of tears.

The garden door opens again and it’s Conrad this time. At the second your eyes meet his, you release every emotion in side of you, letting out a sob. He reacts almost instantly, hurrying down to scoop you into his arms, letting you bury your head on his chest, soaking through his t-shirt. One of his hands grips around your back and the other holds your head against him, running through your hair.

“It’s okay, (Y/n),” His voice is soft, like he is terrified of breaking you further.

You pull away from him and look up to his face, shaking your head through the tears still spilling from your eyes, “How is it going to be okay, Con? They hate us. All of them hate us.”

“Hey,” His hands move up to either of your cheeks, thumbs brushing under your eyes to swipe away the tears before they can even fall, “It’s you and me, okay? We’ll figure it out.”

You let yourself sink into the feeling of his arms around you, his heartbeat sounding less certain than his words did.

“You’ve got me.”

And in that moment, you know it’s true.

[rey-jake-therapist]

What's the deal with Sauron and children ?

There seems to be something we don't know, about Sauron and children. Among Haladriels we often joke/hc that Sauron wants to have children with Galadriel and that's why it's a recurring theme. But in all seriousness, we may ask : what are the writers not telling us ?

It started in Numenor, where we saw Sauron smile giddily at the sight of little girls running.

I'm sure many still think : "he was putting on a show for Galadriel". Ok but Galadriel herself didn't smile when she watched them, she just looked at them with indifference. And it's not necessarily a human thing to smile at the sight of children, many humans don't care for them.

Then there's a scene where Sauron as Halbrand confronted Adar, who asked him if he had hurt someone he loved, adding, "A woman ? Perhaps, a child ?".

Galadriel may have noticed that Halbrand seemed particularly tense when he asked if it was a child, because she told Adar, "eat your tongue".

Tbf, it's likely that this scene was just a red herring. The audience still had to believe that Halbrand was a man, and that he had a good reason to want Adar dead. Adar firmly believed he had killed Sauron at this point, so there could be only one reason for Halbrand to be so angry at him, aka he took someone he loved away from him. What I mean is that Adar asking him this question made very much sense, at the moment.

But the reference to children came back in season 2, when Sauron had a vision of little girls running in the vision he had first created for Celebrimbor. It could also, again, mean nothing, because this vision was for Celebrimbor, a make believe to hide him the fact that Eregion was under attack. But someone, I don't know who, noticed something interesting when they put the gif of the Numenor girls on top of the gif of the mind palace girls.

Do you see it ? How the kids in the second seem to continue the Numenor kids' running ?

It may mean absolutely *nothing*. And yet I find interesting that the writers chose to associate Sauron with kids not just once, or even twice, but three times.

Could it mean that at some point, when he was in Numenor, Sauron seriously considered the idea of settling down there, of founding a family and liviving as a human being ? He was in a repentance phase and had, in his own words, "given up" any idea of fixing the damages he had done after Adar betrayed him and turned him into powerless goo, so I don't think it's too far-fetched to imagine that he could have genuinely wanted to settle down, to blend with the crowd.

Or could it be, as @apoloadonisandnarcissus suggested to me, that Sauron associates children with the concept of innocence, an innocence he himself lost when Morgoth corrupted him ?

Saurbrand told Galadriel, about Numenor, that it was "a paradise rife with opportunities". The vision of Eregion he showed Celebrimbor had everything of a paradise. Even after Celebrimbor got back to work and was no longer here to see the vision, Sauron remained for a few minutes in his illusion, contemplating it.

It didn't escape Haladriel shippers' attention that the girl was a sort of Galadriel lookalike, and that his lover, whose face remained unseen, may have expressed Sauron's own doubts regarding his capacity to perfect/heal Middle-Earth without Galadriel and her light.

That said, neither the idea of having a family, nor the association of children with innocence, can be related to what Adar did to him. Adar definitely didn't kill a child of his (and it would be dangerously lore-breaking to claim that Sauron ever had a kid, because Maiars are supposed to be forever bound to their physical form once they conceived), and he isn't the one who stole his innocence either. Adar is the one whose innocence was stolen by both Morgoth and Sauron, actually.

So now it's your turn : do you have any idea about this ? If yes, please share :)

[breathlesswinds]

(Devlog) What We Learned Making A Trans Dating Game

Hello, Amelia here, the writer for Breathless Winds. It's been 250,000+ words, countless revisions, and three years since this game entered development, and I wanted to talk about what I've learned leading up to release.

The concept for Breathless Winds was actually sort of a joke between friends. I was talking with Doris about how there should be a dating game where you play as a trans woman and your dating options revolve around certain ‘tropes’ we’d both seen in trans fiction-- the totally accepting cishet guy who falls in love with the trans heroine before she even knows she’s a woman, the cool trans woman who the heroine doesn’t know if she wants to date or wants to be, and so on.

Doris wound up suggesting we make this game ourselves. We both like visual novels and want to tell LGBT stories. Still half-jokingly and half-seriously, we started fleshing out what the romance options would be and coming up with a setting-- and soon, we were fully committed to making this game real.

I was a fan of visual novels but had only ever written prose. I knew which visual novels I liked and which scenes stood out, but I didn’t know why they did or how to make my own. 

I read some great advice from visual novel developers, but a good amount of my knowledge came from just working on Breathless Winds. As our first project, this game has grown a lot with us and we’ve learned a lot while making it.

Learning How to Write Visual Novels

A bad habit I had to break out of was only using the ‘novel’ part of the game and not the ‘visual’ part. I would sometimes write “He smiled” or lines like that, and Doris informed me that we can convey this much more simply with a sprite change.

It sounds obvious in retrospect, but lines like that are often pretty invisible when you’re reading a non-visual novel. These lines change the sprite of the character inside your head (if that makes sense, haha). I realized that I’m so used to them being ‘invisible’ that I didn’t notice their absence in visual novels I liked, so I would accidentally include them while writing. 

I was also writing these routes in a word processor, so I didn’t have the visual portion to reference, myself. I wound up making a lot of ‘tone’ notes like, “Lantana should be smug here” so that the meaning would carry when revising and implementing these into Ren’py. 

So, while visual novels share a lot with prose, they’re an entirely different medium. On the subject of representing things visually, I’ve struggled trying to figure out how much can be visually represented and how much should be written. 

Every asset in the game has to be drawn by Doris, so if I want the characters to go to a new location for a scene, I have to keep in mind that’s another background that Doris has to draw. If I want a new character to show up, that’s another sprite she has to draw. I don’t want to overload her, but if I’m trying to avoid this entirely, characters sometimes wind up standing in one room talking for ages without anything significant changing on-screen.

I’ve learned that it’s recommended for something to almost always be changing on-screen, though, so sometimes I just have to ask Doris to make a new asset for a certain scene. I still try to stick to locations/characters that already exist more often than not.

Every single thing in a visual novel is deliberate. Another thing I’ve had to learn that I never even considered before is how to write each line so it fits in the text box. It sounds obvious, but when I’m playing a visual novel, I don’t usually think about how each line has to be carefully constructed so it doesn’t need to be split up into two or more text boxes. In my mind, if a visual novel is well-created, there’s not much that breaks a reader’s immersion.

Planning & Outlining

The previous section might sound really weird to some people, so let me elaborate.  I’m a lifelong ‘write by the seat of your pants’-er, so the biggest trial-and-error of creating Breathless Winds for me was planning out the game.

Initially, I created outlines for each of the four routes, and we agreed ahead of time on which CGs each route would have. That way, Doris could draw the necessary backgrounds and CGs while I was in the long process of drafting this game.  My original outlines weren’t great. I know a lot of people have different experiences with writing, but for me personally, a story is always shaping itself in my mind. When I started making the outlines for Breathless Winds, I knew the concepts we wanted to convey, but I didn’t know what each route (and the game as a whole) was really about yet. This might sound weird and unprofessional, but sometimes, I don’t know what a story is about until I finish the first draft.

So while I was writing, I would look at my outlines and I would think, “this doesn’t actually make sense, he wouldn’t say that” or “this plot point would work better if moved to this other section” or “there’s a plot hole here I didn’t notice”. The story wound up changing a lot in this way as I learned what it’s really ‘about’. 

And even after I finished the first draft, I’d get feedback from Doris and/or my editor and they would suggest fixes to problems that even I hadn’t noticed, and then I would revise the route some more, and later on I’d come back and need to redo part of the route to comply with something I wrote in a later route-- I haven’t really felt ‘finished’ with Breathless Winds at any point, and I think I’ll still feel this way after the game is released.

This means that sometimes, a background was created but would go unused because there was no space for the scene that would use it, or we’d need a new CG last-minute, or so on. 

When I’m figuring things out as I go while writing a non-VN, the only person that I can adversely affect is my own self… so I’m eternally grateful for all of Doris’s patience with me on this matter. I think Breathless Winds has come out a much better game for all the re-plotting and revision. 

I redid the outlines several times as I went. I think I’ve understood how to create outlines that personally work for me-- ‘living’ outlines that hit all the main points, but leave wiggle room for moments when a character does something unexpected, work the best for me.

Scope Creep

So, originally, each route was meant to be 40,000 words. “With four routes, that’s only 160,000 words!” I thought. “And some of my favorite visual novels are about that long, so I can write that much, too!” ← clueless

This is the most infamous mistake that new creators make, and I walked right into it. I should have known better since I’ve bitten off more than I can chew with past non-VN writing projects before, but I was starry-eyed and didn’t realize how much work it is to make a VN. Some of those favorite visual novels I referenced were made by much larger teams, writers whose full-time job was writing (I wrote all of these routes on the side while working at a day job). 

If I could have done it again, I would have asked Doris to start out with a really short VN. But, I don’t regret making Breathless Winds at all. It’s brought Doris and I a lot closer, for one. Every time I thought I wanted to give up on this, Doris would motivate me to continue. Without the two of us both and our strong friendship, Breathless Winds wouldn’t exist, and I think that’s beautiful. 

No matter what, we’re going to see it through to the end. (I hope people like it, though…)

Anyway, here I am talking about how much 40,000 words is. Each route now is about 60k to 70k words. The problem with having evolving outlines is that they can often evolve into double their original size.

We came up with the idea of the poachers really early in development, and then not addressing the poachers felt like a failing, but by that point it was too late to remove the poachers entirely… and so the game wound up a lot longer dealing with the poachers. 

I think that if we had an editor sooner on in the game’s development, then we might have had someone to tell us, “do you really need all of this in the game? Does this plot point really need to be there? Will you be able to write all of this in a reasonable amount of time?”, haha. But Doris and I were really excited about the possibilities of this game when we started creating it, and without anyone to reel us back in, we wound up coming up with more and more things we wanted to put in the game.

Did you know there was going to be an island full of talking rats who say things like “the big cheese” and stuff all the time in Breathless Winds? Yeah. 

The Core Design Philosophy of Breathless Winds

So, for anyone who’s read this far but doesn’t know yet-- the premise of Breathless Winds is that you play as a trans woman who doesn’t know she’s trans yet, and she finds love with one of four love interests as she discovers her gender identity. 

In real life, it can be a lot messier for a person to date when discovering their gender identity. To put it briefly and mildly, a trans person’s life and sense of personal identity can rapidly change during a gender crisis and the early stages of transition. 

However, we wanted to make this game a ‘wish-fulfillment’ type story-- a trans fantasy about acceptance, community, and love. During a gender crisis, it can be easy to feel as if one has lost touch with themselves and become isolated from others. A sincere wish shared by many trans people is to be accepted, loved, and even celebrated as their true gender, not just tolerated. 

Since many trans people don’t get love and acceptance in real life, especially with the ongoing transphobic moral panic, we wanted to create a game that would bring this feeling of trans joy and celebration to trans audiences. 

We also hope that cis players will still enjoy the story and characters, and maybe come away from the game with a new understanding about being transgender and other aspects of LGBT identity (although we never intended this game to be ‘educational’).

Making Characters that Celebrate Trans Identity

Although we went through several revisions, the core identities of each character stayed the same since the game was first ‘jokingly’ pitched. In another post, I discussed how each character is themed around a change in seasons. (I also wound up theming them around the four humors when I was initially concepting them-- I really wanted to avoid too much ‘overlap’ in the LI’s personalities, haha). 

Ultimately, characters are created to serve a role. The LIs in Breathless Winds were designed to be love interests, of course-- characters who would appeal to the hypothetical trans femme audience. As mentioned earlier, we modeled them after other trans fiction tropes because these types of characters have a certain tried-and-true appeal, but this left plenty of flexibility to put our own spin on it. 

A trans woman being loved as a woman by a cishet guy can feel like a high form of ‘passing’, ‘fitting in’ to the female gender role, and being validated by his orientation. He only likes women, and he likes you, so you’re undoubtedly a woman. As a cishet guy, he represents a sort of acceptance into a societal norm that trans women can desire to live to. (Lantana, as a cis lesbian, represents the sapphic counterpoint to this-- although there is of course a big gap between the ‘normalcy’ of a cishet man and a cis lesbian woman, and I don’t mean to say those two are equivalent.) 

But not all trans women want to live to that (cis) societal norm. Rue and Valerian, as a trans woman and a trans man respectively, are the t4t options. 

Rue’s route represents that trans/sapphic ‘envy’ (“do I want her or do I want to be her?”) as well as finding power in community aside from what society considers ‘normal’. We’ve always been pretty clear about what we wanted to do with Rue’s route.

We went back and forth a lot more on Valerian’s route. Initially, we were unsure if he should be trans. He and Rue are the two less-friendly love interests (at least initially), so I was afraid it would come across that t4t is a more hostile option, which is not true at all. But it also felt like a mistake to not have a trans man in the game-- but making Gallardia trans would have required a big overhaul of what we had in mind for him and his route. (Although, childhood friends t4t is a really good idea...)

Beyond that, Valerian takes a villainous role in any route that isn't his own. We were worried that it would be wrong to have a trans antagonist who represents unjust power. However, Breathless Winds is a queer game with other positive trans characters, and we've always approached Valerian as a hot anti-villain man that you can't help but like.

In the end, Valerian’s route is about breaking generational cycles and what it is that makes you a man, and I also managed to sneak in a scene where they dance at a ball in the royal palace, so in the end I think it all worked out great.

Wish Fulfillment and Catharsis

Doris and I both agreed that we wouldn’t depict on-screen transphobia in Breathless Winds. Poppy worries about not being accepted, but fear of acceptance can come with any change in identity. Rue was rejected by her family for being trans, but this doesn’t take place ‘on screen’ in the game. There exist certain metaphorical parallels for transness and transphobia, but every route has a happy ending. 

Following up on this-- it can be difficult to write about discovery of gender identity without writing about transphobia, considering how many trans people suffer from internalized transphobia during their period of repression.

Sometimes, repressed/closeted transgender people ‘hyper-perform’ their assigned gender as a form of denial. A trans woman might grow out a beard and join a gym, while a trans man might become very interested in makeup and feminine clothing. 

In Breathless Winds, Poppy often struggles with ‘strength’ and what it means to be a man. In several routes, she tries to prove her strength under the assumption that being stronger would make her happy. Afraid the world would reject her if she became who she really is, she preemptively rejects herself.

Not every trans person suffers from prolonged denial, internalized transphobia, or even gender dysphoria. I don’t think it’s impossible to tell a purely-positive story about trans joy. 

While Poppy never gets rejected for being trans, faces transphobia, gets called a slur, etc, she faces both internal and external (metaphorical) obstacles to realizing and accepting her identity. 

Gallardia represents a societal norm that Poppy can’t live up to herself as a man.

Lantana suffers from certain aspects of her identity as a woman, which makes Poppy feel guilt for wanting to be a girl.

Rue is isolated from town at the start of her route, a ‘punishment’ for breaking this societal norm.

Valerian has to hyper-conform to his masculine gender role at first in toxic ways before finding acceptance from within and from his loved ones.

These struggles are real to a lot of people, but instead of pretending they don’t exist, I hoped to tell a story about catharsis. Poppy is able to live up to her truth as a woman and finds love with Gallardia, Poppy and Lantana redefine what being a woman should and does mean to them, Rue and Poppy find community in others who don’t fit the norm, Poppy and Valerian stop seeking gender validation from a society that was never made to serve them. 

Although these powerful forces of oppression exist, loving yourself as a trans person- and loving those around you, protecting the natural world, and standing up for what you believe in- can save the day. That’s the kind of story we wanted to tell.

Wrap-up

There’s a lot more I could write, but this has already gotten really long (sorry!) so I’ll wrap it up here. 

Learning how to write a visual novel in terms of technical skill (how to depict events on-screen, how long each line should be) as well as in terms of writing skill (how to outline the game, how to plan visual assets) has been a massive undertaking for me. 

Writing Breathless Winds has been a big challenge but also deeply rewarding, and all of your support has made the experience even more wonderful. Thank you for reading and thank you for supporting the game!

[saintsenara]

What parts of canon do you find the most frustrating/that you are dissatisfied with/wished that was handled better/explored more? Mine is the inconsistency of Voldemort as a character. How he is described as being perhaps the most talented student that Hogwarts has ever seen and so powerful and intelligent but regularly made such dumb decisions e.g. in the final battle where he still uses Avada Kedavra despite seeing it not work before. I like the explanation that Horcruxes rotted his brain

thank you very much for the ask, @sarafina-sincerity!

the parts of canon which i find the least satisfying all have the same thing in common: their morality is individualist.

the harry potter series has - at its core - a really profound and very black-and-white belief that good and evil not only exist but are rooted in the individual. and while i understand why this is the case - the later books in the series are governed by the genre conventions of folkloric epic and, especially, of christian folkloric epic, which means that the whole seven-book narrative arc ending in a battle between christ and satan after which all is well is only to be expected - i don't like it.

so here we are... ten things i hate about canon, for fanfic writers to win my heart by interrogating in their work...

i hate the series' insistence that everything is fine once voldemort is dead

the middle books in the series - especially goblet of fire - do a really interesting job at hinting at the endemic rot in the ministry of magic, and the ways that the state and its enforcers perpetuated harm during the first war that was indistinct from that perpetuated by the death eaters - above all the use of internment without trial for suspected death eaters [which is a reference to something the british state actually did in the 1970s!].

they show how widespread blood-supremacy and magic-supremacy is, even among people who don't openly support voldemort; how the wizarding population is kept deliberately ignorant by what appears to be state-controlled media; and how no serious efforts have been made to eradicate the conditions which enabled voldemort to attain such power.

this is then forgotten completely in deathly hallows, where the fact that almost the entire civil service keeps working for a government which is committing genocide is hand-waved away with "oh, people are scared", and both the epilogue and jkr's post-series writing take the view that kingsley manages, as minister, to preside over a government which easily sheds all its old prejudices and starts working properly.

i don't like this! i think it's just much more interesting for corruption to be impossible to fully eradicate from the government, for blood-supremacy to have long-standing causes which actually take a lot of very hard work to untangled [especially the fact that the wizarding world not appearing to have a welfare state means that those whose lives are poor or unstable are prime targets for radicalisation], and for kingsley to have the same capacity for leaning on the prophet and worrying about his polling numbers as any other politician...

i hate that the series changes how the death eaters are written between half-blood prince and deathly hallows

connected to this shift from the series hinting at the broader issues in the wizarding world to a flat battle between good and evil is that the death eaters, their aims, and their modus operandi are written very different between half-blood prince and deathly hallows. in the former, the death eaters can be situated very easily as anti-state sectarian terrorists who have all sorts of complex analogies within british history and politics. in the latter, they're just caricatures of pure evil - which is why the death eaters introduced from the latter stages of half-blood prince onwards, especially the carrows, are considerably less interesting as characters than those, such as lucius malfoy, barty crouch jr. and bellatrix lestrange, who are introduced earlier.

it's also why the voldemort of deathly hallows feels so uninteresting. i don't like the fanon that the horcruxes render him insane at all - when he's shown outside of the epic battle between good and evil in that book, he's shown to be as lucid and cunning as always - but he ends up having to flop because his only purpose in the overarching narrative is to be killed. in the earlier books, in which he's a paramilitary kingpin poisoning and corrupting a society which was designed to exclude him because of the fact of his birth in revenge for its treatment of him, rather than satan and hitler's lovechild, he is so much more interesting.

i hate the series' belief that slavery is fine

obviously, one of the biggest examples of state malevolence in the series is that wizards own slaves. like many readers, i loathe that the house elf plotline ends up being reduced from its potential for radicalism in chamber of secrets - in which dobby mentions whisper-networks of elves who decry their treatment at wizards' hands - to what we see from goblet of fire onwards - in which elves love being enslaved and think that any attempts to free them from their subjugation is cruel.

i also hate that elves' freedom is then hand-waved away as part of the general race towards "all was well" with the implication that hermione found it easy to undo what appears to be centuries of state-sanctioned oppression without any pushback at all.

the house elf plotline is one of the clearest distillations of the series' individualistic morality. harry abhors the treatment of dobby at the malfoys' hands entirely and only because he doesn't like the malfoys. he abhors voldemort's treatment of kreacher, but sees absolutely no issue with sirius' because he likes sirius - and he clearly sees no issue at all with his own legal mastery of kreacher, seeing as, literally minutes after the end of a war in which the good guys fought for the rights of muggles and muggleborns to be seen as fully human... he is considering ordering his slave to make him a sandwich.

i hate that the series doesn't show the realities of resistance

the reason i think the whole "why does voldemort keep using avada kedavra, isn't he supposed to be clever?" question arises is because the series is incredibly resistant to the idea that the good guys must have to kill as well, which makes it look like it's only the death eaters using it while the order use lots of clever magic that the stupid terrorists are too thick to think of.

this is idiotic - not only because the killing curse is canonically flawless unless the thing you're blasting is your own horcrux and so the order would use it for efficiency's sake alone, but because the reality of being a resistance fighter is that, even if you're on the "right" side, you are going to have kill people or they will kill you.

lupin is completely right in deathly hallows that harry is breathtakingly naive to avoid shooting to kill and that - without the protection of genre conventions allowing him to be preternaturally merciful - his resistance to killing is going to result in him being destroyed by the enemy. it is inconceivable that the rest of the order don't using the killing curse - and the question of what this does to their souls [is it murder if you believe yourself to be justified in your actions?] and their senses of self post-war is so interesting to think about - and i wish we were shown this in the text.

especially because molly absolutely blasted bellatrix with it.

but i also hate that the series thinks that violence is fine when the good guys do it

this is primarily another example of the black-and-white "this is fine because harry's good" theme which runs through the series, which we see in things like harry using sectumsempra on draco malfoy in half-blood prince or the cruciatus curse on amycus carrow in deathly hallows. harry's overarching response to committing attempted murder is to sulk that the incredibly minor punishment he receives is reducing the time he could spend hitting on ginny, and his response to torturing amycus is "lol. lmao."

the series thinks - again and again - that cruelty and violence are completely fine when the person they are perpetuated against "deserves" it, and it does not bang.

and that the series allows the good guys more complexity in characterisation

the role played by the house system in the story - and, above all, the fact that our heroes are all connected to one particular house with straightforwardly admirable associated characteristics - means that the villains receive less opportunity to also have positive traits intermingled with their negative ones - and, therefore, complex and interesting personalities.

i also dislike that when non-gryffindor characters - especially slytherins - do reveal themselves to be brave and loyal etc., instead of recognising that this is because bravery can be multi-faceted the series suggests that they should be recategorised as "belonging" to a "good" house.

or, in other words, me and dumbledore's "i think we sort too soon" line in deathly hallows are enemies for life.

i hate that the series blames merope gaunt for dying

and - of course - the main way a villain isn't allowed as much complexity as a hero is that the series never examines the impact of voldemort's childhood on his adult self. while we see hints throughout canon of just how profoundly affected he is by his institutionalised childhood and the weight of his grief over his parents [his mother especially] - such as him learning as a baby never to cry for attention because it's futile - this is hand-waved away throughout the series by dumbledore-as-the-voice-of-god as irrelevant. the eleven-year-old tom riddle is straightforwardly evil, that he grows up in an orphanage is used as nothing more than narrative colour to underline how creepy he is, and dumbledore's spectacular mishandling of their relationship is viewed by the series as undeniably correct right up to the very last moment [when harry imitates dumbledore by - and we should call it what it is - deadnaming voldemort in their final confrontation].

but the most egregious thing that dumbledore does when discussing the course voldemort's life takes is blame merope gaunt for her own death in childbirth, by implying that witches are immune to one of the most common causes of death throughout human history if they just try hard enough and then saying that a nineteen-year-old girl whose life appears to have been nothing more than unrelenting abuse and misery [perpetuated both against her and by her] lacked the moral fibre to try hard enough.

and this infuriates me.

i hate how the series treats female characters who don't fit its narrow spectrum of "correct" womanhood

merope is but one victim of the series' general issues with treating women who aren't its heroes - all of whom are exactly feminine and beautiful and clever and talented enough that we know they're good people, but not any of these things in an extreme which could make them vapid or arrogant or defiant of social norms or so on.

the series takes a very low view of women who exist outside of narrow boxes - whether they are interested in a hyper-feminine aesthetic [lavender brown, rita skeeter] or a more masculine one [marge dursley]; conform to stereotypes about being bitchy, flighty, or vapid [pansy parkinson, romilda vane] or refuse to adhere to social expectations to be polite, meek, and demure [fleur delacour]; are unmarried, are not inherently maternal, and/or are cruel to children [bellatrix lestrange; petunia dursley; dolores umbridge]; are unrestrained emotionally [cho chang; moaning myrtle] and so on. and i don't like it.

and i also hate that - connected to this - the series uses physical appearance - especially weight - as a shorthand for [female] characters we're supposed to dislike.

what it says on the tin, really - if the series doesn't like a character, especially if the character is a woman, you can almost guarantee that they will either be fat or be unusually thin.

and finally...

i hate that the series prioritises one form of love - love as suffering and as sacrifice - over all others

part of the series' march towards the epic two-person showdown between good and evil is that harry is made to endure trial after trial - including his death for the salvation of mankind - in the name of love. obviously this is because he becomes, by the end of deathly hallows an allegory for christ, but it also fits into the series' view - articulated most frequently by dumbledore - that love, suffering, and sacrifice are all synonyms.

the acts of love the series foregrounds - snape's willingness to endure anything because of his love for lily; sirius' willingness to rot in azkaban and caves and grimmauld place because of his love for james and harry; harry giving up a love that's like "someone else's life" with ginny so he can go die - are all sacrificial, and the series generally takes a dull view of love that is fluffy, silly, carnal, selfish, soothing, transformational and so on. lavender and bellatrix's open adoration of their lovers is mocked; dumbledore's sexual desire for grindelwald is punished by his sister's death; tonks and lupin's uncomplicated happiness in the birth of their son is not to last.

but happy endings and silly jokes and forehead kisses are love too. and the hill i will die on is that they have even more potential to bring about the salvation of the world than constant suffering and abiding.

[cdragons]

Fuck Everything, But Mostly Fuck You - Part 5

Previous Chapter, Masterlist

Summary: You have never, EVER, in a million years hated anyone the way you hated Felix fucking Catton. And if you end up murdering your English Professor for forcing you to be paired up with him, WHO COULD BLAME YOU???

Warnings- MDNI 18+, Mention of SA/SH, BDSM (sex dream), M/M/F sex dream, Felix is a pig, Reader claws Oliver's face, Michael loves Reader so much y'all, Farleigh is on Team Michael, Oliver is delusional and awful, alternating POVs between characters, and author has spent too much time researching Oxford crap for this mess for a crack fic to be a crack fic.

Author's Note: Finals are a BITCH, but I'm finally done...except I have to do my summer classes soon. But I really wanted to put this chapter out since it's been a while. Thank you all who've been reading this fic and sharing wonderful comments! They really help push me to become a better writer!

Michael’s head was about to explode in the next thirty seconds if fucking Farleigh Start didn’t stop digging his paws through his closet and drawers. No amount of clinking and clacking from tapping on his keyboard would be enough to dull out his shirts shuffled in his chest and hangers shrill screeching against the metal bar in his wardrobe.

“Dear God,” the Yankee, stick-figured giant groaned. “How many math pun shirts do you have? Don’t you have any normal ones? Oh my god, are all the pants you own khakis or Oxfam jeans? Do you seriously not own a single pair of corduroy slacks?”

He slammed his laptop shut. God-fucking-dammit, he was going to kill this asshole if he didn’t shut the fuck up.

“Maybe,” Michael gritted out, “if you just focused on the presentation we’re supposed to be working on, it’ll not bother you.”

Farleigh Start clicked his tongue. “Now, now – it’s not nice to be so testy. Most would consider themselves very lucky that I’m providing my services for free.”

The blonde-blind nerd balked when the word ‘services’ entered his ears. Immediately his mind thought of all the rumors that latched to Felix Catton’s mysterious American cousin – who apparently sucked off every teacher in England. Not that he was homophobic or anything – kiss, fuck, marry whoever you wanted, but he wasn’t interested in that sort of thing.

“Services – are you trying to suck my cock so I’ll do your work for you?!”

“…First off, ew,” Farleigh began. “Second, if I left you to do my side of the work, I’m about…86% confident that you’ll end up tanking my grade.” He strolled to Michael’s closet, pulled out a blue gingham-checkered shirt, and grimaced. “Thirdly, I am referring to how I am going to turn–” he nodded towards Michael in disgust “–this, into an actual suitor for our dear (Y/N). Or are you two still doing this little dance of being nauseatingly following each other around like sad puppies and giving each other bedroom eyes without actually fucking?”

Don’t take the bait, don’t take the bait, don’t take the bait, don’t take the–

Michael slammed his laptop shut and tiredly rubbed his eyes. With a loud and audible groan that he dragged out, he rubbed his eyelids until he could see the kaleidoscope of stars and squiggles in the dark.

Fucking damn it.

“How many fucking times do I have to tell you?” he damn-near shouted. “It’s not like that between us!”

Farleigh quirked a brow. “The bedroom eyes or the not-actually-fucking? Because if it’s the former…yes, it is, but if it’s the second,” he brought his hands together in a slow clap, “then well done, Gavey!”

Michael shot up from where he was sitting and ripped the shirt in Start’s hands before throwing it back in his silky oak wardrobe and slamming it shut. Was it so necessary for him to be so fucking insufferable? Was he born this intolerable, or did his fucking cousin, Felix fucking Catton, infect him because being a coked-up narcissist was contagious via proximity or blood?

He heard a few clicks behind him, and the scent of Marlboro Gold cigarettes filled his room.

“So what are you going to do about it?”

Michael turned around and stared at his completely useless study partner for this stupid project for his Classics course that he needs to fulfill his fucking “General Education” requirements. Farleigh Start was leaning against his dresser and staring at him with the most judgingly empty gaze ever worn – all while holding a cigarette between his two fingers and getting ash on the floor.

Great – like it wasn’t a bloody fire hazard to cover his carpeted dorm in hot ash.

He shrugged. “What’re you on about?”

Farleigh took a long drag on his lung cancer joystick before exhaling deeply. His disappointed look made Michael’s eyes twitch in irritation.

“About a certain mutual friend we share and adore,” he drawled. “Whom just so happens to be in my dear cousin’s room right now…at night…on a weekend…alone.” He paused to take in Michael’s reaction and smiled. “Ohhhhh, so you do care.”

Michael shook his head. “Nothing’s gonna happen between ‘em. (Y/N)’s too smart for that.”

“Yes, you see – I know that…and you know that. But my cousin?” Farleigh scrunched up his face and made a wish-washy motion with his hand. “Ehhhhh…he’s more the type to think a giant, glaring red-neon sign with blinking lights saying ‘STOP’ is another giant, glaring purple-neon sign with blinking lights saying ‘Come Hither’ in porno studio 69 font.”

Michael Gavey rolled his eyes and reopened his laptop. “Whatever, I’m not worried.”

“You’re telling me that it doesn’t bother you that our friend is currently in the lion’s den with Oxford’s king?”

“Of course it bothers me,” thought Michael, “but I trust her more than I trust you.”

But Michael wasn’t going to let his forced-upon acquaintance know his thoughts, so all he said was…

“She’s not in the fuckin’ lion’s den, alright? They’re in the Bodleian. I’m going to pick her up from there in like thirty minutes.”

Farleigh cocked his head to the side. “Don’t trust our girl to make smart choices?”

“I trust (Y/N) just fine,” Michael bitterly retorted. “It’s your fucking cousin I don’t trust.”

Because he does – he trusts you so much. He knows how sweet and kind you were to everybody you thought deserved the benefit of the doubt. ‘Deserved’ being the very fine keyword in the detailing because there was no fucking way in hell you were dumb enough to think Sir Felix Catton of fucking ‘SalTbURn MaNor’ deserved your kindness.

Mary, Jesus, and Joseph – he wanted to strangle the old kook when he announced the assigned pairs.

It was Classics English taught by Professor Radcliff Michael Charles Douglas. He droned on about what materials would be on the end-of-term examinations. Everyone in the classroom, save for you and a few others, was either passing notes by throwing them across the room or staring aimlessly at the air with red-rimmed eyes.

“Ya’ ready, partn’r?”

You pursed your lips as a groan fought to escape. You would regret introducing John Sturge’s 1960 American Western masterpiece, “The Magnificent Seven,” to Michael Gavey if he kept up with that god-awful Texas accent.

You turned to your left and shot a blank glare at Michael. “Listen, Billy the Kid, we don’t know if we’re going to be assigned together,” you said.

“Come on, Professor Douglas always pairs the people sitting together as partners so far in the entire term. If it’s not broke, why fix it?”

“Melanie Brown…paired with Bryce Landon…Kemi Brown…paired with Amelia Sanders…”

You leaned on your elbow to whisper in Michael’s ear to drown out your professor’s blasé voice.

“Can we do our project on Hercules?”

He leaned back. “Why him?”

“I want to present on the glorification of toxic masculinity in mythology, and he’s the prime example.”

Michael chuckled. “You just want to piss off old Douglas up there.”

“Katie Caldwell…paired with Oliver Quick…”

“Is that so wrong?” you asked with a smirk. “You can either be one jump scare away from seeing Jesus or a product of institutionalized glorification of misogyny – but you cannot be both.”

Michael stifled a laugh. “You realize that takes away pretty much half of the English, Math, Science, and every fucking department on campus, right?”

You innocently tilt your head to the side. “Does it?”

“You’re terrible,” Michael snickered. “Completely evil.”

“Oh, please,” you swatted his arm. “You love me anyway.”

“Michael Gavey…paired with Farleigh Start…”

You and Michael turned to the front with disbelief. Wait…if Michael was paired with Farleigh…then that meant…oh, no.

“(Y/N) (L/N)…paired with Felix Catton. That will be all – no changes.”

Michael watched with wide eyes as your head slowly turned to the back of the lecture hall. He watched your face pale in disgust and horror when your eyes stopped at Felix Catton. Michael’s blue eyes narrowed at the lecherous grin Felix shot to you before he puckered his lips to blow a little kiss with a wink.

Your body involuntarily shuddered at the predatory implications. Michael watched as his best friend buried her face in her hands. He heard her say the exact same thought he was having.

These are going to be the worst few weeks of my life.

To say it bothered Michael that Felix Catton was making the moves on you, so to lure you to his sex dungeon of a dorm was an understatement. It was killing him to know that you were essentially forced into a vulnerable position, but when he brought it up to your professor, the old cunt-rag didn’t give two flying fucks.

“Professor Douglas, please,” Michael pleaded. “I really think it’d be in everyone’s best interest if you could make this exception this one time. I promise it has less to do with me and more for (Y/N)’s sake–”

But the ancient windbag wasn’t interested. “Whatever accusations you and Miss (L/N) intend to throw at Mister Catton, I am uninterested. Honestly, Mister Gavey, I expected this kind of nonsensical drivel from your friend, but to see you being caught in her schemes disappoints me greatly.”

Michael bit his tongue to choke down the tongue lashing he wanted to give. He wanted to tell this wrinkled ballsack about how the ‘fine Mister Catton’ basically assaulted you. He wanted to scream how worried he was when he didn’t see you for the rest of the day. He wanted to shout how when he knocked on your dorm and entered, he froze and paled at the sight of you crying your eyes out until they were red and puffy. He wanted to roar out the fury he felt when you revealed to him the incident with Felix Catton that morning in the empty lecture hall. The very same one where Professor Douglas taught.

*TRIGGER WARNING: THE FOLLOWING SCENE FEATURES PAST SEXUAL HARASSMENT AND A DISCUSSION OF THE TOPIC, IF YOU DON'T WANT TO READ THAT, PLEASE SKIP OVER*

“I couldn’t do anything,” you whimpered. “I felt like…like such an idiot! I just froze and stared and did nothing!' You started to cry all over again, and Michael wiped your tears with his thumb before holding you close to his chest. “Hey, hey, hey – it’s okay. Freezing and doing nothing are two different things. You were stunned by what happened, and your body reacted the same way – anyone who tells you differently is a liar.” You shook your head. “I couldn’t even speak…it was like my body – it ju-just shut off on its own. My brain kept screaming, ‘Let go,’ ‘Get off,’ or ‘Stay away from me!’ But I…the words and my voice just failed me when I needed them the most.” Michael blurted out the first thought: “(Y/N), you need to report this.” Your eyes shot open in fear. “Michael, no–” “Look, I know you’re scared, but this is assault. He touched your inner thigh, and you clearly didn’t consent – that’s sexual assault, or at the very least sexual harassment! If you report it, at least the campus police know about this and keep an eye out for you.” But you weren’t listening. “Nononononono—Mikey... that’s not how it’ll go down. Even if I report it, they won’t believe me.” “You don’t know that!” “But I do!” you cried. You shot up and started pacing across the room. “I do know because I’ve seen it happen! Almost every girl I knew growing up—it happened to them! At school, on the trains, some at their own homes! Whether they knew every detail of their assaulter or just saw just a patch of skin – it didn’t matter!” You weeped. “And if I tell the cops, they’ll just throw away the report because they’ll think that ‘all he did’ was touch my thigh. Consensual or not, I’ll be labeled as some fucking crazy man-hater who’s grasping at straws to ruin a fine young man’s life and reputation.” You collapsed back on your bed. “I just…I can’t deal that kind of shit right now. Not with…” you took a deep breath, “Not with everything that’s happening right now.” “…What can I do to help?” Michael hated how his voice cracked. He hated how completely useless he felt at that moment. More than anything, he wanted to march to the campus police and report it. But he knew that by doing so…he took even more control away from you by going behind your back. And then he would be a no better monster than Felix Catton. The idea of him going beyond the point of no return made him clench his fists until his knuckles turned white. But when you touched his hand, all the tension flowed out of him like a creek. “You already did the best thing anyone could do for me right now,” you reassured him. “You listened to me. You cared enough to look for me when you felt something was off. You reached out to me and stayed and listened. And most of all…you believed me.” Michael felt his throat go dry. You looked at him with so much trust, as if he were the safest place in your world. He wanted you to look at him that way forever. “I’ll believe you,” he swore. “I’ll be there for you – no matter what. I promise. Whenever you need me, I will be there.” No words can describe the relief you felt from hearing Michael’s promise. When you entered Oxford's campus, you never expected to meet someone as endlessly loyal and trustworthy as him. You were prepared to keep your head low and remain friendless for the next four years. You were ready to spend the next 1460 days crying your heart out from homesickness and imposter syndrome. But somehow, near the beginning of your first term here, you met Michael. And you were so grateful for him. You leaned in and lightly kissed his cheek. “I know. I know you will.” And you believed that with all your heart.

*TRIGGER SCENE END*

Michael promised you – gave his word – that he wouldn’t say anything to anyone. But, fuck, this asshole was making it hard to keep that promise.

“Mister Catton is a fine young man…”

No, he’s not.

“…one whom I have full faith will end up as remarkable as his father and grandfather before him.”

They probably pulled that same shit, too.

“A man with a future as bright as his does not need some upstart with delusions of grandeur to dismantle an institution as fine as Oxford blatantly spewing out trash about him.”

It’s not trash.

“Unless it was something with proof and worth my time?”

Michael looked at his Classics professor with empty but enraged eyes. “…No, professor. It’s just a personal matter between me and Felix – (Y/N) has nothing to do with it. She’s just…protective, I guess.”

This surprised the sagging skin suit. “Hmm, well, that sense of loyalty from such a strange girl is surprising, to say the least – especially when you take account of her…troubling background as an American from that horrible city. But perhaps there is a chance of decency in her, after all.”

Michael’s right eye twitched slightly. “And what do you mean by her…background?”

“Oh, come now, Mister Gavey. She’s a New Yorker. That city is full of…of…gang-bangers and drug addicts.”

“Her dad’s a professor at NYU, and her mum works for the buildings that host Broadway shows.”

Douglas scoffed. “HA! New York University – what a joke. A campus that’s filled with hippies and no class. And Broadway? Of course, Miss (L/N) is connected to the theatre community. Now, if that’s all, Mister Gavey, I have an important meeting to get to with the chairman of my department. I trust that this matter is settled?”

No, not even close.

But all Michael could do was clench his fist over his backpack’s strap. He forced an unconvincing smile and tersely nodded.

“Yep, won’t get any more problems.”

When old man Douglas replied with his patronizing smile, Michael wanted nothing more than to knock out the rest of the tenured professor’s teeth with a fire hydrant.

So…no, Michael Gavey was not at all okay with the fact that you were with Felix Catton. He was not OK with the idea that you were within ten feet of that depraved vampire.

All he could do was be reassured you were in a very safe and very public space with lots and lots of people who could serve as potential testimonial eyewitnesses if Catton tried anything.

…Provided that Catton Sr. wouldn’t be able to pay off everyone, their third cousin, and their dog.

You wanted to die. You wanted to literally sink into the ground. You wanted there to be a sinkhole to open under you, swallow you whole, close up, and you would never see the light of day again.

…Actually, you wanted all those things to happen to your useless fuck of a project partner.

“Y’know, if you’re bored here, there’s a party going on at one of my mates’ flats not far from here.”

Felix moved to the seat right next to you and limply swung his arm over your chair. “So why don’t we–”

You shot up and moved one seat over. “Considering how we’ve been working on the research for almost two hours, and you haven’t gotten any work done,” you bit out. “Getting wasted and losing more brain cells isn’t the right call.”

Taking your open hostility as a challenge, Felix continued to move closer to you. “Exactly! We’ve been at this for two hours, and nothing got done!” His face was inches from yours, and you could smell the rank stench of craft beers and rancid cigarettes on his breath. “So, what’s the harm in having a bit of fun?”

Oh my – this is getting fucking ridiculous.

You started to pack your bags and gather all the borrowed books. “Parties aren’t my idea of ‘fun.’ And I already told my friend to meet me–”

“So bring him too! The more the merrier!”

You took a deep breath and mentally counted to ten. “Our presentation is due in a week, Felix. One week to hand the paper in and present our topic to the class.” 

You swung your backpack over your shoulder. “I take my coursework very seriously, and to say it’s frustrating to have a partner who doesn’t take it as seriously as me would be a supreme understatement.”

“I think from now on–” a swift *RIP* echoed between them as you took a page out of your college-bound notebook. You quickly jotted down instructions for topics so simplified a child could figure it out, “– it’d be best if we work separately.”

Felix shot up from his seat with a panicked look. “Wait, now hold on – let’s not get hasty.”

“I already have a basic outline for the paper - I’ll type up the paper,” you continued while not looking at him. “All you have to do is find the books I’ve so nicely labeled on that sheet of paper I’ve given you.”

“Wha-what happens after I find them?” Felix stammered; his heart broke from how his time with you was so cruelly cut short.

But your tone and body language remained as rigid as it was apathetic. “You have my email, you have a laptop – figure it out, genius. We’ll meet up at a specified time and place; you hand me the books, and we move on with our very separate lives.”

You walked out of the crowded library and toward the nearby bench where you and Michael agreed to meet when he picked you up. You barely had time to sit down before you were bombarded with the presence of a much worse pest stuck to your shoe.

“You get off on bein’ a downright bitch?”

God, was every asshole trying to piss you off tonight?

You turned around with a prominent scowl that further deepened as your eyes took in the insufferable bastard who was clearly trying to pick a fight with you. You don’t know why you bothered to look for confirmation. You immediately knew who it was just by the sheer arrogance oozing from his tone.

As an artist, you had a special relationship with the color blue. In the summer, there was a point in the early mornings when it felt like the world was bathed in it. There was even a period when you were downright obsessed with it. You loved anything and everything blue: the sky, the ocean, hydrangeas, the Obrina Olivewing butterfly – but eyes, you loved painting blue eyes.

You thought of them as these warm, magical rarities that belonged to the stuff of fairies and Disney princesses. Of course, you also knew the popularity of the usage of blue with winter and death, but you never felt that duality…until now.

Because as much of a slimy bastard Oliver Quick was, you had to hand it to the guy…he was one of two people with some of the bluest eyes you’d ever seen.

Which gave you all the more reason to hate him. He made blue eyes look so cold.

 You clenched your backpack strap. “I’m not in the mood, Quick.”

Oliver scoffed. “I’d disagree – you’re always in a mood.”

“So stop talking to me,” you snarled, turning around. “And go away, Michael’s meeting me here soon.” You started to walk away when you heard Oliver speak again.

“I’m surprised he hadn’t dropped you left,” he maliciously quipped. “With you and Felix and all that.”

Your nails dug deeper into your backpack strap. “There is nothing between me and Felix – nothing at all.”

“Yeah, for now,” Oliver shook his head. “But you’ll be crawling to him with your hands and knees on the ground, worshippin’ him like he’s Hercules or Apollo.”

He leaned in closer from behind you. “And you’ll compare Gavey to Felix and look back and wonder ‘how the hell could I have missed being with Felix Catton over some pathetic’–”

Stop it. *clench*

“–unimportant–”

Shut. Up. *dig*

“– know-it-all –”

I hate you. I hate you. *pierce*

“– nobody.”

You turned around and dug your nails into his face as you poured every bit of rage and disdain for the single most insignificant person you’ve ever met in each word that came out of your mouth.

“Enough,” you roughly whispered. It was taking everything inside you to stop lashing out even further. “I don’t want to hear another word from you.”

“What? Plan to –” Oliver winced as you cinched onto his skin.

“Of all the mind-bogglingly,” *clench* “douche-like” *dig* “and despicable” *pierce* “crap you’ve spewed out,” you rasped. “Implying that I would ever choose as dull as Felix Catton over someone as rare and wonderful as Mikey has got to be one of the worst.”

“Do not push me any further, Quick,” You felt him tremble as you slowly released him from your grasp. “I’ve tolerated too much from you and the object of your obsession for far too long as is.”

You stepped back and gave the boy before you a good, hard stare. You never felt rage so deep, so demanding.

It was exhausting.

But you heard your name being called out from your left as you turned your head to see Michael waving to you with his arm high in the air. Had it been anyone else calling out your name, you wouldn’t have felt so quickly eased. You were about to move ahead to meet him halfway in the distance before Oliver’s voice stopped you.

“…What could possibly make him so special?” Oliver pathetically whimpered. “Why would you ever choose him when someone as bright as Felix is begging for you? Do you know what being with him means for you? What it gives you?”

…Was that it? Was that his best shot to get under your skin?

Looking at Michael, you answered him without meaning to.

“There’s no point in explaining it to you,” you calmly stated. “And I think you’ve wasted enough of my time.”

You picked up your stuff and left him alone with his thoughts. As you walked away to join your friend, you could feel his icy sapphire eyes digging into your back. Michael could feel how tense you were and asked if there was anything he could help with – but you waved away his concerns, stating that you had already wasted too much of your time with Felix and Oliver and didn’t want to waste anymore. Slipping your arm over his, you snuggled closer to his side and let the familiar scent of old math textbooks and coffee comfort you.

Oliver would make you pay for what you did – you’d be naïve to assume otherwise. He won’t do it directly, but it will happen. He’s the type to drink poison and expect you to die…only to learn too late that it worked as you lay on the ground bleeding and screaming your throat raw for help.

But right now, you were with your best friend; you two were going back to his dorm for a best friend sleepover, and it’d be enough.

…Yeah, it’ll be enough.

Oliver needed to make a plan – and fast.

Getting into your good graces was no longer a viable option for him; you made it annoyingly clear of that by the way you attempted to maul his face off. He gingerly touched the claw marks you imprinted on his cheeks as you tried to dig for his blood and bone with your nails. A corner of his mouth went up as he remembered your viciousness. He could practically taste the blood that nearly trickled down his cheek after you pierced his skin.

He hadn’t expected such a blatant display of violence from you, of all people, let alone on the campus’ hallowed grounds so near an establishment as ancient and crowded as the Bodleian.

For you, sweet, innocent (Y/N), to show such open hostility…to know he urged that beautiful, dormant impulsiveness to emerge…it thrilled him like nothing else. At that moment, he so clearly saw it. A darkness that was hidden deep inside you – bursting open from your carefully stitched seams. A deep desire for more in the dull, dull life God cruelly set upon you. Why else would a sweet, little all-American girl such as yourself travel all across the Atlantic to one of the most prestigious universities?

No, you were like him – exactly like him. Your reaction to his goading only proved that to him.

You weren’t used to it – that much was obvious…but that meant little to him. If nothing else, Oliver was resourceful. He’d learn more and more about what makes you tick before plucking you piece by piece into what he needed you to be for him. He’ll watch you explode before making you fizzle.

The idea of you at your fiercest – only for him to break it down bit by bit until all that was left was a more…subdued version of the hardheaded American girl from the Big Apple who loved to aggravate him during her first-year days at Oxford.

The thought alone made him salivate.

He could only dream how you’d be in bed. Your tight, hot little body would be squirming and writhing from the pleasure he and Felix bestow upon you. You, helplessly lying on your back while being fucked dumb by the two of them.

God, he felt himself getting hard at just the image alone – to make it a reality…that sort of victory, along with having Felix, would be nothing short of heaven for him. He unbuttoned his jeans as he took out his hardening cock into his hand. Not wanting to bother himself by starting slow, he immediately stroked himself with a rough and unforgiving pace. He wanted the pleasure from the fantasy to overwhelm him.

You looked perfect—replete, ethereal, and effervescent. Your entire body twitched as your eyes were blown wide, and drool dribbled down your chin. You put up quite the fight; the scratch marks on his and Felix’s chests proved that. But seeing you on your back on red silk sheets with your wrists and ankles tied to the bed posts made the struggle worth it. The red and pink bite marks that begin from the column of your slender neck down to your plush and tender inner thighs made for a prettier picture you could ever paint. “Oliver,” you pitifully rasped. “P-please, m’sorry – AH!” Your body jolted, and your back arched as he slapped your swollen clit. He struck his hand down one, two, three more times and watched as you thrashed and cried before another peak was forcefully ripped within you and came gushing out. God, how many times was it at that point? Three, four? It must have been quite a high number, judging by how tightly your cunt clenched onto his fingers when he thrust them inside you. “Look at her,” Felix cooed from behind Oliver. The Saltburn heir’s hulking frame towered over his lover as they watched their pet beg for mercy. “You almost feel sorry for her.” His hot breath panted into his ear as Oliver shivered in delight. The Quick boy gasped when he felt Felix’s large digits begin to enter his tight, puckering hole. “Take your fingers out,” he ordered. “And stick your cock inside her. You’ve been so good to me that I’ll let you fuck her sloppy cunt while I finger-fuck your arse.” Oh god, yes. Oliver took out his fingers and immediately positioned his hard cock at your leaking pussy as he spread your legs apart and forced your knees to press against your chest. “Wait,” you slowly blinked. “Wha…what’re you do–” Your back arched as Oliver pushed into you before thrusting into your cunt at a brutal pace. Tears were streaming down your reddened, flushed face as ecstasy-laden sobs filled the room. “Good boy, Olly,” Felix praised as he continued to push his fingers inside Oliver while the nails of his other hand dug into his hips. He let out a ragged gasp from how Felix deliciously stretched him out. He started out slow before moving his fingers at a faster and steadier pace. “That’s it, Olly. You’re so good – so good to me.” God, the contrast between the firm grips and harsh thrusts with gentle whispers of sweet nothings was like nothing he had ever experienced. And it only made the pleasure of Oliver plowing into your weeping pussy while you cried like a bitch in heat feel too good to be true. “Oh, you’re getting so tight,” Felix groaned. “You wanna come, don’t you? You wanna spill your cum into our pet’s little cumdump hole, right?” “Yes,” Oliver rashly answered before snarling to you. “You hear that, you dumb slut? I’m going to cum in you, and you’re going to take it.” “N…not i-inside,” you begged despite your walls clenching tighter around his cock. “P-please not inside!” Oliver just laughed. “You want it – oh, yes, you do.” He released one of your legs to grip your jaw and forced you to stare at him. “Don’t bother denying it. Your body knows how a whore like you is just desperate for me.” He chuckled as he thrusts into you even harder than before. “Well?” “Yes!” you cried out. “Yes, Oliver! Let me be your cumdump! I want your cum so badly!” Before Oliver and Felix permitted you to do so, you spilled onto Oliver’s cock, and the tightening of your walls, mixed with how deep Felix pushed his fingers inside him, made Oliver’s mind go blank – and soon, all he could hear was white noise.

Oliver slumped into his chair as a coat of sweat covered his entire body. Thick, white ropes of cum were still spurting out of his softening cock despite it coating his right hand. He ran his left hand through his dark curls as reality settled back in. Cold, bitter loneliness engulfed his body as he realized that you and Felix were not with him, and he remained as alone as before. A newfound determination to make his fantasy a reality soon took place.

His vision will be a reality. Felix will love him. And you will be their pet whose sole purpose in life is to take load after load of their pleasure.

But such things were too early to think about with how you were now. No…no, no, no…you were far too raw in your current state…too volatile…too stubborn…too American. He supposes it shouldn’t be too surprising that you latch onto fitfulness and inconsistency.

You were an artist, after all, and such was the fate of your kind to be destined to forever claw their way from the bottom as a means of survival.

But, however charming your unpredictability may have been in your concrete-paved, urban paradise that you call ‘home’ – that simply won’t do for him. He was more than confident that he could make you see things his way, but there were…problems needed to be resolved.

Namely, one in particular that came in ill-fitting apparel and bulky-framed eyewear – Michael Gavey.

Only an utterly blind idiot would miss how you pathetically secure your entire emotional well-being onto him. Oliver watched in total desolation and disappointment at how your glorious rage dissipated at the sight of him. But a part of him was equally as impressed at the mask you so expertly paraded, going so far as forcing your body language to adapt to the circumstances.

But…it wasn’t a mask, was it?

You looked at Michael Gavey the way he looked at Felix – complete and total worship. Michael Gavey, for whatever reason, was your sun, moon, and stars. The way you protected and so ardently adored him made the conclusion all the easier to reach.

Suddenly, it all became clear.

Of course…how did he not see it? The answer was so obvious. What better way to force you to his and Felix’s side…than to separate and condition you?

Isolation was a cruel and sadistic thing to thrust upon anyone – let alone who had so few friends in a foreign country like yourself. But he knew how much of an effective tool it could serve for him. Oh, it would be arduous initially – yes, it will. But it would all be worth it in the end. After all, in a way, this was your fault. If only you had complied with him when he was being nice, he wouldn’t have had to resort to such drastic but necessary measures.

Oliver darkly chuckled to himself.

Yes…everything would turn out in his favor. He’d make sure of it.

Tagging: @ethereal-athalia, @arcielee, @asa-do-your-thing, @aphroditesmoon, @axelsagewrites, @the1999kid, @poolnoodlerescuer, @aemondsbabe, @winterblu2, @abaker74, @whereismymindno, @agustdeeyaa, @iamavailablesstuff, @bonnieblue0606, @st-eve-barnes, @nyxthoughtss, @immyowndefender, @ilovemydinoboi, @ahristata, @cxp1d, @jinsoulorbitzen12, @temptation-waits, @bollzinurmouth, @jcngw0ns, @seababehh, @destinydestnation, @lankyboi4, @mindless-rock, @cassavacakes, @paradisepoisons, @pansexualpamandabear, @erikasurfer, @lissamans, @cookielovesbook-akie, @thesmutconnoisseur, @izzyisstuff, @lariisouz, @ma1dita, @jeondeluxe111, @itszzmoon, @wolfeginny, @mioshasworld, @bre99

Let me know in the comments your thoughts and if you want to be tagged when I update!

Now if you'll excuse me, I need to go pray to my ancestors and beg for their forgiveness for writing Oliver's POV 🥲

[god-has-entered-my-body]

What time you coming out? - M.H x Reader // pt.1

A/N: Lenas writer debut??? Omg??? This has a bunch of references to fics like the cellophane house (written by the lovely @vinylandcoffeecollection, srsly check out their work!). It's a bit angsty? Not really but angst will come this is a chaptered fic. Based off fallingforyou, hence the title. Thank you @beforeyougo-turnthebiglightoff for beta reading and putting up with me xx

wc: 11k

part two

February, 2008

“I'm not sure we should be doing this, neither of us is a professional hairdresser in any capacity” 

Mötley Crüe’s ‘Public Enemy #1’ blares through the small speaker set on top of the toilet lid, the music reverberating off the bathroom's tiled walls. Matty attempts to brush the bleach onto your hair, narrowly missing your eyebrow for what felt like the sixth time. You'd prefer to not come out of this situation looking like 90s madonna if you could help it. 

“Could you maybe not get the stuff on my face? I'm not sure I'd look as amazing as I do with bleached brows,” you say, flicking Mattys hand away from your hair, straightening your posture on top of the sink. Your elbow accidently knocks into the faucet and you curse out loud. 

“You're right love, you'd look well hideous without brows” Matty retorts, laughing in your face. He's right, doesn't mean he has to say it.

“At least I have any sort of eyebrows, I'd get yours filled in if I was you.” Now it's your turn to laugh at him, his jaw hitting the floor at your comment. He clutches his chest with his hand, bending over for dramatic effect as if to say: “You wound me”. You fall into each other's arms, fighting over the ipod once again.

The song changes, and Matty resumes his attempts at bleaching your hair properly, failing once again. It had been a stupid, stoned impulse decision to buy the bleach at all. The local drugstore sold it for cheap, and you had some pocket change on you. Matty wanted you to buy the red dye, and you dismissed him immediately, because even he knew you'd look absolutely terrible as a redhead. 

You hum along softly to David Bowie's “Suffragette City”. Bowie was your Idol. The song reminds you of him. Of Matty. It reminds you of when you first met.

—------------------------------------------------------

You were 15, pacing the street late at night, your boyfriend was blowing up your phone. Insincere apologies and “i love you”’s filled your screen. 4 missed calls. Tears were streaming down your face, making you not quite able to see straight. 

The song playing, was blaring in your headphones, almost deafening. The song didn't fit at all to your current situation, but that didn't bother you.

It wasn't long before you reached a bus stop, sitting down. You didn't even know where you were. 

Suddenly, like it was out of your control, you let out broken sobs, no longer silently crying. How fucking embarrassing.

You're not sure how long you’d been sitting there, in the dark, shivering in the cruel November weather. 

You hadn't even noticed the person walking up to you. 

He’d positioned himself in front of you, twisting his neck to get a look underneath your hood.

“You alright?” his voice sounded soft, concerned even. Through muffled sobs, you managed to look up at him. 

He had a thick, fluffy jacket on. Oddly feminine for bloke, and you were pretty sure it was a women's coat. It basically swallowed him whole. You almost laughed at the sight. It almost made you forget about the night's events. 

You’d had yet another fight with your boyfriend, Phillip. The two of you fought a lot, but never like this. Sure, he’d said some hurtful things, things you maybe shouldn't have forgiven as quickly as you did, but he had never, ever, gotten violent with you. Until tonight.

You'd barely registered it when it happened, your brain not properly processing his actions. In the midst of his screaming, he raised his hand. Raised. his. hand. 

It came down with a crash against your left cheek, the sound echoing through the house. Because he did, in fact, have his own flat. Because 24 year olds usually have that. 

Everything hit you at once. You'd managed to pick yourself up off the ground at a speed which would have given even world record holders a run for their money. You didn't bother grabbing anything else, you just needed to get out, now. 

You could faintly hear his voice calling out from behind you, begging you to please, please come back. And what? Let him put his hands on you again? No way. A rare moment of clarity.

Fucking cunt 

You’re brought back to reality by the sound of the stranger's voice. 

“I’m Matty.” he offered his hand, and you shook it. “What're you doing out here in the cold? Its fuckin’ freezing.” He's right, it was cold. It hadn't occurred to you to take your coat with you.

You stuttered out a pathetic response of your name, barely making eye contact with him. A few beats pass before Matty starts ruffling around in his coat pockets. Raising your eyebrows, you watch him.

You can hear the faint sound of keys in his right pocket, and it's not long before he pulls out a joint from his left. It looks crumpled and old, like it had been there for a while. 

“Spliff? It looks like you need it more than me.” He chuckles, and it somehow makes you feel better. He makes a move to sit next to you, and you twitch slightly when his shoulder touches yours. The bench is quite narrow, so you know it's not on purpose. It doesn't bother you quite as much as it should, given he is a stranger. 

He takes out his lighter. It looks old and used, the black plastic chipping off around the top. It looks like it's a miracle it even works. You can see white writing along the side of it. M.H. Initials? His initials? Matty H something.  

He starts burning the tip. Rotating the joint to get an even burn, you watch his movements closely, taking in some of his features. 

His hair was curly but frizzy, you could tell he didn't pay it much mind. His features seemed soft, almost feminine. He was clean shaven, his pale skin a stark contrast to the dark brown of his hair. 

Matty lets you take the first drag, stating “The first hit’s the best, and I've always been a gentleman”, flashing a grin your way. That made you laugh. You take a drag, letting the warm feeling spread through your body.

“Do you want to talk about it?” He asked timidly, his voice lowering. 

“Absolutely not.” You mutter, looking him straight in the eyes for what seems like the first time that night. A smile.  

—-------------------------------------------------------

“D’you think I'd look good as a blonde? I feel like I'd smash it,” Matty says, inspecting his hair in the mirror behind you. He has gorgeous locks, and you're constantly telling him to try and take care of them, he just doesn't listen. You study his features before giving him an answer.

“Maybe. Either that or you'd look like a bad hooker,” Matty gasps, shoving your shoulder in protest. The movement  makes your elbow bang against the faucet again, but you ignore the pain this time 

“I'll let you know i'd make an amazing hooker, thanks very much,” He proclaims quite loudly, making the both of you burst into a laughing fit. 

You take the brush from Matty, twirling in your hand. George had taught you how to do that. An idea pops into your head. 

“We could give you a few blonde highlights, just to try it out. There's no need for you to go full Elle Woods immediately” A giggle escapes your lips, picturing Matty with long, blonde hair. That’d be a sight. 

“Let's do it, right now,” he breathes, visibly excited.

“Really? Adam’d take the absolute piss out of you, you know.” Matty rolls his eyes obnoxiously before he speaks. “Well then let Adam hold on to his toxic ideas of masculinity, I need a change.” This piques your interest. Matty? Need a change? Weird. 

“What, did some bird break your heart this time? That's new, even for you Matthew,”

You can see him visibly cringe at your use of his full name. You know he hates it, and that is exactly why you do it. Getting a rise out of him is your favorite pastime. 

“Switch with me then,” you say, and he obliges, letting you hop off the counter. You mix up a new batch of bleach and part off his hair into small sections. Little pink hair bands hold his curls in place. You shoot him a look and he nods, giving you the go-ahead. The bleach goes on smoothly, your practiced hand much less prone to mistakes than Mattys.

It doesn't take long before you're both sitting on your bed with foils in your hair. You manage to snap a picture of Matty on your polaroid camera. The light reflects off the foils, distorting the picture slightly. Matty demands to see it, but you decide to keep it for yourself. Can't get everything you want.  

It's Mattys' turn on the music. 

You've decided on a turn system for music when you're together, to avoid the gnarly fights you used to have over who gets to control the ipod.

He picks the latest Deftones album. It's not really your taste, and you tell him as much. 

“S’not my fault your music taste consists of pop trash. Get well soon”, now it's your turn to shove him, and he almost falls off the bed. Your fights over music happened frequently. He insisted on listening to real music, while you couldn't care less if it sounded good. 

The timer dings and you both get up to wash your hair in the sink. Water splashes everywhere, absolutely soaking the bathroom. You don't care. It's just water. 

Towels litter the bathroom floor, soaking up the mess. Matty helps you dry your hair after you promise to help with his. The warm air feels nice on your neck. 

“I like it, it makes me look camp,” Matty states, admiring himself in the mirror. Of course he'd say something like that. 

“You look great, now get dressed, I've messaged Hann. He's picking us up at half 11” 

Adam was one of your best mates, and the only one who had a car. You and Matty were still in school, along with George, another one of your friends. Adam and Ross shared a flat on the outskirts of the city. Adam's mother had gifted him a car for his 18th birthday last year. A bright red Kia. Bumper stickers littered the back, your favorite reading ‘Vehicle of legends” 

Matty had borrowed one of your tops, specifically, a mesh top you'd gotten from Hollister a few weeks prior. It was adorned with a black tank top underneath, paired with the black skinny jeans you're convinced have fused with his legs at this point. 

His hair had dried, dark curls now in contrast with blonde streaks. They framed his face. He looked good. 

You’d gone for a more colorful ensemble, opting for baggy jeans instead of skinny ones. The bottom had already been well ripped up from years of dragging them on the ground. You paired said jeans with a wine-red off the shoulder jumper, the black strap of your bralette peaking out. You’d always loved that color. It reminded you of your favorite flowers, red roses.

The window closed softly, and you silently thanked God you lived on the first floor. Adam was already parked down the road from your house, impatiently waiting for the two of you. The radio was playing as you got in. Matty immediately started going on about how pop music has ruined the music scene and how it was all 'soulless, meaningless droning' and 'had no feeling anymore'. He always did this, and you'd learned to tune it out by then. 

The drive was short, and you arrived at your destination not long after you’d set off. The air smelled like water and wet pavement. It had been pissing down earlier in the day.  

‘The spot’ was an abandoned paper factory, affectionately renamed “Caroline's house” for any eavesdropping parents.  

Carolines had been abandoned for well over 5 years before you started hanging out there, not many knew about it.

The three of you had already made your way through the back entrance. The front had been blocked off years ago, a futile attempt at keeping kids out. There was one specific room you always went to, and that was the office. It had a huge terrace with an amazing view of the city below. The glowing lights made you feel small and irrelevant in the vastness of the world. 

The night was bright under the full moon, making it easy to see outside. Adam always brought an emergency flashlight with him when you went to Carolines. He was the voice of reason in the midst of the chaos. The responsible one. He always made sure everyone got home safe, talked your way out of situations with coppers on multiple occasions, and knew when to tell the bartender to switch drinks to water or juice. You’d always thank him the morning after. 

“What even is your shirt, mate,” Adam asked with a grin on his face. He loved to take the piss out of Matty for his camp-ness. No harm no foul, Matty would do the exact same to him when the opportunity presented itself. Eyeing him up and down, he shook his head and went back to picking at his nails.   

“She let me borrow it for tonight. Looks good, yeah?” Matty shoots back. 

“Yeah sure, that and those white streaks in your hair make you look like a proper girl, you know” 

You have to laugh at his statement, because it does ring true. From a certain distance, anyone could mistake Matty for a woman. 

“You wish I was a girl, it’d make you feel less guilty about your sex fantasies, innit?” Matty cackles at his own words. Adam chucks a lighter at him, and misses. It instead bounces off the railing of the terrace and clatters down onto the ground somewhere behind you. 

That was your cue to take out the small baggy from the pocket of your jeans. Going to look for the lighter Adam had just thrown, you turn around to see he’d already snatched your papes and weed, and started to roll a spliff. 

“Oh come on, I look away for a second and you steal my weed. What, are you too broke to buy your own?” You huffed, sitting down on the floor next to him. 

“Girls don't roll their own spliffs. You should know that by now, love” he said with a wink. 

Cue eye roll. 

“Oh thank you so much, what would I ever do without you, Hann? Fuck off.” you said, your voice dripping with sarcasm. This was never a display of chivalry, it was simply Adams' way of trying to get under your skin. Your stubborn self wouldn't let him, of course. Flashing him an award winning smile, you lay back on your elbows and eye him as he rolls your joint for you. 

Matty was preoccupied with gathering enough cardboard so he could sit on the floor comfortably. The three of you couldn't be arsed bringing in furniture from the office, so you were left with the cold, unforgiving concrete floor of the terrace to sit on. 

The minutes ticked by and Adam took his sweet time, presenting the spliff with a look of pride. You reach for it, seeing as you already had the lighter in your hand. Instead of handing it to you. Adam shakes his head. 

“Girls dont light their own spliffs, either” You scoff at that, though deciding against smacking him upside the head. You hand him the lighter.  

Mattys giggles can be faintly heard over your bickering, and Adam finally lights up. The distinct earthy smell fills up the air around you. They both let you have the first drag, stating something along the lines of “Ladies first” another eye roll.  

“Fucking wankers”, you mutter under your breath, and finally, you inhale. It hits you almost immediately, a soft, fuzzy feeling that reverberates through your veins into every inch of your body. The two of them let out a laugh at your expression, utterly euphoric. 

Adam takes the next drag, hitting him just as hard as it did you. He leans against the glass sliding door, letting his eyes droop closed. 

“Fucking hell, this is some strong weed.” He lets out a rough cough, “Where’d you even get it from?” 

“Oh y’know, just some guy. Same as always I s’pose,” 

Matty spoke “What, d’you shag him or something? No one just gives out this type of premium stuff on a whim,” 

This makes you chuck the grinder at him. It hits him square in the chest. You hum contentedly, grinning at him in amusement when he doubles over in pain. You bicker back and forth, calling each other names. Adam passes the spliff back to you, and you take another hit. 

Time passes slowly. The clouds slowly reveal more and more of the full moon. It is quite beautiful tonight, you notice. 

Adam produces a bottle of tequila from his ‘gay-ass tote bag’ as Ross calls it. You take turns taking swigs straight from the bottle, Matty managing to spill some onto his mesh top, making quite literally everything reek of alcohol.

You felt good. The high mixed with the healthy amount of tequila made you feel like you were floating. You could tell Matty was just as hammered as you, seeing as he was now straddling Adams lap, trying to kiss him. 

After multiple attempts at getting him off, Matty stood up on his own, stating that he didn't want Hann to pop a boner au cause de his womanly features.   

The three of you laugh and laugh until you finish the spliff. You’d never had a good tolerance for anything, whether it be weed or alcohol. You weren't particularly small, it just always hit you way harder than Adam or Ross. Even Matty managed to pull himself together when the situation called for it. You, however, were stumbling and tripping over your feet the entire walk home. It had been pissing down the entire morning. Puddles littered the streets, not an ideal weather for someone who was too wasted to even have any sort of depth perception.  

Adam had to leave suddenly, picking up a last minute shift at the shop he worked at. It was in the opposite direction of where you came from, leaving you and Matty to walk home. 

It wasn't a long walk, 30 odd minutes or so. It was made significantly longer by your inability to walk in a straight line to save your life. Echoing laughs filled the streets as Matty helped you trudge along. Your pants dragged on the floor as usual, which meant they were also dragging through the numerous puddles, soaking them. 

You stop suddenly, looking down and pouting at the darkened material of your pants. For some inexplicable reason, this made you stomp your feet like a child. Matty broke out in uncontrollable laughter, tears forming in his eyes. You were actually acting like a child.

“I don't know why you insist on wearing those insanely baggy pants. Look at me! My pants don't get wet AND my ass looks phenomenal in skinny jeans” He twirls around you, making you feel slightly dizzy.

“Oh fuck off!! Not everyone is an attention slag like you, have some decency for once in your life!” You retort, shoving him out of your line of sight. Due to your state, Matty quickly catches up to you. 

The steps of your house come quicker than expected. Both of you make your way to the east side of the first floor, where your bedroom window remains slightly ajar. You'd wedged an old shirt between it to keep it from closing all the way. You'd gotten sneaking out down to an art, always knowing when, where and how. Your mother had caught you once. It was your first time. You knew not to make those same mistakes again.

Matty helped you hop onto the windows ledge, his hands grabbing at your sides. While he looked frail, Matty was actually quite strong, lifting you up without breaking a sweat. 

You're sitting on the edge, slightly taller than him now. Peering down, you reach your arms out. The two of you hugged tightly, whispering quiet “goodnight”s and “sleep well”s. Saying goodbye after a night out often felt strangely melancholic, you never wanted the other to leave. 

You've been attached at the hip since that night. He’d convinced you to break up with Phillip, stating he was a bastard who shouldn't be allowed near women ever again.

Matty went on to introduce you to his mates after you’d found out you went to the same highschool. That was nearly 3 years ago now. 

Late nights often make you wonder what would have happened if you hadn't gone to that specific bus stop and met Matty. If he had ignored your crying instead of offering you weed and sitting down next to you. He’d always been charming, like a magnet, he attracted everyone around him. Sure, he was a bit pretentious at times, but everyone has their faults. 

You roll over and try to sleep, slowly coming down from your high. You made a mental note to take it easy next time, maybe pace yourself. It was hard to know your limits when it came to substances, and Matty was the same way. Adam was the ever responsible one, never too drunk or high, always the parent. You were grateful for him, knowing what situations you'd be stuck in if Adam had not been there to smooth things over. 

The tiredness hits you in waves. Glancing at the clock left of your desk, it read 3:26 am. Fuck. You try to ignore the fact that you had to be up in about 4 hours. You close your eyes, welcoming the rest. 

—-----------------------------------------------------------------------

A harsh knocking sounded from the direction of your window, scaring the shit out of you. You bolt up, pissed at the disturbance. Turning to face the window, and are met with a familiar grin. Matty. 

It takes all of 5 seconds of him being in your room before you start cursing at him for waking you up like that. He simply shrugs his shoulders and sits in his designated chair. A maroon sofa chair in the corner in front of your bed. It even has M.H carved into the wood, because Matty had some sort of fetish for carving his initials into things. A sign of ownership? It made you wonder. 

Shuffling around the room, you kick your still wet jeans off into the corner, instead picking up a denim skirt. You’d wanted to wear that same red top to school, but seeing as you had fallen asleep wearing it, you chucked it into the same corner as the pants. 

A pink baby tee caught your eye from the chair Matty was sitting in. You silently point at it and he passes it to you. This isn't the first time you've changed in front of him. It didn't happen often, but what was the point of kicking him out? It's not like he was actively staring anyway.

After quickly changing, you go to put on some makeup. Makeup made you feel pretty, pretty enough to go outside. The only person who sees your bare face regularly is Matty. Maybe George. You didn't go anywhere without it.

You can feel Matty looking at you from the corner of your eye. Raising your eyebrows at him, you ask him what he's staring at. 

“D’you reckon i can try some of that?” he gestures vaguely at the eyeshadow brush in your hand “I think i’d look class with my new highlights.” he twirls his hair around his finger, giving you a look.

You look at him skeptically, before breaking out into a smile. Matty smiles back. It's not long before he’s sat in front of you, wincing whenever the brush makes contact with his eyelid. You tell him hes just not used to it, and to just stay still, for fucks sake. 

Once you're done, you take a step back to admire your work. You have to admit, he looks good. Really good. His eyes were lined with a dark purple shadow, making them appear slightly bigger. He takes his fingers, slightly smudging the out corners, giving him a catty look. 

“I think you might even look even better than me,” you say, looking him up and down. This is one of those rare moments where you can't read Mattys' expression at all. Finally, he opens his mouth

“No one could look better than you, trust me,”  

A beat of silence before he speaks again

“I do look ravishing though, d’you reckon Adam'll like this more than the highlights?” He always manages to make himself laugh. Then in typical Matty fashion, he pulls out a beat up looking joint from the pocket of his too tight jeans. 

“Fancy a spliff?” 

“Matty, for christ's sake, we have school in about an hour, and you want to smoke now?” 

“It's the only true way to get through Mr. Henderson's maths class, you know it'll be unbearable if we don't.” translation: please smoke with me. He gives you a look, because you know he's right. 

It was too late to protest. He’d already made his way to open your window, knowing how much you hate stinking up your room.

An exasperated sigh leaves your lips, and you find your place next to him. 

The wind and rain had calmed down, so Matty had no difficulty lighting it. The smell filled your senses, almost overwhelming you. You were thankful for the fresh air.

He placed the spliff between your lips, watching you intently as you inhaled. Your orange lip gloss had rubbed off the filter, and transferred onto his lips. The weed wasnt as strong as last nights, but still, the sight of Mattys glossed lips made you break out into a fit of giggles. Time seemed irrelevant up until the point you had to run to catch your bus. Sweaty and out of breath, you sat down in your usual spot. 

You can hear comments and insults being thrown at Matty from the back of the bus, but neither of you paid much mind. Matty was high as a kite, and too loopy (hungover) from the previous night to offer up one of his witty retorts. Instead, both of you gave them the bird from over the seat.

Matty was leaning against you, his arms hooked into yours. Neither of you spoke, listening to the soft rumbling of the bus. You stank of weed, anyone could smell it on you. Remembering a perfume bottle in your handbag, you take it out and douse yourself, as well as Matty in it. 

“Oh for fucks sake, now everything smells like Jimmy Choo Illicit!” Matty whined, burying his head in his hands. “Couldn't you have picked a manlier perfume? I'm already walking a very thin line with all of this” He vaguely gestures to himself. 

“Would you rather get kicked out after coming to school smelling like a fucking dispensary? Think ahead, Matthew!” He cringes visibly

“No need to get out the full government name, jesus” he shuffles up against you, and you can see his eyes are a light shade of red. There's no way the two of you would get through first lesson unnoticed. 

George was already waiting for you guys at your stop. Greeting him with a hug, you try to avoid eye contact, yet somehow, he knows. 

“Hey, you alright-?” He cranes his neck to get a better look at your face 

“Are you–? Are you high??” He laughs out loud, smacking your arm to stabilize himself. You shoot him a death stare, but you can feel a laugh coming too. Matty let out a sarcastic haha before kicking George as a way to say get on with it, we have class.

The walk to the room through the sea of people in the halls feels like a claustrophobic hell. B.O ridden teenagers rub up against the three of you, some even (quite violently) shoving past. 

It's a miracle you make it without Matty losing his mind at one of the hecklers. School was actual hell for Matty, and by proxy, you. Insults were thrown at him without a second thought, and the makeup he’d adorned today surely didn't help the comments.

He never let it truly get to him. He didn't care, and that's what you loved so much about him. This part of the city was set back about fifteen years in terms of acceptance and progressivity, so his flowery backpack and femininity wasn't exactly welcomed.

Adam had always taken the piss out of him for his outfits since they were boys, but he never, ever meant it seriously. They were like brothers, those two, and no amount of shit from other people (irrelevants, as Matty would put it) would be able to break them apart. 

The way the room was set up, there were six tables of four, with two people always facing another two. You had sat in the seat next to George, with Matty sitting (well, more like laying) across the other two chairs opposite you. Mr. Henderson had given up on trying to get Matty to sit right a long time ago, instead just flat out ignoring him. It was always easier to fail than to teach. 

“Fucking poofter, that one,” you can hear someone saying from behind you. You know they mean Matty. 

Matty blows them both a kiss before getting flipped off by the shorter one. He loved taking the piss out of the people who insulted him, throwing them off. 

George questions mattys makeup, and you tell him it was his idea. George had always supported Matty, using his insanely tall stature to fend off anyone giving him a hard time. 

The lesson was going by at a snail's pace, with Matty being his usual self, interrupting at every possible moment. It was so obvious he was off his tits, and Mr. Henderson looked suspicious. A particularly loud laugh from George had prompted him to throw you all out. You couldn't care less, getting up immediately.

Matty picked up his things from the floor, making a show out of bending over in front of the two boys that had insulted him earlier. They both scrunch their faces in disgust, muttering under their breaths. A giggle escapes you as they stare daggers.

“Fucking cunt,” one of them says, and now it’s your turn to blow them a kiss. 

The three of you trudge down the halls, slowly but surely coming down from your highs. George suggests going to Ross and Adams flat, seeing as it's just a few bus stops away from the school. They share a flat above a Sainsburys, which is optimal for late night munchies. Adam even works there, so there's always opportunities to sneak a packet of crisps or a can of cola. 

The bus stinks of sweat and mildew, as did all buses in britain. You get used to the stench after a while, your legs propped up onto George and Mattys laps. The back seat was always your favorite, giving you ample space to stretch a bit. You and George share headphones while Matty takes a quick power nap. He always lets you pick the music, and today it was Radioheads ‘No Surprises’. The music plays softly as buildings and trees pass by the window. The day was quite sunny, the light reflecting off of the windows of houses and offices. You'd sobered up enough to be able to think clearly by now. 

These days were the best. They felt calm, like you could forget every other fucked up thing in your life. Your mother, your coursework. Nothing else existed in your little bubble except the people you were with. It felt peaceful, like a breath of fresh air. 

Matty stirred awake as the bus halted to a stop, yawning for dramatic effect. He loved to exaggerate, ever the performer. George was the quiet, brooding type, trying desperately to go unnoticed, which proved rather difficult. Although he was barely coming up on his 18th birthday, he had grown to a staggering 6 '4, with a voice at least 3 or so octaves deeper than Mattys. 

It had proven useful, you aways had someone to send into the smoke shop to buy fags or liquor, even if it always took a pep talk to even get him through the front door. George was convinced he didn't look older, even though he had never been carded. Ever. 

Usually it was Adam who bought it for you, even though both Matty and Ross were also already 18. Matty had already been banned from most liquor stores in the area, so he proved rather useless in situations needing a bit of booze. 

Mattys violent knocks against the flat door brought you back to reality

“C’MON OPEN UP ITS US,” his voice booms through the hallway. You can hear banging and shuffling coming from the other side of the door. It's so obviously Ross bumping into every available surface because he hadn't turned on the light yet. He was an avid day sleeper, mostly working night shifts. A particularly loud crash is followed by glass breaking. 

Matty taps his foot impatiently, waiting for the door to finally open. Ross emerges, looking disgruntled and tired of Mattys shit. 

“Mate, tell me, what possessed you to come knocking about at this hour, don't you have school-? I swear you're going to be the end of me one day” he rubs his eyes, getting the sleep out of them before moving out of the way to let the three of you in. 

“First of all, it's like 11am, so not exactly the ungodly hour you were describing,” Matty starts “Second of all, we’ve been kicked out of class, so where better to come than here?” 

The inside of the flat reeks of cigarettes and laundry detergent. Ross refuses to smoke on the terrace, deeming it too cold even in the middle of summer. Adam always smokes on the terrace, scared of staining the walls like in those addiction documentaries. A futile attempt, but at least he tries. Matty immediately lights a fag, sighing happily when the nicotine hit his system. School had always been an endurance test for him. Getting him to sit still for 2 hours without going for a cigarette proved nearly impossible. He was already itching by the 45 minute mark.

“What did you even do to get kicked out before 12?” He looks at George, who tells him exactly what happened with tears of laughter in his eyes. Matty rolls his before sitting down on the comforter located to the left of the TV, ashing into one of the various ashtrays situated around the house. George sits on the sofa next to Ross, and you make your way to your favorite spot, the table. Sitting cross legged on the table made you all face each other, which you quite liked. 

“Brew?” George asks, looking up from his Ipod. Everyone nods, and he gets up to put on the kettle. Idle conversation fills the air, and Matty starts chatting about the new “groundbreaking” Metallica album. Matty was, if anything, a music snob. No one could stop him raving on about albums or artists, whether he was praising or criticizing them. Once he started, you couldn't stop him to save your life.

Minutes tick past when George brings back mugs of tea. Mattys mug has got the words “I ❤️ cum” on it. Ross has his usual Macclesfield Town mug, and you and George have the plain green ones Adam bought in an attempt to make the flat seem somewhat civilized. 

Hours pass and Matty finally shuts up. You end up on top of him, sitting on the arms of the comforter. You're all watching Skins on the telly, and Mattys hand makes its way to your back, keeping you steady. He’d always been touchy like that, so it didn't bother you. You look at the sofa and see Ross passed out, drooling onto George's jumper. George, polite as ever, lets him sleep. It was a miracle Ross hadn't started snoring already. 

You suggest to Matty that maybe it was time to get going, seeing as you lived on the other side of the city. George's place was right around the corner, so he decided to stay and look after Ross a bit before Adam got home from his shift. Britain's sweetheart. 

Getting up as quietly as possible, making your way towards the door. Ross stirs as Matty almost knocks over his mug. The two of you make eye contact, silently laughing at Ross’ position, basically on top of George. He flipped you off, rolling his eyes and reaching for the remote, turning down the telly.

It was still fairly dark inside, so gathering everything proved a bit of a challenge. The curtains were drawn shut, the yellow material of them painting the house in a warm yellow hue. 

You had spotted Mattys flowery bag in the corner next to the stove, and grabbed it along with a bottle of cola that was set on top of the kitchen counter. Hydration was important, after all, even if you knew Adam would be livid that you were stealing his shit again. What are mates for?    

Matty grabbed both of your coats, mouthing “lets go,” before making his way towards the front door. 

The bright light of the hallway burns your eyes. How do they survive coming out here when that fucking flat is always so dark? You think to yourself. You wonder if Ross has a vitamin D deficiency from the inherent lack of sunshine in his life, yourself excluded. 

The bus ride home is rowdier, filled with kids from surrounding schools. The both of you hid in a corner towards the front, away from the dickheads that usually sat in the back row. You were both too tired to deal with anyone but each other. 

He was right, everything did smell like jimmy choo now, and maybe you shouldn't have sprayed so much. 

His hand wanders to his eyes, rubbing a bit of the eyeshadow off.

“Does it still look alright?” he asks, looking up from your lap. It had smudged a bit, melted off after a full day of wear. It's not like you used your expensive waterproof stuff, after all.

“You look fine, pretty actually,” You give him a tired smile, stroking his hair absentmindedly 

“Can you even call a guy pretty? Isn't that, like, inherently degrading?” Matty mutters, a grin spreading onto his face. 

“It's only degrading if you let it be. You Matthew Healy, are pretty. Pretty like a girl” 

A laugh escapes you, imagining Matty as a woman. Knowing him, he’d be into it. 

“Does it bother you? Y’know, me being feminine and wearing makeup.” The question surprises you. It's a rare thing seeing Matty this vulnerable. He doesn't care what other people think, but he does care what you think. 

“You know I don't care, I actually prefer you this way.” you assure him.

“Though it's still my mission to convince you that the backpack is not the move you think it is.” 

That earns you a frown from Matty. “It is! I'll let you know the lady at the store told be it very in this time of year” its always funny watching him get defensive over his fashion choices, even if he knows he’s fucked up and its hideous. 

“Yeah maybe it's trendy... for 8 year old girls! But you do you mate, don't let me judge you,” that gets you an elbow to the gut. 

The walk home is one you always take together. Arms hooked into each other, walking, sharing headphones. It's your turn on the music, putting on ‘This Charming Man’ by the smiths. 

“You know, Morrissey sort of reminds me of you. You're really similar in your campness”  Matty choked on air, shooting you a faux offended look. 

“Did you seriously call Morrissey camp? He'd have your head for that.” 

“You're both attention slags, so there's at least one similarity.” Matty doesn't say anything, knowing your words do, in fact, ring true. Matty loves attention, and man, is good at getting it. 

He draws people to him like moths to a flame. Always the loudest, always the most interesting. 

That one saying; “You can't be the prettiest girl at the party, but you always be the drunkest” is a personification of Matty. He tips back wine glass after wine glass, not caring about the stains on his shirt or the red ring around his lips. He then makes it a poor Hanns job to make sure he doesnt get into a scrap with three much bigger guys (which actually did happen last summer outside of a pub in london. Matty got out scot free, while Adam nearly suffered a heart attack). 

You hug Matty goodbye, giving him a peck on the cheek. 

You always dreaded coming home. 

They say your biggest critic is your mind, but yours was your mother. You knew she had already gotten a call from the school saying you cut class. The moment you stepped into the living room, the yelling started. “How can you do this” and “What are you even doing with your life” turned into “Look at yourself, you look like a whore and you're going to school like that?” or “Were you out with that little gay boyfriend of yours again?”

You try to tune it out, not letting it get to you. She's been like that for as long as you can remember, never letting up for even just a second. You weren't the best kid, but she sure isn't helping you “get on the right track” as she liked to say.

Tears well up in your eyes when you finally shut your bedroom door. Your first instinct is to call Matty. He picks up after two rings, immediately hearing the quiver in your voice. 

He tells you he’ll be there as soon as he can. 

Minutes pass by slowly until you hear a familiar, although uncharacteristically soft, knock at your window. Matty.

Your puffy eyes meet his and he can tell you’d been crying. No words were exchanged as he took you into your arms, his hands soothingly stroking your hair as you let out muffled sobs into his chest. It broke his fucking heart to see you like this. You were extensions of each other, the others' pain was always your own.    

“It's all so shit. Why cant she just be normal one fucking time.” your voice audibly shakes, partially out of anger and partially out of exasperation. 

“I know i suck, I know I'm a bad daughter but-,” Matty cuts you off. “You’re fucking amazing, you know that?” His words only make you cry harder. 

He holds you close, whispering sweet nothings into your ear, the sound of his voice similar to the way he spoke to you that night. His hands feel cold against your skin, and you know he’d rushed to your house without grabbing his coat. You look up at him, seeing his hair was unruly, curls falling into his face. The blonde highlights littered his dark hair and he ran his hand through them, brushing them to the side to get a better look at you. 

“D’you want to sit down? We can listen to music. Whatever you want, and won't even comment on how shit it is, promise,” He knew you didn't want to talk about it then, you never did.  

You sit in silence, your face still in his chest, staining the light blue material of his shirt. You quietly apologize, knowing how much he loves that shirt. He tells you to shut up, and that it didn't matter. 

He had gotten it in Barcelona at some tourist shop for 50 quid. Insane price for a tshirt that just said “Barcelona” on it, but he held it dear to his heart. It reminded him of his childhood summers. 

“There's a bottle of um…,” you trail off, gesturing to the second drawer of your nightstand. Matty understands, and reaches over you to open it. The drawer is filled with half eaten granola bars, bracelets, jewelry, the odd vape for when it was too cold to go outside. Matty always took the piss out of you for having them, saying they were ‘so fucking girly it hurt’. After a second of rummaging, he took out a half drunk bottle of Bacardi. It always sat in your nightstand for when you needed it, and you definitely needed it now. 

“Only you'd have a giant bottle of rum in your nightstand,” Matty says softly, searching your expression. The corners of your mouth tug upwards at his words, and you crack a smile.   

He opens it for you, and grabs an abandoned cup from your desk. The cup he had gifted you on your 17th birthday. It was covered in flowers and stars, very Matty. Very you. Pouring a healthy amount into the glass, he hands it to you.  

“To shitty situations” He raises it, clinking it against your cup. He takes a swig straight from the bottle. You down the whole thing in one go, wincing as the alcohol burns down your throat. 

“You feel better?” he asks, pouring more into your cup. You nod, before taking another drink. “I just need to get drunk and forget,” you sigh. Matty starts to speak again.

“That's an unhealthy way to go about it. Soon enough I'll be picking you up from corners because you can't handle your liquor. It's a recipe for alcoholism, innit?” you cackle at his words prompting Matty to raise his eyebrows at you.  

“Oh come off it!,” How many times have you been so drunk you couldn't find your own dick if you tried. Sort yourself out before criticizing my drinking habits.” you scoff  

You decide ‘Wonderwall’ by Oasis is the right soundtrack for the night. You lay down next to Matty, your shoulders and thighs touching each other. You look up fondly at the dozens of yellow stars littering your ceiling. Reminiscent of your early childhood, you couldn't bear to take them down. You still felt like a child, your heart yearning for the same innocence you no longer possessed. A distinct naïveté you missed dearly. After your breakup with Phillip you'd realized that the world wasn't all it was cut out to be. People wanted, and they took. It didn't matter to them if they hurt others, because as long as they were satiated, nothing else mattered. 

You turn to your left, draping your arm over Mattys stomach. He let out a deep breath, raising his right arm to draw light circles onto your back. His nails had grown out longer than usual, but the sharpness of them was comforting through the thin material of your tank top. The edge of your small twin bed dug into your back. 

The two of you laid like that for hours before sleep took over your body. The stars on the ceiling blurred as your eyes started to shut. You let out a soft hum, settling into Matty even more, holding him close.

You don't know how long he stayed, but he was gone when you woke up. You feel a sticky note attached to your forehead, the glue rubbing off on your skin. You could barely read Mattys erratic handwriting. The note read: you fell asleep, hope your hangover isn't as bad as mine. left you some Advil on your dresser xx. 

Your hand reached next to you, feeling two tablets. You wash them down with water from the sink. Your cell phone lights up with a text from George 

“We’re meeting at Hanns flat, be there in 30,”

—-----------------------------------------------------------------------

The windows were rolled up, trapping the smoke inside. Your eyes were glazed over, barely able to make out Ross’ face in front of you. Watching as Matty took another hit, you made a ‘give it here’ motion at the zoot, prompting him to hand it to you. Rhianna blared through the radio, a far cry from Adams usual taste in music, but no one seemed to care. Even Matty had managed to keep his mouth shut, instead moving his head in time with the music. 

Adam was sitting in the driver's seat, as always. He’d never let anyone else drive his girl, not even Ross. He was insanely protective over his car, even if it was an old piece of junk. 

George was in the passenger seat, holding a pink, polka dotted ashtray in his hand. The colorful ceramic proved quite the contrast against his dark clothes and messy blonde hair. It was a gift from his older sister, and the only ashtray he ever used. 

You were perched in the middle seat, your elbows on the console between Adam and George. Matty sat on your right, and Ross on your left.  

“No joke, I once had a bird offer to give me a footjob. Can you imagine that?” Adam spoke loudly, almost too loud. Ross let out a disgusting snort, the mental image of Adam getting a footjob making him properly lose it. You make a face. 

“That can't feel good at all, innit? Aren't the soles of feet rough?” you ponder. “Only if you have George's hobbit feet, that is,” Matty said, ducking to avoid yet another lighter being chucked at him. You were going to run out of lighters at this rate. 

“I'll show you hobbit feet you fucking cunt,” George retorted, sticking out his tongue like a child.

“I had a girl once who wanted me to properly bite down on her nipples, like hard. Can't imagine how much that would've hurt.” you share. She’d been quite the odd one up until she was in your bed, so you were already expecting some sort of weird kink. Nipple biting was definitely not on that list. Not that you were kink shaming.  

George spoke first: “What d’you mean girl? You're telling me you've been with girls?” You raise your eyebrows at him. “Erm, yeah? Didn't I tell you-?” Everyone shook their heads except Matty. You had already told him this story months before, the both of you laughing at your misfortune. Smiling at the fond memory, you meet Ross’ eye. 

“We didn't know you were like, proper gay,” he says quietly, not wanting to sound abrasive. You suck in a deep breath before answering. “I'm not proper anything, and besides,” you point at Matty sitting next to you, “This one’s snogged loads of blokes.”  A collective “What???” fills the car, with everyone's eyes now on Matty. 

“What if I have? It's not my job to notify you of all my sexual endeavors, innit?” Matty looks slightly uncomfortable, giving you a look. You frown at him, and he shakes his head. Slight signs of a smile linger on his face. It's fine he mouths at you, resting his arm on your shoulder. 

The three of them talk loudly over each other, with Ross asking some very explicit questions on the mechanics of gay sex. 

“How do you even, like, properly shag? It's not like you have anything you can shove into the other girl,” Jesus christ. 

Matty taps Ross’ shoulder, bringing the attention to his hands. He brings them up to his mouth, sticking his tongue out between the V-shape his fingers had made. Wiggling his eyebrows suggestively, the whole demonstration makes Ross visibly cringe. 

The car suddenly starts. Adam makes the short drive to Carolines, stating that the hotbox was getting to be too much for him. George has a go at his age, calling him an old man. Hann was in fact, about 2 and a half years older than George, and a solid year older than the rest of you. Old man was right. 

You had rolled down the window on Mattys side, hoping some fresh air would help Adams driving skills. The erratic swerving had begun to make you sick. 

Finally trugding up the stairs to the terrace, Matty says something about it being too fucking cold. Ross says “That's the price of being built like a male Kate Moss,” and Matty nearly shoves him down the stairs. 

It is colder than usual, and you had opted for a dark gray zip up, the material hugging you tightly. You were pretty sure it was Mattys. A pair of green wash jeans hung low, revealing the lightning bolt tattoo on your right hip bone. It was a copy of Bowie's on the cover of ‘Aladdin Sane’. You had gotten it done by another one of your mates, Rome, who was an aspiring tattoo artist. It looked a bit shit, the lines slightly crooked, but it was yours. 

You had convinced George and Ross to carry the sofa from the office onto the terrace. They were the tallest and strongest, and Mattys arms would have snapped like twigs if he tried to carry anything, you said to them. George laughed his octave defying laugh, while Ross let out an annoyed grunt, shoving past you. 

Adam was right behind them, carrying a small wooden coffee table. “For you- I know how much you hate sofas,” he says quietly. You called him a softy, but inevitably thanked him for bringing it out. He had his rare sweet moments, and you appreciate them 

Once you had all settled, you took out your tobacco and papes, starting to roll your first cigarette of the night. You honestly needed a break from all the weed, because jesus. 

Matty let out a groan, taking the piss out of you for bringing all that instead of just buying industrials. 

“I know you think you're better than us for rolling, it's quite pretentious.” he sucks in a breath before talking, moving his hands erratically “Don't tell me it ‘tastes better’ because that's simply bollocks, it all tastes the same!” 

“Pretentious? Her? That's rich coming from someone who raves on about William Burroughs like anyone knows who is!” Matty looks hurt, and you give Ross a look that says you really don't know who William Burroughs is?

The conversation continued without you, too preoccupied with rolling to add anything. All was well until George decided to open his giant mouth again. 

“If you're not fully gay,” he started, “how do we know you're not secretly crushing on any of us?” he raised his eyebrows, looking at you expectantly.

You let out a snort, it slowly morphing into laughter until you look at him, his expression deadly serious. 

“You can’t actually mean that?” your voice is slightly hoarse. “For all we know, you could be harboring secret affection for Matty with the amount of times you’ve slept in the same bed.” 

Mattys perks up at this, shooting George a glare that could kill a man. He told him??? 

You don't know what came over you. Maybe it was the weed, maybe you were just groggy from the lingering hangover. You lick the cig closed, setting down next to the others. Uncrossing your legs, you get up and walk towards Matty. You can see the grin plastered onto his face, and he is definitely not sober.

You stumbled over Adam's foot, kicking it out of the way. Ross moved away from Matty, giving you some space. 

The terrace was dark, but the moonlight illuminated some of Mattys features. Specifically, his eyes. They seemed to glow, following your every step toward him. I'll show you secret affection you thought to yourself when your hand made contact with Mattys face. The stubble on his chin scratched your fingers. He never could grow a beard, and the faint shadow was as long as it would get. 

He sat with his legs spread, skin peaking out through the single rip in his jeans. His arms rested on the sofas back, splaying out to the side. He wore a black v-line jumper, the knit of it almost see-through.  

The makeup from the previous day was still smudged on his face, giving him a rockstar-esque look. The eyeshadow framed his eyes, glittering in the faint light. Your hands cupped his face, lightly stroking his jaw. The grin had been wiped off his face the moment you had settled between his legs, kneeling on the edge of the sofa. 

You didn't think, just moved, your lips smashing against each other. It seemed to take Matty by surprise, and it even took him a second before he kissed you back. One thing nagged at you. Why did you like it?

There was no time to think when you heard George wolf whistle at the both of you. 

You want a show, I'll give you a show you thought, slipping in your tongue and taking over the kiss. He seemed into it, but then again, Matty would fuck anything with a pulse. You smile against his mouth at the thought. It suddenly felt hot, even though you were outside. His hand snaked its way into your hair, tugging slightly. This didn't feel platonic. Was it?

“Alright, alright, we didn't sign up for a porno,” Ross says, his hand covering his mouth. You were the one who broke the kiss. Matty let out a soft groan when you parted, loud enough for only you to hear. His eyes pierced yours, and you moved to get off of him. 

Your heart thrummed against your ribcage, and you felt dizzy. What the fuck?

You wiped your mouth, your lipgloss having smeared all over your face. Wiping the back of your sticky hand against the sofa, you turned and walked back to your spot on the table. 

“See! Absolutely no ‘secret affection’ as George so kindly put it.” you say to the group, going back to your pile of fags, taking one and lighting it. If you had looked at Matty instead of being preoccupied with Hanns bickering about the prissy new manager, you would have noticed a faint shade of red caressing his cheeks. He felt around for his own cigarettes, and took out a pack of parliaments. Spotting the lighter next to you, he reached for it, lighting the cig as he inhaled the smoke eagerly.

It was already half two when the five of you finally piled back into Hanns car. The prominent stench of weed made you scrunch up your nose. You decide to light a cigarette in the car despite various protests and threats to your life if you even dared to ash onto the leather seats. Switching seats with Matty, you ash out the window instead, resting your head against the rim of the car. 

Ross and George were having yet another meaningless debate on whether mixing ketchup and mayo was a cardinal sin or totally acceptable. Every other word was an insult, and you knew they would never come to an agreement, ever.

You had already established that you’d be sleeping over at Mattys, saving Adam time and petrol not having to drive both of you home separately. Denise and Tim were out on a press tour, so he had the house to himself. 

His room was dark, the curtains drawn shut. If you knew Matty, you knew he hated the big light with a burning passion. Instead, a small lamp was turned on in the corner, illuminating the various posters that littered his wall. Band posters, prints, tapestries, the occasional quote. Everything screamed Matty

His room was filled with so much music. CD’s, vinyls, even the odd cassette tape. His purple record player sat on top of a dresser next to his desk, surrounded by various small trinkets of his. It was his prized possession, a gift from his mother for his 14th birthday.  

You had already helped yourself to a cola from his fridge downstair. His house was huge, way bigger than your own. Your parents weren't actors, after all. The walls of his room were stained towards the corners, just another side effect of Mattys near constant chain smoking. His bed was big, and you both fit comfortably on it. The wardrobe next to it had a pile of your own clothes in it, but none to sleep in. Your eyes dart around the room looking for one of his to wear, landing on his bright pink durex t-shirt. He had worn it once to school, promptly getting kicked out of literature class by a very conservative Mrs. Sexton.

Soft music was playing in the background as you unloaded your bag onto Matty’s insanely cluttered desk. Out came multiple pens, makeup, not one, not two, but three lighters, and finally, makeup wipes.    

You sat on the ground in front of his full length mirror, wiping at your eyes and face. Matty was making the bed, giving the both of you each your own duvet, a must after too many fights over the blanket. You weren't a peaceful sleeper, constantly tossing and turning, occasionally even kicking Matty in the back. 

Washing your face, you hear the bathroom door click open. Matty went and sat on the closed toilet lid next to you.

“Hand me my toothbrush, will you? And some toothpaste.” he asked, stretching his hand out. You do, even wetting the toothbrush for him. 

He sat there, brushing his teeth and flipping through a recent issue of playboy while you put moisturizer on, and then a serum. 

“I dont get how you can be arsed to put all that shit on your face, it takes way too long,” his comment makes you roll your eyes at him in the reflection. 

“Not everyone is naturally blessed with clear skin like you, people like me have to put effort into their appearance, knobhead.” A wave of insecurity hits you as you inspect the acne on your face. 

You had been a chronic face picker in your early teenage years, and the consequences of that were gnarly acne scars covering most of your face. They were not prominent, but they were there. 

Matty was fortunate enough to have had maybe three zits ever, his clear skin the stuff of dreams. 

Matty watches you pick yourself apart in the mirror. He hated when you did that. It made his heart ache in his chest. He wished you could see what he saw. What did he see?

“You’re quite beautiful, really,” he says, making eye contact with you through the mirror. You’re taken aback, not quite sure how to respond. You open your mouth to speak. 

“Oh bugger off,” you say, your voice breathy and annoyed. You didn't want to sound annoyed, it just came out that way. 

Matty raises both his hands in defeat, and spits the toothpaste into the toilet bowl, flushing. The hairbands sitting on the bathroom counter eventually end up in your hair, holding together two braids on either side of your face. You stare at the mirror one more time, examining yourself. The pink fabric of your (well, Mattys) shirt clung to you like it did Matty. Taking off your bra, you go back into his room. He had changed into a loose Kiss t-shirt and black boxers. The light of the corner lamp helped you find your phone, sitting on the nightstand next to you. 

The atmosphere was calm, calm enough that you’d almost forgotten about the kiss. Almost. 

Matty reached over to turn the lamp off, lighting a candle for light. Cinnamon. 

“You know it's dangerous to sleep with candles lit? We could catch on fire and die,” Matty had rolled over on his side, now facing you. A grin spread onto his face. 

“If it kept me from ever seeing Hanns ugly mug ever again, i’d gladly let cinnamon spice scented flames burn me to death,” 

You giggle at his words. Poor Adam, always taking the worst of Mattys jokes, if you could even call them that. Accepting his decision to keep the candle lit, you pull the blanket over your shoulders. Your eyes shut and you can feel butterflies in your stomach. Butterflies, really? Jesus fucking christ. 

You're scared to open your eyes, scared to even look at Matty. Maybe it was a mistake. He's your best mate. That kiss didn't mean anything, especially not to him.

A million thoughts race through your head, and you shove them into a small corner of your mind. Ignore ignore ignore, it didn't mean anything. He's just some wanker who picked you up at a bus stop three years ago and somehow became your best mate. He's just some guy you share a bed with sometimes. He's just some guy who lights your spliffs for you. He's just some guy who you kissed on a terrace overlooking the city. 

Fuck. 

[nightwngz]

hi! this is my first time seeing your page, and let me tell you that I'm in love! I saw that your requests were open so, I decided to give it a try and ask... could you by any chance make a fem! reader x dick grayson os, where he and reader are both apart of the tt? they are both in love with each other but, reader thinks he likes starfire and he thinks that she likes cyborg, or even beast boy or aqualad? whatever happens next I leave it up to you. thanks in advance! <3

— 𝓘 𝐭𝐡𝐢𝐧𝐤 𝐡𝐞 𝐤𝐧𝐨𝐰𝐬 ☆ !! eng.

dick grayson x fem!reader

𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀. . . drabble. sexual tension, very slight smut, the writer trying to write smut when she is terribly bad at it. kisses, fingering, shower sex?

𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁. . . no copying of my work is allowed. Free translation is allowed as long as I am credited.

𝗹𝗮𝗻𝗴𝘂𝗮𝗴𝗲. . . as I said in my other posts, English is not my first language. I have tried to make corrections with the translator, but as you all know, it is prone to making mistakes, so I apologize in advance for any mistakes or if anything sounds weird.

𝗻𝗼𝘁𝗲. . . Omg, the first request about my Dick. I couldn’t be more happier. I didn’t want to write an explicit smut because you didn’t ask me to, but I think that it was necessary to add a little bit of it like a personal touch. I hope you like it <3

You thought he knew. You had a hunch that he suspected that you were in love with him. Your cheeks flushed with embarrassment.

Ever since you joined the Teen Titans, Dick has been a sidekick that every hero, and even villains, would want on their team. However, Dick managed to be more than just an ally to you; he was the closest thing you had to a friend. The dilemma arose when you realized that the term "friend" was not what you and he wanted to use to refer to your relationship.

Honestly, you were so in love with Dick that you couldn't stand it. There was only one problem: You suspected that he didn't feel the same way about you.

You couldn't help but think that the unrequited attraction for you was directed at Starfire. It wasn't hard to deduce that the two of them were deeply in love. And with a girl as beautiful as Kory, would you have a chance to compete?

Getting used to the idea of unrequited love was not difficult. What was really complicated was getting used to being in the same room as your crush and not feeling like your heart wanted to burst out of your chest. It was something you had to deal with every time you spent time together. Therefore, it was a nightmare to practice alone with Dick and risk an embarrassing tragedy because of your feelings for him.

At that moment, your nightmare had become reality. As he climbed on top of you, your cheeks burned so hot that you couldn't even look him in the eye without feeling embarrassed. You knew he knew. What you didn't know was that he felt the same way about you.

Just as he was convinced that you felt some sort of attraction to Beast Boy, just as you believed that he was in love with Kory.

—You can let go now — You said after Dick had been on top of you for several minutes, watching you.

— I can, but I don't want to — He pressed his face into yours, feigning a false innocence in his smile.

A rush of adrenaline coursed through your body after he took that provocative stance.

—Don't play games, Dick. What are we going to do if your girlfriend sees you?

— What are you talking about, y/n? I don't have a girlfriend. — He replied as he stood up. — I should have known that this would make you feel uncomfortable.

— What do you mean?

— We've known each other for some time now. It's not hard to figure out that you're in love with Garfield.

For a moment, you both looked at each other without fully understanding what was going on.

— I think there's been a misunderstanding. Aren't you in love with Kory?

— And aren't you in love with Garfield?

— Where did you get that? - You asked him as if he had just said the dumbest thing in the world.

— And where did you get the idea that I'm in love with Kory?

The atmosphere became uncomfortably thick. There was a short period of silence in which you did nothing but look at each other. Your heart was beating again, only this time as if it had never beaten before. Maybe you were confused, maybe he was taking advantage of the situation, and honestly, you couldn't understand anything.

Unfortunately, just when you felt that everything was finally becoming clear, you were interrupted to go on a mission. This meant that they did not talk to each other for a few hours, or even a whole day. This caused you to have so many thoughts at night that you could not sleep.

You were almost drowning in your pillow when you finally got the idea to go down to the basement to entertain yourself. You could probably watch a movie or do something relaxing. The problem was that Dick was in the same situation you were. So when you walked through the door of the gym, the first thing you saw was him lifting weights.

— Don't you sleep? — You asked him.

— I could ask you the same thing. — He smiled at you.

You admired how his smile had the ability to lighten things.

— We need to talk. You know that, don't you?

You swallowed hard. It was hard to concentrate. His physical attractiveness kept you from thinking clearly, from doing simple tasks. Especially when he was exercising; with his messy hair, the beads of sweat dripping down his face, and his abs showing through his sweatshirt. Was it an exaggeration to say that he was the most handsome man you'd ever seen? No, next question.

Sometimes you think it would be easier if he just pushed you into the shower and...

— I‘m in love with you.

What? Did he really say what you thought he said?

You couldn't believe in the truth of his words. You thought he was just playing with you, that it was just a joke that he would use later to laugh at how naive you were to think he had feelings for you. Although you didn't know if Dick was capable of such cruelty, you also didn't know how much sincerity there was in his words.

— Are you in love with me? — you asked again.

— Yes, that's what I said.

Those moments passed so slowly that you didn't notice when you were pressed against the wall with him on top of you, so close you couldn't breathe.

— And you like me?

The corner of his beautiful lips brushed against yours. His minty breath was there every time he spoke. Your heart responded, but your mouth remained closed for a moment.

— Mm? — He murmured, insisting on an answer.

— Either you are a very bad detective or you are very blind.

Maybe minutes, maybe hours had passed, but you could tell when the water started to rain down on your shoulders. When Dick kissed you in the shower and you barely noticed that your wet clothes felt so heavy that you had to take them off.

Fortunately for you, Dick Grayson unclothed and wet was much more attractive than his clothed and dry counterpart. You were surprised because you thought it was impossible to find a more attractive version of him than the original.

His kisses spread over every inch of your lips, devouring you completely. His wet tongue crashed against every part of your mouth, making you feel more and more sensitive and wet in the space between your legs. A space that was filled with his huge hand that was enough to wander around to caress every inch of your sensitivity.

—You love this, don't you, baby? Look at you, I barely touch you and you're dripping all over my hand.

Of course you loved it.

Even when he asked, you thought he definitely knew the answer.

[henry-fox-biggest-stan]

Some more obscure and / or underrated lesbian literature : An incomplete list made by a lesbian in hopes of making other sapphics happy

(I haven’t read all of them)

Sorted by years (this rapidly became a history lesson of lesbian literature sorry I’m a nerd)

Ancient times

(A good article about lesbians in ancient greece / rome)

Queen Zhuang Jiang 庄姜 (???- BC 690) / We know about Sappho and Enheduanna, but what about her? She wrote poems some of which were, uh, pretty gay. I learnt about her here. It is said than her poems are in The Book of Songs (which is a collection of ancient Chinese poetry). I couldn’t find a lot about her but I found enough to believe than (hopefully) she was a real person and the internet isn't lying to me.

Dialogues of the courtesans - Lucian of Samosata (somewhere in the second century BC) / Basically Dialogues of the courtesans is a collection of dialogues between well, courtesans (prostitutes). Either between themselves or between clients. One of the dialogues is called “The Lesbians”. Link to read (somehow finding a pdf of Dialogues of the courtesans is pretty hard but reading it chapter by chapter online it’s not??)

The Babyloniaka - Iamblichus (somewhere in the second century AC) / Lost novel, so all you need to know is here

Of course we can’t forget this Pompeii poem

1200s

Bieiris de Romans (somewhere in the first half of the 1200s) / Bieiris was a French poet, and we only have one of her poems with us because the others have been lost. We don’t know much (anything) about her, except that she was a woman, French, and who wrote about a woman called Maria. Some say that this mysterious Maria referred to the Virgin Mary, others than Maria was her gf, and others than she was writing in the perspective of a man (because obviously a woman writing about other women in a not so platonic way is unthinkable). Anyway, feel free to get your own conclusions, here’s the poem (translated)

1500s

The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena - Konrad Eisenbichler / So while this is a modern book, it is the only one I’ve been able to find than includes Laudomia Forteguerri’s poems (1515-1555). Some historians considered her to be the earliest Italian lesbian writer. “Although only six of her sonnets have survived, all are testaments to the love she bore for other women, and five are specifically dedicated to Margaret of Austria.”

The Maitland Quarto / Manuscript (1586) / So, this is a collection of 95 scot poems, and poem 49 is pretty sapphic. It’s technically anonymous, but it has been attributed to Marie Maitland (who transcripted the manuscript and is thought to have added her own poems there). The last lines mean “'There is more constancy in our sex / Than ever among men has been”, I haven’t been able to translate the rest of it. The poem.

1600s

The Flower's Shadow Behind the Curtain - Ko Lien Hua Ying (somewhere in the 1600s) / It is said this book was written towards the end of the Ming dynasty (1368 to 1644). It’s a erotic book, and chapter 22 includes an erotic story between two 16 year old girls. I found it in Sex in China: Studies in Sexology in Chinese Culture by Fang Fu Ruan (believe it or not, I don’t just randomly know all this books, I did research)

Aphra Behn (1640-1689) / English writer, one of the first female writers to live through her writing. She was also a spy. She wrote a lot about women. “Homoeroticism is standard in Behn's verse, either in descriptions such as these of male to male relationships or in depictions of her own attractions to women. Behn was married and widowed early, and as a mature woman her primary publicly acknowledged relationship was with a gay male, John Hoyle, himself the subject of much scandal.” (here). She wrote a lesbian love poem (in the link before, it also makes an analysis of it). The poem: To The Fair Clarinda

Poems, Protest, and a Dream: Selected Writings - Juana Inés De la Cruz (1648-1695) / So the thing about Juana is than every single spanish-speaking lesbian knows her (and loves her), but hardly anyone who doesn’t speak spanish has ever heard of her, which is a shame, because she’s an absolute icon. She was a Mexican nun who was also incredibly gay. You know how Sappho is called the tenth muse? Juana is also called the (mexican) tenth muse. She’s also called the phoenix of America, which is incredibly badass. She learnt how to read at 3 years old, at 8, she asked her mother to send her to college dressed as a man (her mother refused). She learnt and studied by her own, because she wanted to learn. She studied by cutting her hair (if she got something wrong or forgot something, she cut a strand of her hair as a punishment) because she said that “a head adorned with hair is worthless if it’s a head naked of ideas”. When she was sixteen (important to note than she already spoke Latin fluently at 12, having mastered it in just a few lessons) the archbishop Payo Enríquez de Rivera heard of her, and decided to ask her to be the company lady of his wife (his wife and her eventually would have a relationship) and decided to test her intelligence. He got 40 (!!!) university profesor of all subjects, and they all asked her questions related to maths, literature, philosophy, etc. She answered all of them right. At around 21, she decided to become a nun (not out of faith, but because it was either becoming a nun and being able to continue her education, or marrying a man and stop studying. To her, the choice was clear). Also it is said she owned around 4000 books in her personal library. So yeah, an educated, extremely intelligent gal, who wrote lesbian love poems to her gf, and who was definitely not afraid to stand up for herself.

1700s

The Game of Flats - Nicholas Rowe? (1715) / Poem, “game of flats” was an 18th century slang for lesbian sex. Link to read <- that website includes lots of 18th century queer history and poems like this one

The Sappho-an - Anonymous (1735 or 1749) / When I first heard of this I couldn’t believe it. It sounds like an AO3 fanfic, or some modern erotic book (one of those than have a real person in the cover), or maybe a forgotten 1970s lesbian book. It’s none of that. It’s an anonymous poem written in the 1700s. The plot? The goddesses of Olympus are sexually unsatisfied because the gods keep on going after mortals (except Ares, he’s just too busy with war) instead of paying attention to them. The gods keep going after woman and male mortals, so Hera just says yknow what if they can sleep with men then we can sleep with each other. Sappho also appears. Link to read.

Fanny Hill, Memoirs of a Woman of Pleasure - John Cleland (1742) / Ok fine, this one is not sapphic but the main character (female) does have sex with a woman at one point. This is basically an erotic novel. Very dirty (specially for the time period) and very banned in lots of places. The main character is Fanny, a prostitute. It includes lots of straight sex, some gay (mlm) sex, and two pages where Fanny describes in detail having sex with Phoebe, bisexual prostitute. Not sapphic, but thought it was worth mentioning.

1810s

Christabel - Samuel Taylor Coleridge (1816) / So, have you heard of Carmilla (1872)? If you’re reading this post, you probably have, if you haven’t, it’s a classic (vampire) book than is said to have inspired Bram Stoker to write Dracula. It’s also incredibly gay. Well, some say it was Christabel than was the inspiration for Carmilla. Of course we don’t know this for sure, but the similarities definitely are there. Review from a reader: “what if we were the protagonist and villain of a never-completed sensual gothic poem (and we were both girls) / alternately: when you meet a wickedhot girl only she's SPOOKY but that's SEXY and turns out your dad and her dad were also gay back in the day before having a sexy gay falling-out and she's like 'babe let's get naked and hold each other close' and you're like '—wait fuck I mean uhhhh I PRETEND I DO NOT SEE IT!'” I haven’t read this one, however for what it seems Christabel is not explicitly a vampire. Since the poem is unfinished we don’t know the end, and we just think she’s a vampire because so many things used in here were also reused for vampires characterization (like not being able to enter a house unless invited)

1830s

Mademoiselle de Maupin - Théophile Gautier (1835) / “A woman uses her incredible beauty to captivate both d'Albert, a young poet, and disguised as a man, his mistress, Rosette. In this shocking tale of sexual deception, Gautier draws readers into the bedrooms and boudoirs of a French château in a compelling exploration of desire and sexual intrigue, and gives voice to a longing which is larger in scope, namely, the wish for completeness in oneself.”

1870s

Mademoiselle Giraud, My Wife - Adolphe Belot (1870) / “The sensational Mademoiselle Giraud, My Wife tells of the suffering of a naive young man whose new bride will not agree to consummate the marriage. Eventually he learns from an acquaintance, to his amazement, that their wives are lovers.” In reviews it says than this is a homophobic novel (who’s surprised) but “Christopher Rivers argues in his introduction that the protagonist's homophobic attitude toward lesbianism is ironically linked to his intimate homosocial bonds with men”

1880s

Jill - Amy Dillwyn (1884) / “Jill is the story of an unconventional heroine—a gentlewoman who disguises herself as a maid and runs away to London in search of adventure after her mother dies and her father is pursued by a Victorian gold-digger. Once in London she uses her position as lady's maid to become close to her mistress. Her life above and below stairs is portrayed with irreverent wit in this fast-paced story, but at the centre of the novel is Jill's unfolding love for the woman she works for. On the surface a feminist manifesto, Jill is a poignant story of same-sex desire and unrequited love. A new introduction tells the autobiographical story on which the novel is based —the author's own passionate attachment to a woman she called her wife, but who she couldn't have.”

Mephistophela - Catulle Mendès (1889) / “Telling the story of Baronne Sophor d'Hermelinge, a woman as thoroughly martyrized by her creator as any other heroine in the history of fiction, in spite of the enormous competition for that title established by countless writers, male and female, it is one of the archetypal novels of the Decadent Movement, and one of the most striking, precisely because is it such a discomfiting piece of writing, the deliberately controversial nature of which has been further enhanced as its surrounding social context has changed over time. Highly influential, especially on the works of such writers as Jean Lorrain and Renée Vivien, Mephistophela, in placing lesbian amour in the foreground of the story, deals forthrightly and intensively with a literary theme that had previously only been treated with delicacy and indecision, mostly in poetry. It is essentially a horror story about demonic possession, about contrived and cruel damnation, devoid even of a Faustian pact, which merely employs obsessive lesbian desire as an instrument of damnation.” Goodreads review: “As a story it is quite straightforward. Girl has same-sex desires and the novel follows her various affairs up to about the age of thirty. […] More controversially, Stableford (and the books blurb) suggests that it is a novel of demonic possession. Now Brian has probably forgotten more than I will ever learn about the period but a few of the episodes show distinct Charcotian traits (an early childhood 'illness', two doctors in conversation etc) and a (really great) fantasy/visionary episode in the book seems to show, to me, the influence of Michelets book on witchcraft. If anything, the book seems even more subversive that Stableford suggests, as Sophie seems largely 'out and proud' and the author often says that she is 'is as she is' suggesting to me that it is 'natural' rather than demonic. I wonder whether the publisher asked Mendes to add some suggestion of the demonic to 'tone down' the idea that people were actually like 'that'.”

1890s

Avant la nuit / Before the dark - Marcel Proust (1893) / Short story (seriously, less than 10 pages). I read it the other day before bed and it’s pretty good. Talks about Françoise, a woman, revealing her homosexuality to her friend Leslie.

A Sunless Heart - Edith Johnstone (1894) / “Its first third focuses on Gasparine O'Neill, who shares an intense connection with her sickly twin brother, Gaspar. Living in poverty, the two struggle to live decently until Gaspar dies. Here gritty naturalism gives way to fantasy, as Gasparine is rescued from despair by the brilliant Lotus Grace, a much-admired teacher at the local Ladies' College. Sexually exploited from the age of twelve by her sister's fiancé, Lotus cannot love anyone, not even her illegitimate child. Gasparine devotes herself to Lotus, but Lotus finds her final brief happiness with a woman student, Mona Lefcadio, a passionate Trinidadian heiress. Exploring issues of race, sexuality, and class in compelling prose, A Sunless Heart is a startling re-discovery from the late- Victorian era. The appendices to this Broadview edition provide contemporary documents that illuminate the tension between romantic friendship and lesbian consciousness in the novel and address other debates in which the novel the nature of Creole identity, the education of women, and the dangers of childhood sexual exploitation.”

The Songs of Bilitis - Pierre Louÿs (1894) / Poetry. However, believe it or not, these were not written by a woman but by a man. Why add it then, well, the story is quite original. The author (Pierre Louÿs) published this verses as written in Ancient Greece by a “disciple of sappho” named Bilitis. He created this whole character, she was a woman, she was a poet, she was a sappho disciple, her work has been lost until now, and she was a huge lesbian. Of course, this is not true, but still, it’s an interesting read. “Between their open celebration of lesbian love and the eventual revelation of their true authorship—the verses actually were written by French novelist and poet Pierre Louÿs—they became a succès de scandale. Although debunked as a work of antiquity, The Songs of Bilitis remains a classic of erotic literature.”

1900s

A Woman's Affair - Liane de Pougy (1901) / "Despite her beauty and her riches, Annhine de Lys, one of the most notorious courtesans of 1890s Paris, is bored and restless. Into her life bursts Flossie, a young American woman, and everything changes. The love she offers Annhine is dangerous, perverse and hard to resist. Ignoring the warnings of her best friend, Annhine encourages the affair."

I Await the Devil's Coming - Mary MacLane (1902) / “Mary MacLane's I Await the Devil's Coming is a shocking, brave and intelectually challenging diary of a 19-year-old girl living in Butte, Montana in 1902. Written in potent, raw prose that propelled the author to celebrity upon publication, the book has become almost completely forgotten. In the early 20th century, MacLane's name was synonymous with sexuality; she is widely hailed as being one of the earliest American feminist authors, and critics at the time praised her work for its daringly open and confesional style. In its first month of publication, the book sold 100,000 copies--a remarkable number for a debut author, and one that illustrates MacLane's broad appeal.” She’s pretty sapphic and claims her (female) lit teacher is her true love. Also an excerpt from a Goodreads review: “She awaits the Devil to come and marry her and bring happiness if only for three days, meanwhile rehearsing suicide. She prays to the Devil to deliver her from “unripe bananas; from bathless people; from a waist-line that slopes up in the front" but offers sensuous instructions on how to eat an olive, and enjoys porterhouse steaks and fudge she makes with brown sugar. It's quite a ride. Many recent reviewers pigeonhole her as an ahead-of-her-time Goth or emo, simply transcribing an eternal and universal teen angst.”

Q.E.D. - Gertrude Stein (1903) - Autobiographical short story about a love triangle between three women; Adele (Stein), Mabel, manipulative and wealthy, and Helen, who seduces Adele.

A Woman Appeared To Me - Renée Vivien (1904) / I have no idea how to explain this book other than it's all I ever wanted and it has an absolutely breathtaking prose. Think of The Picture of Dorian Gray, Oscar Wilde’s writing style and descriptions, the character's philosophy, and the queer toxic relationships in the book. Now make it lesbian and even more explicitly queer. Also I'm pretty sure the main characters want to fuck Sappho. On the second chapter the main characters + some side characters (all women + one guy) are having a discussion (a symposium of sorts) about how much they love sappho and how believing she married a man is stupid and how they don’t hate men, just really dislike them, and the guy says: "Mademoiselle, you are trying to hide from the irresistible seduction of the male. You will certainly finish your love-life in the arms of a man." And our main character being an icon finished the chapter answering him this: "That would be a crime against nature, sir. I have too much respect for our friend to believe her capable of an abnormal passion!". It’s so good. I have seen mixed opinions on this one, but I’m just gonna say: the girls than get it, get it. Everything by Renée Vivien is so good, but this is her only full novel I think (she also wrote poems and short stories). If you have to read only one book out of all the books in this post, let it be this one.

Zezé - Ángeles Vicente (1909) / Not translated (I think) but it’s the first lesbian novel written in Spanish which is pretty cool (even cooler than it was written by a woman who, in 1909 (or around it) divorced her husband and lived through her writing). The plot is basically, the narrator (the author) is on a ship and shares the cabin where she’s staying with another woman, Zezé, a cuplé singer, who tells her about her life (her childhood in a religious school, where she discovered her sexuality with had a relationship with another (female) student, her life in Madrid as an adult and living life as a woman, etc)

1910s

Despised & Rejected - Rose Allatini (1918) / A gay man and a lesbian are friends during WWI, which they are against (an anti-war novel). I think the book is in the perspective of the gay man, but his friend is also a main character.

The Scorpion - Anna Elisabet Weirauch (1919) / A review by a reader: “This book felt more like historical fiction than a novel actually written in 1919-1932, considering the explicitly lesbian relationships and coming of age and coming out style narrative. The story follows the life of Metta, a lesbian who grew up with a controlling family in Berlin. The narrative follows her from her first crush on her manipulative governess, to her first love the older and intelectual Olga, and her foray into the gay scene in Munich and beyond. The story isn't without suffering and it isn't just a love story despite how much you might want it to be. Definite trigger warnings for suicide (not Metta), poor mental health, homophobia and general cringe comments due to the time of writing. But the point of the book is for Metta to find a way to be, a way to live her life comfortably and happily, essentially to find herself.”

1920s

The Bacheloress - Victor Marqueritte (1922) / “Monique is an emancipated French woman who leaves home to escape a marriage of convenience to a man whom her parents have forced on her. She then succumbs to all sorts of carnal temptations including a lesbian love affair with a singer. The scandal provoked by Victor Margueritte's La Garçonne, here translated as The Bacheloress, led to its author having his legion d'honneur revoked, which only propelled this novel about a brazenly independent "new woman" to best-seller status. What was shocking then was not so much the reckless behavior of its heroine, who is depicted as the victim of psychological torment, but the portrait of the corrupt post-WWI society in which she lives. Authentic as Monique is, the types of love she encounters, set against the hostile and contemptuous portrayal of her peers, only amplifies her struggle.”

Yellow Rose - Nobuko Yoshiva (1923) / This is the only book than has been translated by this author, she was a lesbian who wrote Class-S romance (a Japanese book genre of the time, which focused on lesbian / homoerotic relationships between women [so-called romantic friendships], than usually take place in an all-girls boarding school). This specific story talks about a teacher-student relationship. She has other books, one called Yaneura no nishojo (two virgins in the attic) (1919) which isn’t translated, but sounds good, the story “is thought to be semi-autobiographical, and describes a female-female love experience with her dormmate. In the last scene, the two girls decide to live together as a couple. This work, in attacking male-oriented society, and showing two women as a couple after they have finished secondary education presents a strong feminist attitude, and also reveals Yoshiya's own lesbian sexual orientation”.

Freundinnen: ein Roman unter Frauen / Girlfriends: a Novel among Women - Maximiliane Ackers (1923) / Only in German, not translated. Review from an English reader: “This novel—which went through several editions in the 20s before being banned by the Nazis—is uncompromisingly, heartbreakingly queer. The novel tells the story of the love between two actresses in Wiemar Germany, Ruth and Erika. Both women struggle to support themselves on the stage, to live independently, and to come to terms with their love for each other and how they might live and express themselves and their desire.”

Surplus - Sylvia Stevenson (1924) / Review from a reader: “This book should be included in lists of seminal lesbian fiction. Published in 1924, Surplus is the story of Sally Wraith's young adult adventures after the end of WWI, during which period she served as an ambulance driver. The novel is not explicit and dos not detail a physical relationship between Sally and her romantic friend Averil but Sally refers to Averil as her "dream girl" with whom she wants to spend the rest of her life. This novel was published before Radclyffe Hall's Well of Loneliness , which is often hailed for its early negative portrayal of homophobia. But I find it compelling that Sally's love for Averil is not treated as deviant. It's just tragic for any babydyke to fall in love with a straight girl!”

The Captive - Eduard Bourdet (1926) / Theatre, “Irène is a lesbian tortured by her love for Madame d'Aiguines, but pretending engagement to Jacques (man). Though Irène attempts to leave Madame d'Aiguines and marry Jacques, she returns to the relationship, saying that it is "a prison to which I must return captive, despite myself". Madame d'Aiguines is not seen in the play, but leaves behind nosegays of violets for Irène, as a symbol of her love.” Read here

Women Lovers, or The Third Woman - Natalie Clifford Barney (1926) / “This long-lost novel recounts a passionate triangle of love and loss among three of the most daring women of belle époque Paris. In this barely disguised roman à clef, the legendary American heiress, writer, and arts patron Natalie Clifford Barney, the dashing Italian baroness Mimi Franchetti, and the beautiful French courtesan Liane de Pougy share erotic liaisons that break all taboos and end in devastation as one unexpectedly becomes the "third woman."

HERmione - H.D (1927) / “This autobiographical novel, an interior self-portrait of the poet H. D. (1886-1961) is what can best be described as a find, “a posthumous treasure”. In writing HERmione, H.D. returned to a year in her life that was peculiarly blighted. She was in her early twenties—a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place... Waves to fight against, to fight against alone... “I am Hermione Gart, a failure” —she cried in her dementia, “I am Her, Her, Her.” She had failed at Bryn Mawr, she felt hemmed in by her family, she did not yet know what she was going to do with her life. The return from Europe of the wild-haired George Lowndes (Ezra Pound) expanded her horizons but threatened her sense of self. An intense new friendship with Fayne Rabb (Frances Josepha Gregg), an odd girl who was, if not lesbian, then certainly of bisexual bent, brought an atmosphere that made her hold on everyday reality more tenuous. This stormy course led to mental breakdown, then to a turning point and a new beginning as her own true self, as Her"

Lucia Sánchez Saornil (1895 - 1970) / Spanish poet, putting her here because she’s part of generation ‘27. Read her Wikipedia page because she’s literally iconic (I can’t put the link here for some reason). I love her so much. She was an anarchist and very revolutionary. She wrote under a pen name to be able to explicitly write about women and lived with her partner (América Barroso) until she died. I haven’t been able to find an English translation of her writing, but I do have found a French one, so better than nothing

Dusty Answer - Rosamond Lehmann (1927) / Coming of age story of Judith Earle, sensitive, lonely, who grew up as an only child, but with 4 neighbors (all cousins) to make her company (and eventually harbor romantic feelings for). Then she moves to college, where she meets Jennifer and enters a relationship with her. Although the relationship is not explicitly romantic.

Ladies Almanack - Djuna Barnes (1928) / “Written as a medieval calendar, Ladies Almanack is a clever parody of the crazy sapphic circle of Natalie Barney and her Académie des Femmes. Sharp, biting, witty and transgressive, it is also a modern and pioneer in his vision of lesbianism and the issues surrounding relationships between women. The emotional endogamy, transvestism, motherhood, marriage or differences between sex and gender are already presented in the book with a charge of irony and acidity that is rare in the treatment of the topic. And it is also a breath of fresh air, an essential reference to know the world of lesbian women in all its breadth and diversity.”

1930s

The Angel and the Perverts - Lucie Delarue-Mardrus (around 1930) / "Set in the lesbian and gay circles of Paris in the 1920s, The Angel and the Perverts tells the story of a hermaphrodite born to upper class parents in Normandy and ignorant of his/her physical difference. As an adult, s/he lives a double life as Marion/Mario, passing undetected as a lesbian in the literary salons of the times, and as a gay man in the cocaine dens made famous by Colette." Technically not lesbian, but it’s “set in the lesbian cercles of Paris”

Broderie Anglaise - Violet Trefusis (1935) / Technically not a lesbian novel, but by a sapphic author. Do you know about Virginia Woolf and Vita Sackville-West? Of course you do, everyone does. However, do you know than Violet Trefusis used to be Vita’s lover? They dated as teens and again as adults. There’s this whole gay toxic romantic circle between Violet, Vita, and Virginia. Violet wrote this book where she’s basically adding Vita, Virginia, and herself into the characters and dissing them. The plot centers on an encounter between Alexa, a celebrated English writer (Virginia), and her rival, Anne (Violet), and their discussion about their mutual lover, Lord Shorne (Vita).

Summer Will Show - Sylvia Townsend Warner (1936) / Sophia Willoughby's husband has a mistress who he cheats on her with. So she grabs him and packs him up to Paris with his mistress. She'll raise their children and he can have his mistress all day long if he wants, what she wants is to not see him. Sadly, her children die, and she goes to Paris, where she'll find her husband's mistress, and the two of them start an affair with eachother.

Diana: A Strange Autobiography - Diana Frederics (1939) / “«This is the unusual and compelling story of Diana, a tantalizingly beautiful woman who sought love in the strange by-paths of Lesbos. Fearless and outspoken, it dares to reveal that hidden world where perfumed caresses and half-whispered endearments constitute the forbidden fruits in a Garden of Eden where men are never accepted». This is how A Strange Autobiography was described when it was published in paperback in 1952. The original 1939 hardcover edition carried with it a Publisher's This is the autobiography of a woman who tried to be normal. In the book, Diana is presented as the unexceptional daughter of an unexceptional plutocratic family. During adolescence, she finds herself drawn with mysterious intensity to a girl friend. The narrative follows Diana's progress through college; a trial marriage that proves she is incapable of heterosexuality; intelectual and sexual education in Europe; and a series of lesbian relationships culminating in a final tormented triangular struggle with two other women for the individual salvation to be found in a happy couple.”

1940s

Hidden Path - Elena Fortún (somewhere around the 1940s) / Maria Luisa grows up on 1910s/1920s Spain. She is a peculiar girl, one who despises wearing dresses and wants to dress as a sailor, who could spend all day reading, who loves painting, and who swears she will never marry. Oh, and she's also a lesbian. Based on the author's life Maria Luisa is kind of the author's alter ego, and it follows her from childhood to adulthood while dealing with a world not created with people like her in mind. (Not published until 2016)

El Pensionado de Santa Casilda / The Boarding School of Saint Casilda - Elena Fortún (somewhere around the 1940s) / This book is not translated, but if you know spanish I recommend to pick it up. A group of 14/15 year old girls who go to the same spanish all-girls boarding school, and they are all in love with each other. It follows them into adulthood and how they navigate their lives being women and lesbians in the past (Not published until 2022). Messy lesbians at its finest. Like, seriously. Lesbians still in love with their ex and not over their first love, dating their friends and their ex friend, and the ex of their friend, and having sugar mommies, etc etc

1960s

Winter Love - Han Suyin (1962) / “As a college student in London during the bitterly cold winter of 1944, Red falls in love with her married classmate Mara. Their affair unleashes a physical passion, a jealousy, and a sense of self-doubt that sweep all her previous experiences aside and will leave her changed forever. Set against the rubble of the bombed city, in a time of gray austerity and deprivation, Winter Love recalls a life at its most vivid.”

The Chinese Garden - Rosemary Manning (1962) / “A "very intelligent, sensitive, and compelling" novel of adolescent rebellion and sexual awakening at a girls' boarding school (Anthony Burgess). Set in a repressive British girls' boarding school in the late 1920s—where not only sexuality but femininity is squashed—the novel is the coming-of-age story of sixteen-year-old Rachel, a sensitive, bright, and innocent student. Rachel finds refuge from the Spartan conditions, strict regime, fierce discipline, and formidable headmistress at Bampfield in a secret garden. She also finds friendship there, with a rebellious girl named Margaret. As Margaret has her mind expanded by a scandalous tome entitled The Well of Loneliness, she engages in a bold, forbidden act—the ultimate transgression at Bampfield—and Rachel is drawn into the turmoil. Confronted with the persecution of her friend and troubled by a growing awareness of her own sensuality, Rachel faces an imposible choice that drives her to desperate measures.”

The Microcosm - Maureen Duffy (1966) / “At the House of Shades, Matt, a bar-room philosopher, tries to make sense of the disparate lives which cross here -- of Judy who saves herself and her finery for a Saturday night lover, of Steve the gym teacher who dreads a chance encounter with a pupil in this twilight environment, and of Matt herself, who needs these vicarious exchanges despite the security of her relationship with Rae and her sense that this lesbian sanctuary is a prison too, enforcing the guilt and estrangement of the city streets beyond. Elsewhere there are women such as Marie, trapped within an unwanted marriage and unable to admit her sexuality, and Cathy, for whom the discovery that she is not 'the only one in the world' is an affirmation of her existence. With its innovative structure and style, perfectly mirroring the voices and experiences of women forced by society to live on the margins, The Microcosm remains as powerful today as when originally published in 1966.”

1970s

Beginning with O - Olga Broumas (1977) / A poetry collection by a lesbian, greek writer.

The Same Sea as Every Summer - Esther Tusquets (1978) / A stream-of-consciousness type book, by an author who has been compared to Virginia Woolf. “Poetic and erotic, El mismo mar de todos los veranos ( The Same Sea As Every Summer ) was originally published in Spain in 1978, three years after the death of Franco and in the same year that government censorship was abolished. But even in a new era that fostered more liberal attitudes toward divorce, homosexuality, and women's rights, this novel by Esther Tusquets was controversial. Its feminine view of sexuality (in particular, its depiction of a lesbian relationship) was unprecedented in Spanish fiction. The disillusioned narrator of The Same Sea As Every Summer is a middle-aged woman whose unhappy life prompts a journey into she past to rediscover a more authentic self. However, events force her to realize that love or trust will inevitably be repaid by betrayal. This pattern assumes various forms in a story that moves forward as well as backward, playing out in Barcelona among the haute bourgeoisie. Richly textured with allusion, The Same Sea As Every Summer is also a commentary on post-Civil War Spanish society by an author who grew up during the repressive Franco regime.”

Así es: Mi vida 3 - Victorina Durán (somewhere in the late 1970s) / So, not translated but has great historical value. Basically, this is the third book out of Victorina’s memories that she wrote in the 70s. Victorina (1899 - 1993) was so cool. She was an icon. She was a sceneographer, a painter, a costume designer, writer (aside from her memories, she has some theatre plays), etc. She actually wanted to be an actress. She was part of the Círculo Sáfico de Madrid (the sapphic club of Madrid, a club made out of her and her friends, who were sapphic) among others. She never hid her sexuality. She was friends with almost all the importante well known people in 1920s / 1930s Spain. This book is the third one out of her memories, and it’s focused explicitly on her relationships (all with women). She said she wanted to focus on them and give them a book of their own, so this is of great historical value, giving insights into the queer spaces, lesbian scene, wlw relationships and being gay at that time. I need to read it so bad if someone has a pdf please tell me I’ll send them my fanfic wips

1980s

On Strike against God - Joanna Russ (1980) / “A lost feminist masterwork by feminist and speculative fiction icon, Joanna Russ, about a young lesbian's coming-to-consciousness during the social upheaval of the 1970s. When Esther, a recently divorced professor, has her first lesbian love affair, the fallout brings her everyday miseries into focus and precipitates a personal crisis. She flees her small, upstate New York college town, grapples with gender confusion and the ghosts of therapists past, and fumbles her way through comedic sexual self-discovery, oscillating all the while between visionary confidence and debilitating self-doubt. Confronted with the homophobia of straight feminists and the misogyny of gay men, Esther is left to forge a language for her feminism and her burgeoning lesbian desire. On Strike Against God is quintessentially experimental but accesible, alternately wry and earnest, poignantly didactic, playful, and emotionally charged.” From a review: “For anyone like me who's unfamiliar with the quote which inspired the title: A judge was sentencing a picketer from the early twentieth century shirtwaist-makers strike (the first large scale strike by women), and he told her, "You are striking against God and Nature, whose law is that man shall earn his bread by the sweat of his brow. You are on strike against God!"

Faultline - Sheila Ortiz Taylor (1982) / “An outrageous, zesty, funny Lesbian novel; the adventures of a Lesbian mother with six children, three hundred rabbits, and very relaxed attitude."

The Swashbuckler - Lee Lynch (1985) / "Frenchy Tonneau leaves her closeted home in the Bronx for the bars of New York City, the freedom of Provincetown, and the liberation of Greenwich Village in the 1960s and 1970s. Her hangouts, her women, her small yet universal world tell the stories of the times - and the stories of lesbians today. A timeless journey and a riveting read, The Swashbuckler is heart-wrenching, heartwarming, and unforgettable." Butch main character, lesbian life in the 60s/70s, lesbian-feminism, butchfemme, etc.

Fried Green Tomatoes at the Whistle Stop Café - Fannie Flagg (1987) / listen, LISTEN, I know this book is not obscure, absolutely not given it even has a movie adaptation, but people do not give this book the love it deserves. I'm constantly thinking about Idgie and Ruth, they are one of my favorite fictional couples ever, and also my favorite lesbian fictional couple. They are such interesting characters with such an interesting dynamic and I just love them so so much. A femmebutch couple in 1920s Alabama, who go through many hardships but still find eachother, still end together, and even have a restaurant, live together, and raise a kid. And not only them, but the book is made out of 4 main characters (or 3 depends on if you see Ninny as a main character or not), Idgie, Ruth, and Ninny and Evelyn. Evelyn, an 80s depressed housewife in her 40s finds solace and a true friend in Ninny, a 90 year old woman staying at a nursing home (not ‘cause she needs it, but to keep a friend company). Ninny tells her the story of Idgie (her, kind of, sister) and Ruth, her best friend and lover. Evelyn finds feminism and hope through the memories, getting inspired by Idgie and Ruth's story and becoming happier in her life. It has several points of views and it jumps between years (first 1980s, then 1920s, then 1940s, then 1980s again, etc) and it also talks a lot about racism in 1920s Alabama, and i'll just stop because I love this book so much and i could go on forever. Oh, and also they murder a man and feed him to a police officer.

Lovers' choice - Becky Birtha (1987) / A collection of eleven short stories about lesbian women.

1990s

Out Of Time - Paula Martinac (1990) / Susan finds an old photograph album with pictures from the 1920s, all pictures being of a group of women (four in total). She's told it's not for sale, but she steals it anyway. After some digging, she finds out than two of the girls from the photos were lovers! And not only is Susan trying to navigate the details of her life and of her relationship with her own girlfriend, but she obsesses over the women in the picture, and eventually, the spirits of the girls start to haunt her.

The Gilda Stories - Jewele Gomez (1991) / Gilda escaped from slavery in the 1850s, until she's taken by a vampire who (consensually) turns her into a vampire too. Gilda moves through the decades finding community and connections and helping people, and slowly builds a place for herself in time. (Fine, not actually obscure since I’ve seen it all around the internet, but it just sounds so good)

Annabel and I - Chris Anne Wolfe (1996) / Plot summed up by a reader: “Half-orphaned Jenny-Wren spends her summers at her uncle Jake's fishing lodge on Lake Chautauqua. One summer day when she's twelve years old while boating with her uncle, she finds a girl on the end of a dock reaching futilely for her escaped model boat. Jenny swims over and rescues the boat, meeting the orphaned Annabel, spending her summers at her grandmother's summer estate. This begins a friendship that endures and grows for years as the two girls spent each summer together, only to be separated at the end of summer. As the two grow older, they realize a magic is at work that keeps bringing them together, despite the near century between them. As the summers come and go, the two young women discover their love for each other, and the realization that their love is imposible. Can their love persist beyond those fleeting summers and flourish, in the face of time?”. Review from a reader: “The foreword says this book is for all wlw, and that, "Because there are as many different ways to love a woman as there are women who love women; it's the loving, not the label, that really matters." That really captured the core of what this book does, it treasures the love we create with our bare hands for and with another woman.” A time travel romance (Jenny is from the 1980s, Annabel from 1890s)

Ain't Gonna Be the Same Fool Twice - April Sinclair (1996) / Bisexual mc. “Jean "Stevie" Stevenson, the indomitable heroine of "Coffee Will Make You Black," is back—somewhat older and wiser, with some experience and a college degree -- diving headfirst into the hot tub, free love, yoga, and vegetarian lifestyle of 1970s San Francisco. In this liberating new world of raised consciousness, mind-expanding, and disco-dancing, a soul sister with passion and daring has room to experiment with life and love to find out who she "really" is.”

Beyond the Pale - Elana Dykewomon (1997) / “The story of two Jewish women living through times of darkness and inhumanity in the early 20th century, capturing their undaunted love and courage in luminous and moving prose. The richly textured novel details Gutke Gurvich's odyssey from her apprenticeship as a midwife in a Russian shtetl to her work in the suffrage movement in New York. Interwoven with her tale is that Chava Meyer, who was attended by Gurvich at her birth and grew up to survive the pogrom that took the lives of her parents. Throughout the book, historical background plays a large part: Jewish faith and traditions, the practice of midwifery, the horrific conditions in prerevolutionary Russia and New York sweatshops, and the determined work of labor unionists and suffragists." While it is a romance, it's also more than that, it's about the life of Jewish women in the 20th century.

Crystal Diary - Frankie Hucklenbroich (1997) / “Frankie Hucklenbroich's razor-edged, compelling, often wryly humorous story hustles us from the blood-and-beer-drenched corners of her St. Louis meat-packing district '50s youth, through the sex-soaked Hollywood alleys of her '60s baby butch years, into the druggy metropolis of '70s San Francisco. Moving relentlessly from one woman to another until faces and bodies blur, scamming her existence, learning what the street has to how to make a buck, how to make it with a woman, how to court the dangers of crystal meth, how to survive.”

Hers 3 - Terry Wolverton (1999) / Short stories

2000s

Valencia - Michelle Tea (2000) / "Valencia is the fast-paced account of one girl's search for love and high times in the drama-filled dyke world of San Francisco's Mission District. Through a string of narrative moments, Tea records a year lived in a world of girls: there's knife-wielding Marta, who introduces Michelle to a new world of radical sex; Willa, Michelle's tormented poet-girlfriend; Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama; and Iris's ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart."

Naked in the Promised Land: A Memoir - Lillian Faderman (2003) / “Born in 1940, Lillian Faderman is the only child of an uneducated and unmarried Jewish woman who left Latvia to seek a better life in America. Lillian grew up in poverty, but fantasised about becoming an actress. When her dreams led to the dangerous, seductive world of the sex trade and sham-marriages in Hollywood of the fifties, she realised she was attracted to women, and that show-biz is as cruel as they say. Desperately seeking to make her life meaningful, she studied at Berkeley; paying her way by working as a pin-up model and burlesque dancer, hiding her lesbian affairs from the outside world. At last she became a brilliant student and the woman who becomes a loving partner, a devoted mother, an acclaimed writer and ground-breaking pioneer of gay and lesbian scholarship. Told with wrenching immediacy and great power, Naked in the Promised Land is the story of an exceptional woman and her remarkable, unorthodox life.”

Her Naked Skin - Rebecca Lenkiewicz (2008) / Theatre. “Militancy in the Suffragette Movement is at its height. Thousands of women of all classes serve time in Holloway Prison in their fight to gain the vote. Amongst them is Lady Celia Cain who feels trapped by both the policies of the day and the shackles of a frustrating marriage. Inside, she meets a young seamstress, Eve Douglas, and her life spirals into an erotic but dangerous chaos. London 1913. A crucial moment when, with emancipation almost in sight, women refuse to let the establishment stand in their way.”

The Rain Before it Falls - Jonathan Coe (2008) / “A story of three generations of women whose destinies reach from the English countryside in World War Il to London, Toronto, and southern France at the turn of the new century. Evacuated to Shropshire during the Blitz, eight-year-old Rosamond forged a bond with her cousin Beatrix that augured the most treasured and devastating moments of her life. She recorded these memories sixty years later, just before her death, on cassettes she bequeathed to a woman she hadn't seen in decades. When her beloved niece, Gill, plays the tapes in hopes of locating this unwitting heir, she instead hears a family saga swathed in promise and the story of how Beatrix, starved of her mother's affection, conceived a fraught bloodline that culminated in heart-stopping tragedy—its chief victim being her own granddaughter. And as Rosamond explores the ties that bound these generations together and shaped her experience all along, Gill grows increasingly haunted by how profoundly her own recollections--not to mention the love she feels for her grown daughters, listening alongside her-- are linked to generations of women she never knew. A stirring, masterful portrait of motherhood and family secrets, "The Rain Before It Falls" is also a meditation on the tapestries we weave out of the past, whether transcendent or horrific.”

2010s

When We Were Outlaws - Jeanne Cordova (2011) / "A sweeping memoir, a raw and intimate chronicle of a young activist torn between conflicting personal longings and political goals. When We Were Outlaws offers a rare view of the life of a radical lesbian during the early cultural struggle for gay rights, Women's Liberation, and the New Left of the 1970s. Brash and ambitious, activist Jeanne Cordova is living with one woman and falling in love with another, but her passionate beliefs tell her that her first duty is "to the revolution".—to change the world and end discrimination against gays and lesbians."

Call Me Esteban - Leila Kalamuié (2015) / “With unapologetic vividness, Lejla Kalamujic depicts pre- and post-war Sarajevo by charting a daughter coping with losing her mother, but discovering herself. From imagined conversations with Franz Kafka to cozy apartments, psychiatric wards, and cemeteries, Call Me Esteban is a piercing meditation on a woman grasping at memories in the name of claiming her identity.”

Lancelot: Her Story - Carol Anne Douglas (2015) / Arthurian legend retelling! "A young girl sees a man rape and murder her mother. She grabs a stick and puts out his eye. Her father raises her as a boy so she will be safe from men's attacks. She practices and practices until she becomes a great fighter - Lancelot. She wants to protect women—and she does. Lancelot hears about King Arthur, a just king across the sea, and journeys to earn a place at Camelot. She vows to serve him. but fears that Arthur and his men will discover that she is a woman and send her away. Lancelot is shocked to realize that she is falling in love with the king's wife, Guinevere. Guinevere is a strong woman who would have preferred to be queen in her own right, not through marriage. Saxons attack Arthur's kingdom, and Lancelot finds out that fighting a war is far different from saving women in single combat. The savagery of war devastates her, she is living a lie, but she is also deeply in love…”

Jigsaw Youth - Tiffany Scandal (2015) / “Lose your best friend because you finally Came Out. Spend days driving aimlessly because there's nothing to do. Serve your rapist breakfast because you need your job. Fall asleep to gunshots and sirens because that's the only sense of home you've ever known. Hold hands with ghosts. Your life is in pieces, but you can't be broken. Wipe off the blood. Tired of being told who to be, what to wear, how to act and who to fuck. Break the rules and learn fast how to never get caught. All you need is nothing, but you're happy with your car, guitar and camera. Throwing around polaroids of tits like they're money, you swap stories about adventures and realize that we're all running away from something.”

Creatures of Will & Temper - Molly Tanzer (2017) / Recommended as a sapphic picture of dorian gray retelling, it tells the story of Dorina (hedonistic, art lover, and woman-kisser), her older sister Evadne (fencer and responsable), Lady Henrietta (suit-wearing, cigar-smoking lesbian who is a horrible influence), and Basil, Dorina and Evadne's uncle, and who's character has not changed much. They also summon demons.

The Adventures of China Iron - Gabriela Cabezón Cámara (2017) / “1872. The pampas of Argentina. China is a young woman eking out an existence in a remote gaucho encampment. After her no-good husband is conscripted into the army, China bolts for freedom, setting off on a wagon journey through the pampas in the company of her new-found friend Liz, a settler from Scotland. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina's richly diverse flora and fauna, cultures and languages, as well as to the ruthless violence involved in nation-building. This subversive retelling of Argentina's foundational gaucho epic Martín Fierro is a celebration of the colour and movement of the living world, the open road, love and sex, and the dream of lasting freedom. With humour and sophistication, Gabriela Cabezón Cámara has created a joyful, hallucinatory novel that is also an incisive critique of national myths.”

2020s

Thirst - Marina Yuszczuk (2020) / “Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. It is the twilight of Europe's bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women-and they cross a threshold from which there's no turning back. With echoes of Mary Shelley's Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.” Lesbian vampires!

The Lives We Left Behind - Olivia Bratherton-Wilson (2021) / I read this one so long ago and I don’t remember everything with detail, just than I really liked it. “1943. Seventeen-year-old Dorotea Miller is given the responsibility of managing the family farm when her father and brother are conscripted, leaving her with only her distant mother and the unfamiliar Land Girls for company. Angeline Carter and her four younger brothers are evacuated to the Welsh countryside to escape the bombings; the Miller farm is nothing like they've seen before and certainly more than Angeline bargained for when she meets the surly, unwelcoming farmer's daughter. Despite their rocky start, misunderstandings and tragedies, Dorothea and Angeline realise that their friendship may run deeper than either of them had prepared for.” There is also a sequel! That one I haven’t read tho.

Agatha of Little Neon - Claire Luchette (2021) / "Agatha has lived every day of the last nine years with her sisters (the other nuns) : they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a formermill town now dotted with wind turbines. […] Agatha is forced to venture out into the world alone, to teach math at a local all-girls high school, where for the first time in years she will have to reckon with what she sees and feels all on her own. Who will she be if she isn't with her sisters? These women, the church, have been her home--or has she just been hiding? […] It is a novel about female friendship and devotion, the roles made available to us, and how we become ourselves." Lesbian nuns

Burning Butch - R/B Mertz (2022) / A butch lesbian memoir of their life growing up catholic and surviving in the world, while dealing with faith and what it shape it takes to them.

London on My Mind - Clara Alves (2022) / So, the English translation just came out! Funny thing is, I started this in 2022 even tho I don’t know Portuguese (translating paragraph by paragraph with google translate) and it was pretty good. I haven’t finished it (translating a whole book with google translate is definitely work) but I’m so ready to read it now that it’s translated. Dayana (seventeen, black, plus size, and Brazilian) is forced to move to London with her father (who abandoned her mother and her) and his new family after her mother died. She’s having a pretty horrible time, until, on a walk, finds a redhead girl… escaping Buckingham Palace?? So of course, she helps her escape. Who exactly is this girl? Why was she escaping?? The answer, her name is Diana and she’s sort of (super) the princess of Wales. Huh.

Helen House - Kayla Kumari Upadhyaya (2022) / “Right before meeting her girlfriend Amber's parents for the first time, the unnamed narrator of Helen House learns that she and her partner share a similar both of their sisters are dead. As the narrator wonders what else Amber has been hiding, she struggles with her own secret--using sex as a coping mechanism--as well as confusion and guilt over whether she really cares about Amber, or if she's only using her for sex. When they arrive at the parents' rural upstate home, a quaint but awkward first meeting unravels into a nightmare in which the narrator finds herself stranded in a family's decades-long mourning ritual. At turns terrifying and erotic, Helen House is a queer ghost story about trauma and grief.”

Promises in Pompeii - Violet Morley (2022) / Set in Ancient Rome, it tells the story of two girls, Octavia and Helvia, childhood friends, and their journey through life as women and through their feelings. In the author ig, she said it includes: adventure/survival, against the odds, brothels, butch/femme, coming of age, disguised as a man, first love, friends to lovers, opposites attract, etc. I’m currently reading it, and I really like it so far.

Nettleblack - Nat Reeve (2022) / “Subversive and playful, Nettleblack is a neo-Victorian queer farce that follows a runaway heir/ess and an organisation of crime-fighting misfits as they struggle with the misdeeds besieging a rural English town. The year is 1893. Having run away from her family home to escape an arranged marriage, Welsh heiress Henrietta “Henry” Nettleblack finds herself ambushed, robbed, and then saved by the mysterious Dallyangle Division - part detective agency, part neighbourhood watch. Desperate to hide from her older sisters, Henry disguises herself and enlists. But the Division soon finds itself under siege from a spate of crimes and must fight for its very survival. Assailed by strange feelings for her new colleague - the tomboyish, moody Septimus - Henry quickly sees that she's lost in a small rural town with surprisingly big problems. And to make things worse, sinister forces threaten to expose her as the missing Nettleblack sister. As the net starts to close around Henry, the new people in her life seem to offer her a way out, and a way forward. Is the world she's lost in also a place she can find herself? Told through journal entries and letters, Nettleblack is a picaresque ride through the perils and joys of finding your place in the world, challenging myths about queerness - particularly transness - as a modern phenomenon, while exploring the practicalities of articulating queer perspectives when you're struggling for words.”

Sunburn - Chloe Michelle (2023) / In Ireland, the early 1990s, Lucy feels out of place in her small town. She falls in love with her best friend and she has to find a way to find herself, make a meaning out of her feelings, and hide the truth from her conservative small town and religious peers.

Lucky Red - Claudia Cravens (2023) / "A vibrant and cinematic debut set in the American West about a scrappy orphan who finds friendship, romance, and her true calling as a revenge-seeking gunslinger." Lesbian cowboys

Neon Roses - Rachel Dawson (2023) / “Eluned Hughes is stuck. It's 1984 in a valley in south Wales: the miners' strike is ravaging her community; her sister's swanned off with a Thatcherite policeman; and her boyfriend Lloyd keeps bringing up marriage. And if they play '99 Red Balloons' on the radio one more time, she might just lose her mind. Then the fundraising group Lesbians and Gays Support the Miners comes down from London, and she meets June, a snaggle-toothed blonde in a too-big leather jacket. Suddenly, Eluned isn't stuck any more - she's in freefall. June's an artist and an activist, living in a squat in Camden. With June, Eluned can imagine a completely different - and exciting - life for herself. But as her family struggles with the strike, and her relationship with her sister deteriorates, should she really leave it all behind? From the Valleys to the nightclubs of Cardiff, London and Manchester, NEON ROSES is a heartwarming, funny and a little bit filthy queer coming-of-age story with a cracking '80s soundtrack.”

Tale of Three Ships - Darcia G. Laucerica (2023) / “In a world under the thumb of an empire, pirates sail away searching for a breath of freedom. But even the ocean is tainted by the powerful nation that has spread lies about women being bad luck at sea. Glenlivet has never cared about the fear-mongering. Her ship welcomes those who are rejected and need a home. For all the sailor' s superstitions and "codes" of piracy the captain mocks every day, not leaving the docks when it's dark is a personal boundary she swears by ever since acquiring The Outsider about eight years ago. She just might have to break her own rules to protect her crew, escape the claws of a king who wants her dead, and murder the man who raised her.” I’ve heard so many good things about this. Lesbian main character, with mlm and trans side characters. Author in social media said it includes: Chosen pirate family, sirens, indigenous and latine inspired characters, anti-colonialism, and people fighting injustice and abuse.

How to Breathe Ash - Alex Nonymous (2023) / “Eleanor Perrault doesn't know if there's a right way to handle being suddenly orphaned at sixteen, but it's definitely not the way that she's been coping with it. It's been two months since her parents died and despite her autism normally causing her to be even more emotionally volatile than most of her peers, she still hasn't even managed to cry over them yet. On top of trying to learn how to grieve properly, Eleanor's juggling starting a new semester in a new town with an aunt who seems eternally disappointed in her and a cousin who's randomly decided to start hating her. And a crush on the incredibly pretty president of her new school's QSA. How to Breathe Ash is a contemporary YA Cinderella retelling following Eleanor through elaborate dances, anonymous chat rooms, and learning the right way to not be alright.” Autistic mc! While I haven’t read anything from this author (yet) they have lots of wlw/nblw/nblnb books with autistic main characters.

War and Solace: A Tale from Norvegr - Edale Lane (2023) / “A battle-hardened shieldmaiden. A pacifist healer. Can the two find love amid the chaos of war? From Edale Lane, the award-winning, best-selling author of Sigrid & Elyn, comes a new Tale from Norgevr! Tyrdis is a stalwart warrior raised to value honor, courage, and military prowess. When a traumatic injury renders the powerful protector helpless, she depends on the lovely, tender-hearted Adelle to restore her from the brink of death. Is it merely gratitude or true love that draws Tyrdis to the healer? Defying cultural norms, Adelle despises violence and those who propagate it, but when her shieldmaiden patient saves the life of her beloved little girl, she must reexamine her values. Could Tyrdis be more than a stiff, efficient killer with an amazing body? In a kingdom steeped in conflict with their neighbors and internal strife, shocking secrets are revealed, and both women strive to ensure justice prevails. Can they overcome their differences to safeguard their friends, end the war, and fall in love, or will fate prove to be a cruel sovereign?” Historical fiction set during 643. The author also has another two sapphic books set in the same time period.

Maddalena and the Dark - Julia Fine (2023) / “A novel set in 18th-century Venice at a prestigious music school, about two girls drawn together by a dangerous wager Venice, 1717. Fifteen-year-old Luisa has only wanted one thing: to be the best at violin. As a student at the Ospedale della Pietà, she hopes to join the highest ranks of its illustrious girls' orchestra and become a protégé of the great Antonio Vivaldi. Luisa is good at violin, but she is not the best. She has peers, but she does not have friends. Until Maddalena. After a scandal threatens her noble family's reputation, Maddalena is sent to the Pietà to preserve her marriage prospects. When she meets Luisa, Maddalena feels the stirrings of a friendship unlike anything she has known. But Maddalena has a secret: she has hatched a dangerous plot to rescue her future her own way. When she invites Luisa into her plans, promising to make her dreams come true, Luisa doesn't hesitate. But every wager has its price, and as the girls are drawn into the decadent world outside the Pietà's walls, they must decide what it is they truly want—and what they will do to pay for it. Lush and heady, swirling with music and magic, Maddalena and the Dark is a Venetian fairytale about the friendship between two girls and the boundless desire that will set them free, if it doesn't consume them first.”

Greasepaint - Hannah Levene (2024) / “Set against a backdrop of 1950s New York, this experimental novel follows an ensemble cast of all-singing, all-dancing butch dykes and Yiddish anarchists through eternal Friday nights, around the table, and at the bar. In one of many bars, Frankie Gold sings while Sammy Silver plays piano after a day job at the anarchist newspaper. The Butch Piano Players Union meets in the corner next to the jukebox. Laur smokes on the back steps, sweaty thigh to thigh with Vic. Frankie's childhood sweetheart, Lily, turns up at yet another bar to see a second Sammy play every Friday night. And before all that, there's always dinner at Marg's. Fabulated out of oral histories, anthologies, as well as the fiction of the butch-femme bar scene and Yiddish anarchist tradition, Greasepaint is a rollicking whirlwind of music and politics- the currents of community embodied and held inside the bar.”

Perfume & Pain - Anna Dorn (2024) / “A controversial Los Angeles author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer's group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student who smells like metallic orchids and is researching 1950s lesbian pulp, or her new neighbor, Penelope, who smells like patchouli. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid's worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes-and results in blackouts and a disturbing series of events. Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet—and celebrity-obsessed world”

How It Works Out - Myriam Lacroix (2024) / “Surreal, darkly comic and achingly tender, Myriam Lacroix's debut sees a queer love story play out in many alternate realities. What if you had the chance to rewrite the course of your relationship, again and again, in the hopes that it would work out? After Myriam and Allison fall in love at a show in run-down punk house, their relationship starts to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam's depression was Allison's flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker-or sexier-would their dynamic be if one were a power-hungry CEO, and the other her lowly employee? From the fantasies of early romance to the slow encroaching of violence that unravels the fantasy, each reality builds to complete a brilliant, painfully funny portrait of love's many promises and perils. Equal parts sexy and profane, unsentimental, and gut-wrenching, How It Works Out is a formally inventive, arresting, uncanny exploration of queerness, love, and our drive for connection, in any and all possible worlds.”

All the Painted Stars - Emma Denny (@a-kind-of-merry-war) (2024) / “Oxfordshire 1362. When Lily Barden discovers her best friend Johanna's hand in marriage is being awarded as the main prize at a tournament, she is determined to stop it. Disguised as a knight, she infiltrates the contest, preparing to fight for Jo's hand. But her conduct ruffles feathers, and when a dangerous incident escalates out of Lily's control, Jo must help her escape. Finding safety with a local brewster, Lily and Jo soon settle into their new freedom, and amongst blackberry bushes and lakeside walks an unexpected relationship blossoms. But when Jo's past caches up with her and Lily's reckless behaviour threatens their newfound happiness, both women realise that choices must always come at a cost. The question they need to ask is if the cost is worth the price of love…” The cover of the edition coming out in November is SO pretty and lately I’ve been looking for medieval sapphic books like crazy.

Gentlest of Wild Things - Sarah Underwood (2024 - out august 15th) / So this book is by the same author as Lies We Sing to the Sea, and I’m in no rush to read that book (a so-called odyssey retelling even tho the author has admitted to never actually reading the odyssey??) but this one looks compelling. “On the island of Zakynthos, nothing is more powerful than Desire-love itself, bottled and sold to the highest bidder by Leandros, a power-hungry descendent of the god Eros. Eirene and her beloved twin sister, Phoebe, have always managed to escape Desire's thrall. Until Leandros' wife dies mysteriously and he sets his sights on Phoebe. Determined to keep her sister safe, Eirene strikes a bargain with Leandros: if she can complete the four elaborate tasks he sets her, he will find another bride. But it soon becomes clear that the tasks are part of something bigger; something related to Desire and Lamia, the strange, neglected daughter Leandros keeps locked away. Lamia knows her father hides her for her own protection, though as she and Eirene grow closer, she finds herself longing for the outside world. But the price of freedom is high, and with something deadly-something hungry- stalking the night, that price must be paid in blood…” The author said that “Gentlest of Wild Things is a sapphic vampiric twist on the story of Eros and Psyche”

The End Crowns All - Bea Fitzgerald (2024 - out on July 18th) / “Princess. Priestess. The most beautiful girl in Troy. Casandra is used to being adored - and when her patron god, Apollo, offers her the power of prophecy, she sees an opportunity to rise even higher. But when she fails to uphold her end of the agreement, she discovers just how very far she has to fall. No one believes her visions. And they all seem to be of one girl - and the war she's going to bring to Troy's shores. Helen fled Sparta in pursuit of love, but it's soon clear Troy is a court like any other, with all its politics and backstabbing. And one princess seems particularly intent on driving her from the city before disaster can strike... But when war finally comes, it's more than the army at their walls they must contend with. Casandra and Helen might hold the key to reweaving fate itself - especially with the prophetic strands drawing them ever closer together. But how do you change your future when the gods themselves are dictating your demise?” Sapphic retelling of the iliad where Helen and Kassandra end up together

If asked, I’ll also do one with gay books

(No 1950s lesbians because I don’t like pulp fiction :( )

[burningvelvet]

Why Mr. Rochester and Bertha Mason Couldn't Get a Legal Separation; or, the Utter Madness of Marital Laws

So I saw a Jane Eyre post discussing why Mr. Rochester and Bertha Mason couldn't get a legal marital separation. I've thought a lot about this topic, and in order to procrastinate writing the final for my upper-level Brontë class, I've decided to write this sort of convoluted analysis instead. I know many others have written about this subject, but I wanted to explore a bit further on my own.

Preliminary context about me, the Brontës, their Byronic inspiration, etc.: I've learned a lot about 19th century British marriage laws recently in my classes on old British literature, as well as by having studied Byron, whose marital separation in 1816 was a notorious part of his history & also reverberated through 19c literature. He refers to this separation in many of his works, most famously in his notorious poem "Fare Thee Well." Harriet Beecher Stowe, the most famous American female writer at the time, was friends with Lady Byron and wrote a book defending her called "Lady Byron Vindicated: A history of the Byron controversy from its beginning in 1816 to the present time" (the original callout post).

Insanity accusations did factor in to Byron's separation. Many scholars have remarked how the Queens of Byronic Criticism, the Brontë sisters, took significant inspiration from their well-worn copy of Moore's biography Life of Byron when creating their works. The Brontës would have been very familiar with marriage laws not only due to their knowledge of Byron's trainwreck of a marriage, but also due to being well-educated women at the time who knew that marriage was the most important economic decision of one's life and could very well make or break a person. As a result, marriage plays a significant role in their novels.

More relevant preliminary context about the novel: Jane Eyre actually takes place in the Georgian era, despite most adaptations and anaysis presenting is as a Victorian piece due to the novels publication date (this drives me crazy; same goes for the other Brontë books). Marriage laws did not change drastically from the time the novel is set to the time Brontë was writing the novel, but things were a bit different socially. Rochester was also married 15 years before his attempt to marry Jane. According to this very good analysis, Rochester and Bertha probably married in or around the year 1793: https://jane-eyre.guidesite.co.uk/timeline.

Now, here are the reasons why Rochester couldn't separate from Bertha:

1) Insanity wasn't grounds for divorce/separation in the Regency era.

Rochester himself says that he couldn't legally separate from her because of her insanity, which presumably rendered any of her faults null on the grounds of that marital vow "in sickness and in health." This is possibly one of his biggest reasons:

"I was rich enough now – yet poor to hideous indigence: a nature the most gross, impure, depraved I ever saw, was associated with mine, and called by the law and by society a part of me. And I could not rid myself of it by any legal procedings: for the doctors now discovered that my wife was mad — her excesses had prematurely developed the germs of insanity [..]"

2) Divorce was nearly impossible anyway.

There had only been around 300 divorces in English history at the time. Almost all of them were husbands divorcing their wives for committing adultery. Only a handful of divorces had succesfully been obtained by women, and they were only in cases where the husband had committed incestuous adultery or bigamy, and was extremely physically cruel. So technically after his bigamy attempt, Bertha may have had more grounds to obtain a divorce than Rochester would have, if only she were lucid enough to do so. However, in that scenario infertility would have helped their case, and Adèle's existence would have harmed their case if he attempted to seek a divorce before marrying Jane. Though as the novel explains, Adèle is probably not his, she definitely would have been used against him, as would the fact that he kept Bertha's existence a secret in England. But he wouldn't have tried for divorce that late in the game anyway, considering it was one of the most difficult options.

3) Female adultery was your best bet at divorce or separation, and this probably wasn't applicable to Mr. & Mrs. Rochester.

Although some scholars claim that there is subtext hinting that Bertha was adulterous (which some adaptations, like the 2006, include), you needed substantial proof of the adultery, which Rochester may not have had if it did occur. Being a proud man, he also wouldn't have wanted to be humiliated in that way by letting it be publicly known (as shame is one of his main reasons for hiding their marriage to begin with).

However, I lean toward the idea that Bertha may not have committed adultery. If she definitively did, seeing how affected Rochester was by Céline cheating on him (he shot her lover in revenge and left her with a stipend), if he ever suspected adultery on Bertha's part then I'm sure he would have been at court the very next day. I also think Rochester tries not to be too much of a hypocrite, and he is well aware that he himself is an adulterer, so he probably doesn't want to accuse Bertha of a crime he's committed and which he couldn't definitively prove she did.

Rochester does talk about hating Bertha's "vices" when they lived together, citing drinking, arguing, cruelty to servants, cursing, her being "unchaste," a "harlot," etc. - the last epithets, combined with her supposed lack of morality, and her being described as seductive, heavily imply that adultery could be added to her list of offenses. However, if she did truly cheat on him as well, I don't see why he wouldn't plainly tell this to Jane as well. I would imagine it would be his first complaint, and it would probably be considered his most justifiable reason against her by their cultural standards.

I don't see why he wouldn't jump to take Bertha's infidelity as an opportunity to defend his own actions, considering how open he is with Jane about his own adultery and being cheated on by Cèline Varens. While I can see how some of the textual evidence may strongly suggest Bertha's adultery, we cannot be fully certain, and that may be because Rochester himself is not fully certain. I cannot see why he wouldn't have sought legal advice on that account alone.

In short, if Bertha was an adulterer, there must have been no evidence to convict her.

Also: while the double-standard may seem odd and trivial to us, the reason why female adultery held more weight than male adultery has entirely to due with old patriarchal inheritance laws; i.e the risk of a wife getting extramaritally pregnant and passing the illegitimate child off as her husband's heir was considered too great of an affront. A man could have as many bastards as he wanted because he would know they were bastards and were not at risk of inheriting his stuff. One needed legitimate heirs to justify passing on one's ancestral wealth to. Essentially, marriage was a mere economic tool, and the economy was and is inherently patriarchal. I digress.

4) Rochester's lack of social & economic leverage, and risk of social ruin in general.

Only the wealthiest of the wealthy could obtain divorce or official separation, and it often led to social ruin. Rochester is rich, but he has no title and no great network of supporters due to being a younger son and having been abroad for most of the past 15 years (this was the length of his marriage to Bertha, stated by Mr. Briggs during the bigamous wedding attempt). He doesn't have as much leverage as Lord and Lady Byron had.

To continue on official separation, like Lady and Lord Byron obtained. Just like divorce, this was also a messy and scandalous legal proceeding, and required numerous good reasons to obtain, and being well-connected Lords and Ladies really helped your case. You also needed many witnesses and written statements as evidence. Bertha's family, as we see with Mason, would have been unhelpful to Rochester, and due to his shame and secrecy, no one could really testify on his behalf I'm assuming.

5) Unofficial separation would have been inconvenient, especially in regards to living situations.

Aside from divorce, which was extremely rare, extremely controversial, and only for the wealthiest members of society — there were unofficial and official separations. An unofficial separation was simply living apart from one another. I've often wondered why Rochester didn't simply move Grace Poole and Bertha somewhere else, but my main theory is that it would have been cost ineffective, and due to his family who were implied to be shitty, he probably really didn't want to live at Thornfield anyway so thought it would be convenient to place her there. Rochester says it would be dangerous to place her in his other residence of Ferndean:

"[..] though I possess an old house, Ferndean Manor, even more retired and hidden than this, where I could have lodged her safely enough, had not a scruple about the unhealthiness of the situation, in the heart of a wood, made my conscience recoil from the arrangement. Probably those damp walls would soon have eased me of her charge: but to each villain his own vice; and mine is not a tendency to indirect assassination, even of what I most hate."

6) Annulment was likely impossible given their circumstances.

Annulment means evaporating the marriage, acting as if it never existed, that it was a mistake. This was rare and only granted in unique circumstances, and I believe it was more common with aristocracy and royals. I believe you could possibly get an annulment if you could prove that the spouse was insane at the time of the wedding and you did not know. However, Bertha did not begin to truly deteriorate until after they had been living together for a bit. And while Rochester says that he did not know her mother was in an asylum until after the wedding, having an insane mother doesn't mean that you are insane, which Bertha clearly wasn't at that point, at least not in a way that people would have publicly acknowledged, since Rochester says she attended parties and her hand was highly sought after.

Generally, the longer a marriage had gone on, the harder it was to prove why it could not go on. Rochester says that he and Bertha "lived together" for "four years" in Jamaica while her condition deteriorated and he tried to make things work. And again, after the wedding he found out her mother was "mad, and shut up in a lunatic asylum." So we have more reasons for Rochester's difficulty: the fear of Bertha going to an asylum while she was still mostly lucid in those first four years, combined with the fact that they openly lived together and certainly must have consummated their marriage (things which would further prevent annulment), and were certainly publicly recognized as a couple in Spanish Town society, and her family wanting the marriage to continue so she could have children of "good race" i.e. to produce heirs.

Here's an important passage that to me suggests that Rochester and Bertha not only had an initial flirtation but likely consummated their marriage, likely had a passionate sexual relationship for some time, and likely implies his feelings for her were more complex than we'd initially assume, making annulment not so clear-cut of an option to him at the time:

"My father said nothing about her money; but he told me Miss Mason was the boast of Spanish Town for her beauty: and this was no lie. I found her a fine woman, in the style of Blanche Ingram; tall, dark, and majestic. Her family wished to secure me because I was of a good race; and so did she. They showed her to me in parties, splendidly dressed. I seldom saw her alone, and had very little private conversation with her. She flattered me, and lavishly displayed for my pleasure her charms and accomplishments. All the men in her circle seemed to admire her and envy me. I was dazzled, stimulated: my senses were excited; and being ignorant, raw, and inexperienced, I thought I loved her. There is no folly so besotted that the idiotic rivalries of society, the prurience, the rashness, the blindness of youth, will not hurry a man to its commission. Her relatives encouraged me; competitors piqued me; she allured me: a marriage was achieved almost before I knew where I was. Oh, I have no respect for myself when I think of that act! — an agony of inward contempt masters me. I never loved, I never esteemed, I did not even know her."

7) Spousal abandonment wasn't possible, and on some level he honored his legal and financial obligations to her and the Mason family.

Bertha's family likely refused to house her for legal and personal reasons, and spousal abandonment was forbidden due to the husband's financial responsibility as well as the law of coverture (a wife became her husband's full legal responsibility; some say "property"). Like we see in Anne's Tenant of Wildfell Hall, if a woman ran away from their spouse they would have to live in obscurity and be at risk of being sussed out. You couldn't just abandon your partner. Still, people did, because it was the easiest route to take.

But the more upper-class you were, and the more financial entanglements you had, the more inconvenient this was. We know that Rochester and his family became enmeshed with the Mason family, and he got a lot of money from Bertha, so her father likely would have taken him to court. At any rate, Rochester was legally bound to bring Bertha with him to England when he left Jamaica. If he attempted to abandon her in Jamaica, the backlash it would have brought would have brought him social ruin and foiled his chances at getting away with any bigamy attempts.

All this brings us to a further notice of Bertha's family situation. Based on Charlotte Brontë's positive comments about Rochester's character (https://www.tumblr.com/burningvelvet/731403104856195072/in-a-letter-to-w-s-williams-14-august-1848) I see no reason to suspect him, like many feminist critics do, of being an unreliable narrator or of lying about Bertha Mason's history. Everyone is entitled to their opinions, and in mine, that is simply not the novel Charlotte wrote. By her own admission, she wanted his narrative to be a path to further goodness.

It makes no narrative sense for our explanation of his and Bertha's history to be full of lies when he's trying to make ammends with Jane, who never suspects him of lying during his admission, but who does critique him and figure he'd tire of her like she was one of his many mistresses. Jane wonders if Rochester would lock her in an attic too, which he refutes on the basis that he loves her more than he loved Bertha when she was sane, and so he would care for Jane himself. Jane also tells him that it's not Bertha's fault that she's mad. So in my opinion, if Charlotte wanted us to believe Rochester was lying about his and Bertha's history to make himself look better or Bertha look worse, I don't see why she would have been vague about it, and I don't see why Jane wouldn't have called it out like she does everything else. I don't think Rochester is really a villain who locked his harmless wife in the attic for giggles; I think he weighed most of his options and found, like most people back then and even today, that keeping his problems locked up and ignored was the best solution.

Now, on with the point. I have often wondered why Rochester didn't simply "unofficially separate" from Bertha by leaving her with her family when he left. Why did he take her to England? Why didn't he just run away? It wasn't because he was an evil villain who wanted to keep her as a trophy. It's because 1) I don't think her father would have let him, as he was so quick to marry her off, 2) he felt obligated to her, and 3) it was criminal for men to abandon their wives, and it would have attracted publicity, which is what Rochester was avoiding by taking Bertha to England and sheltering her in secrecy.

Many claim that Rochester's adultery is a betrayal of his wife; and while religiously, narratively, socially, we can accept this statement, it was not legally a crime. While Rochester does honor his financial and legal obligations to his wife and her family, he does not take the religious part of the vows into account, and that's why he's cosmically punished and only rewarded after he repents, as he explains toward the end of the novel.

Another interesting point is that when Rochester recounts his decision to move back to England, he tells us that Bertha had already been declared insane in Jamaica and that she was already confined there (presumably around the 4 year anniversary before they left), meaning her father probably knew about confinement:

"One night I had been awakened by her yells (since the medical men had pronounced her mad, she had of course been shut up) — it was a fiery West Indian night; [..]"

Locking away "insane" people was standard procedure then, and if this was done with Bertha's father's knowledge, considering he locked his own wife away in an asylum, then this further absolves Rochester of a lot of the blame in my opinion. It more than likely wasn't his idea to lock her away, but the advice of "the medical men" and presumably her father's consultation as well.

8) Even if he divorced or separated from her, he couldn't remarry. Attempting these, or getting caught attempting abandonment, would have brought negative publicity that would have likely prevented the success of any future bigamy attempts. To him, secrecy and bigamy seemed better chances at securing happiness than the social ruin and likely failure the other options would have brought him.

Aside from Rochester's own explanation (which I supplied in #2 re: the separation veto inherent to Bertha's insanity), the other biggest reason as to why Rochester wouldn't seek a separation/divorce even if she hadn't been declared insane and even if he were willing to accuse her of adultery truthfully or not, is due to the fact that one could not legally remarry upon separation or divorce (unless you were Henry VIII and got God's permission lol). Rochester's impossible dream is that he wants to be married to someone he really loves, and if secrecy and bigamy are his only options then he is willing to succumb; this is shown in numerous passages:

"[..] I could reform — I have strength yet for that — if— but where is the use of thinking of it, hampered, burdened, cursed as I am? Besides, since happiness is irrevocably denied me, I have a right to get pleasure out of life: and I will get it, cost what it may."

"I will keep my word: I will break obstacles to happiness, to goodness — yes, goodness; I wish to be a better man than I have been; than I am — as Job's leviathan broke the spear, the dart, and the habergeon, hinderances which others count as iron and brass, I will esteem but straw and rotten wood."

"Is there not love in my heart, and constancy in my resolves? It will expiate at God's tribunal. I know my Maker sanctions what I do. For the world's judgment — I wash my hands thereof. For man's opinion — I defy it."

Closing remarks on the above's validity: I can't cite all my sources because a lot of this stuff I learned from lectures via my professor who specializes in 19th century English literature & history. But here's some recently published information from a historian, taken from "Inside the World of Bridgerton: True Stories of Regency High Society" by Catherine Curzon (2023):

"And if you were one of the newly-weds, you really did hope things would work out, because in the Regency till death do us part wasn't just an expression. As the Prince Regent himself had learned when he separated from his wife within eighteen months of their marriage, obtaining a divorce in Regency England was no easy matter. He never achieved it, and for those who did the stakes could be high and the cost ruinous in every sense."

"Until the passing of the Matrimonial Causes Act of 1857, which legalized divorce in the civil courts, it was governed by the ecclesiastical courts, and the Church didn't end a marriage without very, very good reason. Even these divorces didn't allow a couple to remarry, though, and they were more akin to what we would today call a legal separation, with no shared legal or financial responsibilities going forward. It was freedom, but only to a point."

"The only way to obtain a complete dissolution that allowed for remarriage was to secure a parliamentary divorce, and these were notoriously difficult to obtain. They began with a criminal conversation case, because they relied on adultery by one of the parties to make them even a slight possibility. If a woman committed crim. con., her life in polite society was over."

[chaifootsteps]

Hey I saw someone on Twitter saying you’re transphobic because it said in your Twitter bio “IDW Arcee is still a guy” even though the character is canonically trans. What’s your take on that? I’m not attacking you or anything I just genuinely want to know the context of all that.

Oh boy. Strap yourselves in kids; time for Chai's villain origin story.

So basically, IDW Arcee made his debut under the pen of Simon Furman, the dude who created Arcee in the first place. Simon Furman has a small massive chip on his shoulder over the notion of girl robots, but we're going to be talking in mostly Watsonian terms for now. IDW Arcee as he comes on the scene in Spotlight Arcee is the victim of a nonconsensual forced sex reassignment, we see right off the bat that this destroyed his life.

He's wracked with trauma and dysphoria over this, on a do-or-die quest to take out the mad scientist who did it (he succeeds and tortures said scientist for seven years straight), and is implied to suffer chronic pain.

This got a lot of criticism, but Simon Furman insisted it wasn't meant to be transphobic, just the opposite. When someone pointed out that this was a story about how traumatic it was to be assigned a gender you didn't feel was the one you should have, Furman agreed with this take.

Eventually Furman was shooed out and John Barber was brought in as writer, and nobody seemed to know how to deal with Arcee's backstory. So they just kind of...didn't. They wrote around it for eight whole years, never really acknowledging it, but frequently alluding to how traumatized he was from it. The only person to ever roll up their sleeves and tackle it head on was Mairghread Scott, the only person IMO to ever do justice to IDW Arcee.

By the way, this panel made me weep. This issue also includes a fleeting, but notable moment where someone refers to Arcee with they/them pronouns, and at the time, I was extremely excited for this.

Shortly after this however, the comic came to an end and John Barber decided -- in the very last issue -- to bring in an expert. And by this, I mean he found some trans lady on Twitter and let her write Arcee. The last issue has Arcee concluding that the whole sex change was consensual and the violent murder spree was the result of, I quote, "bad meds."

Yeah, basically Arcee killed all those people because the Spiro was a little off.

I got into a lot of internet fights with people over this back in the day, criticizing it for being worse than what we started with, but also frequently pointing out that it wasn't Twitter lady's fault, as she wasn't the editor-in-chief at IDW and that there's a very good reason professional writers aren't supposed to do this sort of thing. In return, I got accused of hating trans women and still get some real ugly things in the inbox about it to this day. It was the first taste, bitter as wormwood, of what I as a trans man could expect from my own community.

Regardless of all that, Arcee is probably the most important fictional character to ever enter my life. He helped me realize I was trans, got me through some dark days, got me through heartbreak and top surgery. He saved my life a few times, and every so often he continues to. I owe so much to him.

If writing a very gentle fix-it fic where Arcee has a long talk with Anode (one of the trans lesbian bots from the vastly superior sister series James Roberts wrote) makes me a transphobe in these peoples' eyes, so be it. I don't care what they think. They never reached out to baby trans Chai and held his hand and kept him breathing.

Arcee did.

[skaruresonic]

idk why so many antis took the whole "like long lost sibling would " on that alt text for the promo of dark beginnings as canon and 'solid evidence' that shadria have a sibling relationship when the text can also be read as sarcastic or mocking? I might be reaching but sarcasm doesn't really translate well in text but putting any indication like ' or () when it doesn't flow in the original text always feels like somebody making snarky comment to me, idk to me personally I could argue w antis that it mocking them by being like 'isn't this obvious ship bait totally platonic' ¯\_(ツ)_/¯

Idk it just so annoying to see so many antis go 'haha shadria fans must be weeping' when it a fucking alt text on a promo that I doubt any writers or higher up would quality check in comparison to the fact in canon that shadria has yet to be label unlike other characters in the series as well as ignoring how many opportunities the series had to outright have shadow call Maria his sister no media be it games, shows or comics has him calling her sister or vice versa. So unless the new game outright has him referring to her as sister in all languages, shadria will still be a valid ship and even if that does happen it still won't erase all the moments the two had either shippers r still gonna ship.

I don't understand why antis think one little text line that not even in any media is gonna make Sharia shipper suddenly stop. Apology for ranting but omg it so annoying seeing anti act so high n mighty over something so trivial 💀

Personally, I'm inclined to agree with Beev on this one. It seems like they threw in "as long-lost siblings would" in order to placate the antis. Which would, ironically enough, imply an awareness that the piece could be read as romantic.

There was really no need for a parenthetical note to dictate the tone of the piece. If they left it at "Shadow and Maria reach out for one another in an infinite abyss," the reader could interpret it any way they want.

(Random tangent, but describing space as an "infinite abyss" also strikes me as a bit strange. You can see stars in the piece.)

I think SoA knows the flavor of the food they've been serving us recently, but they did this as a sort of PR move to cover their asses. They might be worried about losing face with Shadria antis, who form a not-unsizable portion of fandom now compared to Shadria shippers.

...but I mean. Come on. There's no way they're not aware.

And the thing is, it's not like the manga or anything else is explicitly confirming the dynamic is definitely romantic, either. It's not like we shippers aren't aware we have our ship goggles on; we just wanna vibe in our space.

Ever since playing SA2 as a kid and wondering if Shadow was in love with Maria, I've always had the feeling that their dynamic was supposed to be left open to interpretation. Antis want to impose their reading upon pain of accusing you of being a freak, while the shippers are more like "haha... unless?"

Also, it's really funny to think this is the ship they consider worth calling people "demented dogs" over. Have you literally played any other video game ever? Read any book? Watched any movie? Oh no, a ship the game probably wanted us to ship a little! OOGA-BOOGA.

This is probably one of the least problematic ships in existence tbh. Methinks the antis doth protest too much.

Besides, you're (general you) being disingenuous to claim there are no undertones whatsoever. Why include them if the dynamic is only supposed to be interpreted a certain way?

Using Sonic X as an example of what I'm talking about might be cheating, but since it's about as non-canon as the manga appears to be, it seems fair to mention it.

In Sonic X, Shadow also tends to recall Maria through a romanticized filter; he remembers her as being extra beautiful and ethereal compared to other characters who recall her as simply an ordinary girl.

Compare Shadow's flashbacks to the flashbacks of the soldier who shot her:

In the soldier's flashback, Maria is just a frightened child who pulls the lever. We're not shown her body, but rather his reaction:

In Shadow's flashbacks, Maria slumps tragically to the ground and/or lies on the ground, calmly speaking her last words while bathed in soft blue light.

There's a heightened sentimentality to Shadow's memories of Maria which serves to emphasize, I guess, the "beauty" that the ARK tragedy took from him. Considering Shadow is stated to like "nothing," maybe he finds nothing or no one else as beautiful.

Not that her death wasn't tragic in and of itself, but there's a marked difference in tone. One feels like a child's senseless death viewed from the POV of the man who killed her, and the other feels like... to be frank... something romance anime-coded.

It's worth noting that Shadow maintains this romanticized filter even when fantasizing about an alternate timeline where she survived (or perhaps the future they had been looking forward to after she was cured), so you can't always chalk it up to a product of Gerald's brainwashing:

...let's unpack this on the therapist's couch, hmm?

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I don't understand why antis think one little text line that not even in any media is gonna make Sharia shipper suddenly stop.

Very true, and it's a fool's errand to try. I was going to reblog that piece without tags, as per usual, but I decided to tag it as "Shadria" just to flip antis off. Fuck you, you can't tell me what to ship on my own blog. xP

(also tagged it "Shadria" because "Shadria" was the original ship name and it's still a perfectly good ship name. it's a pet peeve of mine, how antis chased shippers off the Shadria tag and forced them to come up with less elegant portmanteaus. "Shadaria" and "Mariadow" sound so much clunkier than "Shadria")

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Apology for ranting but omg it so annoying seeing anti act so high n mighty over something so trivial 💀

No worries, antis are annoying at best. Wish they would just go away. >.>